Gabriela Mikulková

Lukas' mother has the last hours of her life left. Her biggest wish is for Lukas to have a child. So Lukas asks his neighbor Natalie, who is five months pregnant, to visit his mother in the hospital and tell her that she is going to have his baby. His mother is finally happy - Lukas fulfilled her greatest wish. Soon after, they receive some very happy news - a new heart donor has been found. After the operation, Lukas and Natalie must keep up the act to avoid upsetting his recovering mother. As they play the devoted couple, the web of lies expands, ensnaring family friends and Lukas's colleagues. The deception starts to turn Lukas's life upside down.

Dušan's life falls apart after breaking up with his girlfriend. In an effort to win her back, he turns his attention to where there is an answer to everything. To young self-confident speakers and motivators, to personal coaches, to gods of success. Dušan has questions, they have answers. Dušan is broken, they are full of energy. Dušan needs his girlfriend back, they have the recipe. Dušan may just be a sheep, but even they can sometimes eat first. And what if it ends up getting messed up somehow.

Beata Parkanová, the filmmaker behind Moments, returns to Karlovy Vary with an exceptionally vivid portrait of the family of notary Václav Vojíř, a small-town moral authority, and his selfless wife Věra. This masterfully told and highly original intimate drama, whose protagonists undergo a difficult ordeal in the summer of 1968, is reinforced by finely wrought, exquisite performances from Martin Finger and Gabriela Mikulková.

Occult short film from early medieval age

Petr is a courier, a messenger as a matter of fact. He is one of those young men who believe that on their bikes they have become part and parcel of the atmosphere of modern cities. He is a non-conformist who refuses to settle into today‘s deformed society, he abhors its indolence, consumerism and lies, as well as its pseudo-truths, pseudo-feelings, pseudo-loves and pseudo-values. Petr’s untrammelled personality keeps causing more and more serious problems. And Petr is also one of those who will never admit to themselves that they might be at the end of their tether.

Adolescence is always a difficult time; it is doubly so for Gábina. For one thing, she is growing up in the normalization years of the 1970s, and then she also has to face the reality that her father is a well-known actor disavowed by the regime. Although he abandoned the family years before, his existence casts an ominous shadow over the lives of not only Gábina, but also her older sister and mother, who are trying to find a civilized way through the social mire of the times.