Tainui Stephens

When young Brian discovers plans to close a convent of delightfully eccentric nuns, he sets off with them on a wild road trip across New Zealand to save their home.

Documentary Hautoa Mā! The Rise of Māori Cinema reveals the remarkable impact Māori have made on New Zealand cinema.

Hone is the last of the old time gravediggers. He links the living with the dead. He is the keeper of their secrets. Tana is Hone’s apprentice who respects his uncle and doesn’t mind the physical work. However he finds the spiritual side of the job unnerving. Hone worries that Tana may not be able to pick up the role of the gravedigger and all that it entails. A series of incidents in the urupa (graveyard) lead them to both make final decisions.

In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled to the Ureweras and documented the lives of an elderly Māori woman (Puhi) and her schizophrenic son (Niki).

Upcoming Māori monster thriller.

Barry Barclay was a New Zealand/Aotearoa director of documentaries and feature films. He is regarded as one of the world's first, and very influential, Indigenous film makers. The film The Camera on The Shore is a feature length introduction to Barry, and to his film making.

When young Brian discovers plans to close a convent of delightfully eccentric nuns, he sets off with them on a wild road trip across New Zealand to save their home.

Documentary Hautoa Mā! The Rise of Māori Cinema reveals the remarkable impact Māori have made on New Zealand cinema.

Hone is the last of the old time gravediggers. He links the living with the dead. He is the keeper of their secrets. Tana is Hone’s apprentice who respects his uncle and doesn’t mind the physical work. However he finds the spiritual side of the job unnerving. Hone worries that Tana may not be able to pick up the role of the gravedigger and all that it entails. A series of incidents in the urupa (graveyard) lead them to both make final decisions.

In Rain of the Children, Ward further explores the subject of his earlier film, In Spring One Plants Alone when, as a young film student he travelled to the Ureweras and documented the lives of an elderly Māori woman (Puhi) and her schizophrenic son (Niki).

Upcoming Māori monster thriller.

The story of Dame Whina Cooper, the beloved Māori matriarch who worked tirelessly to improve the rights of her people, especially women. Flawed yet resilient, Whina tells the story of a woman formed by tradition, compelled by innovation, and guided by an instinct for equality and justice whose legacy as the Te Whaea o te Motu (Mother of the Nation) was an inspiration to an entire country.

A boy witnesses the seemingly magic powers of his Aunties and the continuation of tradition.

Set in 1870's Taranaki, Aotearoa. The Land Wars in Aotearoa are over. A Taranaki hapū is planning a feast with Pākehā former soldiers to mark the start of more peaceful times. Not all is what it seems.

A special documentary on the Māori Battalion rifle company 'D Company', nicknamed 'Ngāti Walkabout', who covered the entire South Island, the lower section of the North Island, and some of NZ's protectorate Islands. Includes the stories from whānau Preece, Ellison, Huata, and Love.