Sophie Pincemaille

Miriam and Antoine have recently separated. While she’s willing to permit their 17-year-old daughter Josephine to decide living arrangements for herself, Miriam is desperate to keep her youngest, 11-year-old Julien, away from his father. But the magistrate rules in favour of joint custody, and suddenly the boy is thrown directly into the middle of an escalating parental conflict, where it seems inevitable that sides must be chosen.

To celebrate this anniversary, CANAL+ is presenting a special prime-time program titled “40.” It’s an opportunity to defy the passage of time by revisiting some of the defining moments of pop culture in general and CANAL+ in particular. More than sixty—that’s the number of talents, artists, and actors whom the channel has had the privilege of watching emerge, flourish, or grow, and who have reimagined in their own way the films, series, and short-form programs that have shaped our shared history since November 4, 1984. On the stage of the Folies Bergère, Antoine de Caunes gracefully and effortlessly bridges the gap between 1984 and 2024 to host this evening, which alternates between studio segments, pre-recorded footage, and live performances.

Paris, spring 2015. Faustine travels to Syria with her little son to join ISIS; but, once in Raqqa, she soon realizes the hell she is gotten herself into. Her husband Sylvain quickly understands that the French government is powerless to help him, so he plans with some friends a high-risk extraction operation to get his family back.

Camille is a 6-year-old boy, but Camille feels like a girl. For Carnival, Camille goes to school dressed as a princess despite the school’s refusal to recognize Camille as a girl. The principal summons her mother for a final confrontation.

Burgundy, France. Solange's 60th birthday celebrations are violently interrupted by her estranged brother, Bernard. His outburst will reawaken painful memories and reveal untold stories of the Algerian War.

During the last days of Stalin's reign, a doctor (Marina Hands) tries to go unnoticed in a society of mutual dread where a neighbour or colleague might "denounce" you to the authorities at any moment.But tales of her healing touch have spread and one night she is taken away, not to the infamous Lubyanka prison, but to the Kremlin to attend the ailing Comrade Stalin himself. Uncle Joe (André Dussollier), an old man racked with pain but still as watchful and deadly as a snake.

After a visit to the Natural History Museum in Paris, Simon Esich is convinced that a prehistoric man has escaped from the Evolution Gallery and is meddling in his life as a modern male. He realizes that this life coach of a new type could help him regain his lost virility and win back his wife Camille, who is becoming increasingly distant since a recent promotion and the appearance of Antoine, a handsome hunk with a devastating smile.