Anita Terrana

The Bulhosa family lands a century later—this time in the 1930s, at the start of the Vargas Era—yet retains the mannerisms and all the eccentricity characteristic of the clan.

Expelled from the mansion where he was raised, driver Mariel becomes wealthy as a religious leader, while the Tavares Branco family goes into financial ruin.

Brazilian film made following Dogma 95 rules but without the certificate.

No synopsis available yet.

Joana is a young university student who recently discovered herself as a lesbian. In one of the traditional lunches at the house of his grandmother Clarissa, his cousin Joaquim unleashes the question that gives title to the film. The question shocks not only Clarissa, but also Joan, who, to avoid facing the question and its repercussions, detaches herself from that moment and begins to revisit her childhood memories in that house. A figure stands out among these memories: that of his aunt Carolina, a great friend of his grandmother, who was always around. Little by little, Joan understood that the constant presence of Carolina was not just by chance, and did not mean to her grandmother Clarissa just a friendship. This walk through the past awakens Joana to the possibility of sharing more with her grandmother than she had imagined.

A customs agent, Dr. Amnésio, examines some reels of film, a documentary Orson Welles made about Brazil, and tries to confiscate the material. Then, a party in which repression agents celebrate their victory against freedom and creativity.

The Bulhosa family lands a century later—this time in the 1930s, at the start of the Vargas Era—yet retains the mannerisms and all the eccentricity characteristic of the clan.

Expelled from the mansion where he was raised, driver Mariel becomes wealthy as a religious leader, while the Tavares Branco family goes into financial ruin.

No synopsis available yet.