Taizō Fukami

Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

Japanese film based on the life of writer Ichiyo Higuchi (1872-1896).

Three bank robbers, Eijima, Nojiri, and Takasugi, flee the police and escape into the mountains. At an inn high in the Japanese Alps, Eijima and Nojiri encounter a young woman and her father, as well as Honda, a mountaineer. The inn folk do not realize their guests are wanted criminals and the visitors are treated with great kindness. Honda volunteers to lead them over the mountains, but Eijima's paranoia endangers all of them as they make the perilous trip.

1947 Toho film directed by Tadashi Imai

After her anti-fascist professor father is dismissed, Yukie navigates love, political repression, and wartime upheaval—ultimately forging her own path in pre- and post-WWII Japan.

A geisha in the Gion district of Kyoto feels obliged to help her lover when he asks to stay with her after going bankrupt and leaving his wife. However, her younger sister opposes this, thinking that they should both find wealthy patrons to support them.

No synopsis available yet.

Mikami, a Japanese soldier, is captured by Chinese forces. Although able to escape, he is treated with contempt by his peers. After falling in love with a prostitute named Harumi, she convinces him to desert the army and live with her.

A dangerous mobster threatens the life of a businessman's mother in this thriller. As Ryuji oversees the building of a bridge in Japan, a powerful gangster plans to stop the project. By any means necessary.

Based on the novel by proletarian writer Sunao Tokunaga. The story is about a long strike by workers at a large printing house and the strikers' steadfastness, which neither hunger nor violence could break. The heroine of this story actively participates in her colleagues' struggle against layoffs, oppression, and police brutality.

The second film in the "Suruga yukyoden" series, in which Shintaro Katsu plays Jirocho Shimizu. The film features Omasa, Komasa, Ocho, who will become Jirocho's wife, as well as other members of his future family. There is a particularly great swordfight near the end where Katsu and cronies attack the rival villainous yakuza clan to rescue their ailing, elderly boss. The action choreography, cinematography and editing of this sequence is quite brilliant, treading a difficult tightrope act between genuinely goofy antics and exhilirating, bloody violence.

Two brothers compete for the amorous favors of a young woman during a seaside summer of gambling, boating, and drinking.

Five women classmates from a college in Tokyo are on the first stretch of a walking tour when one of them, Masako, falls ill at a railway station. Osen, a middle-aged maid from a nearby inn, takes her in and nurses her, assisted by Dr. Minami, a young physician who diagnoses her illness as a mild case of pneumonia. With Masako in good hands and needing a few days to recuperate, her classmates continue their tour. Masako’s recovery, however, is hampered by her spoiled and immature nature and her determination to punish the world for the loss of her mother.

A sentimental tale of the filial love between shogun Iemitsu (matinee idol Hasegawa) and his loyal old retainer Hikoza (comedian Roppa, playing somewhat against type).

In post-war Japan, Michiko, a disillusioned young woman trapped in a loveless marriage, confides in her younger cousin, Tsutomo, and the two become close, but decide not to consummate their affair. He instead becomes involved with the flirtatious Tomiko, who is also conducting an affair with Michiko's husband. When Michiko finds that her husband has abandoned her, she decides to take her fate into her own hands.

AKA Family of Women. A story about a wealthy family and the greed and selfishness of three daughters and relatives, after the passing of their old father.

One day, a lone horseman rides into town with a wounded man strapped behind him. Joe, the Ace, had captured one of the bandits who had held up the armored payroll car headed for the dam construction site, takes the wounded man to the police and claims the reward offered. He is told to wait until the driver of the armored car returns to identify the bandit and goes over to the Blue Star where he is introduced to Mishima, the owner of the cabaret, who is highly respected in the town. Joe then meets Saburo, while fishing, and his lovely sister, who seem to sense the real man beneath the rough appearance and take him into their home. Word reaches Joe that the bandit he'd captured had been shot and he hurries over to the hospital.

The Fencing Master tells the story of a man trying to survive as the only world he knows is becoming increasingly irrelevant. Danpei Ichikawa lives for swordfighting – he was once a renowned kabuki swordfight choreographer, and as the Chairman of the New National Theatre Company, he wants nothing more than to choreograph the swordfights for the modern plays put on by the company.

This epic depicts the battle between Uesugi Kenshin and Takeda Shingen. The focus of the story is the struggle by the unit leader in charge of the main supply wagons and the supply troops to transport materiel to the Uesugi army. To this are added episodes involving an itinerant woman.

Set against the 1877 Satsuma Rebellion, two Osaka families navigate the radical social shifts of the early Meiji Era. As the merchant class ascends to economic prominence, the former samurai class faces a steady decline in status and traditional structure.

A bus making its precarious way across a winding mountain road picks up some unwelcome passengers.

Plans to build a touristic hot spring on the island of Izu Oshima run afoul of the Kobe yakuza group, which intends to use the island as a relay base for drug smuggling.

Keiko Yukawa is a former prostitute and the newest inmate at White Lily, a female rehabilitation facility.

The film was produced during Second Sino-Japanese War, before the Pearl Harbor Attack in 1941. The film mainly concerns the training of newly-recruited pilots and their daily life, then their subsequent fighting experiences in China. Army supported the production, providing all the authentic airplanes, training and actual actions. They even provided the older biplanes disguised as Chinese fighter planes. Obinata plays the trainer-turned-combat-leader, who is passionate and cool at the same time. All his boys love him, of course. The film is not as intense, full of sugar-coated camaraderie, until young pilots are killed in action one by one. Last twenty minutes are fairly grim, as the message of self-sacrifice is heard loud and clear.