Cosimo Messeri

To avoid being sued, a film director reluctantly agrees to set up and direct the Good Friday celebrations in a small Tuscan town.

Gaetano and Delia, a separated couple, try to pick up the pieces of their broken love, recalling all the faults and the mistakes which led them to where they are now.

Martino, a young entomologist in a sentimental crisis, returns to Rome to find his beloved uncle. As soon as he arrives, his uncle asks him to babysit the daughter of some friends. Once arrived at Linda's home, the little girl, Martino finds out that along with her there is also Lulù, her eccentric and unpredictable grandmother. Everything becomes more complicated when Martino receives the phone call of Tea, an old love encountered by accident right that afternoon. The woman is in danger and asks him for help. Martino, excited about the idea of saving her, is forced to bring the grandmother and child into a series of adventures and misadventures, encounters and unforeseen events, around a nocturnal Rome, seeking a new love.

After years of “director’s block”, discouraged by the failure of several of his film projects to ever see the light of day, a filmmaker (Cosimo Messeri) decides to come to terms with his own recent past. He decides to track down and interview the women he’d met on dating apps during that troubled time in his life. With the help of two friends, he turned this experiment into a film that is part-documentary, part-confessional. His encounters, memories, and often painful confrontations combine to form a portrait of man grappling repeatedly with defeat, missed opportunities, and the need to make sense of it all. In this sort of inventory of what is lost and what can be salvaged, he is surprised by something he didn’t expect to find: the chance and the will to start over.

Dino craft practice tattoos, Bruna is a beautician; their studies are facing each other. They learn of a mysterious treasure hidden in a chair that belonged to a woman now dead.

Martino, a young entomologist in a sentimental crisis, returns to Rome to find his beloved uncle. As soon as he arrives, his uncle asks him to babysit the daughter of some friends. Once arrived at Linda's home, the little girl, Martino finds out that along with her there is also Lulù, her eccentric and unpredictable grandmother. Everything becomes more complicated when Martino receives the phone call of Tea, an old love encountered by accident right that afternoon. The woman is in danger and asks him for help. Martino, excited about the idea of saving her, is forced to bring the grandmother and child into a series of adventures and misadventures, encounters and unforeseen events, around a nocturnal Rome, seeking a new love.

Martino, a young entomologist in a sentimental crisis, returns to Rome to find his beloved uncle. As soon as he arrives, his uncle asks him to babysit the daughter of some friends. Once arrived at Linda's home, the little girl, Martino finds out that along with her there is also Lulù, her eccentric and unpredictable grandmother. Everything becomes more complicated when Martino receives the phone call of Tea, an old love encountered by accident right that afternoon. The woman is in danger and asks him for help. Martino, excited about the idea of saving her, is forced to bring the grandmother and child into a series of adventures and misadventures, encounters and unforeseen events, around a nocturnal Rome, seeking a new love.

After years of “director’s block”, discouraged by the failure of several of his film projects to ever see the light of day, a filmmaker (Cosimo Messeri) decides to come to terms with his own recent past. He decides to track down and interview the women he’d met on dating apps during that troubled time in his life. With the help of two friends, he turned this experiment into a film that is part-documentary, part-confessional. His encounters, memories, and often painful confrontations combine to form a portrait of man grappling repeatedly with defeat, missed opportunities, and the need to make sense of it all. In this sort of inventory of what is lost and what can be salvaged, he is surprised by something he didn’t expect to find: the chance and the will to start over.

After years of “director’s block”, discouraged by the failure of several of his film projects to ever see the light of day, a filmmaker (Cosimo Messeri) decides to come to terms with his own recent past. He decides to track down and interview the women he’d met on dating apps during that troubled time in his life. With the help of two friends, he turned this experiment into a film that is part-documentary, part-confessional. His encounters, memories, and often painful confrontations combine to form a portrait of man grappling repeatedly with defeat, missed opportunities, and the need to make sense of it all. In this sort of inventory of what is lost and what can be salvaged, he is surprised by something he didn’t expect to find: the chance and the will to start over.

After years of “director’s block”, discouraged by the failure of several of his film projects to ever see the light of day, a filmmaker (Cosimo Messeri) decides to come to terms with his own recent past. He decides to track down and interview the women he’d met on dating apps during that troubled time in his life. With the help of two friends, he turned this experiment into a film that is part-documentary, part-confessional. His encounters, memories, and often painful confrontations combine to form a portrait of man grappling repeatedly with defeat, missed opportunities, and the need to make sense of it all. In this sort of inventory of what is lost and what can be salvaged, he is surprised by something he didn’t expect to find: the chance and the will to start over.

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