Arthur Bauer

A series of flashbacks where a penniless, friendless tramp and his dog relates the story of his downfall due to drink.

In the home of the stalwart young son and his mother, the girl rescued from the sea grows strong again after her fearful exposure. Her attractiveness, so different from that of the fisher maidens, has a telling effect on the young man. He asks her, at length, to become his bride, and she accepts. But a few days before the wedding the affianced bride disappears, sailing away with a strange man from the city, who has suddenly appeared. Thinking that his sweetheart had deserted him for another, the fisherman is heartbroken for a time, but gradually the keen edge of his sorrow wears away, and he succumbs to the attractions of another girl, one who had recently come to the village with her father, and who had lived together and alone at the end of the town.

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The film's heroine is a dancer of world-wide reputation who, in the days of her struggle, has offended the story's villain.

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No synopsis available yet.

When Mary Murdock is forced by circumstances to choose between the street and theft, she is caught breaking into the home of Robert Howard and is sentenced to prison. Unable to find employment after serving her prison term, Mary seeks out Howard and finds him about to commit suicide, depressed over his wife's leaving him for another man. Mary saves his life and convinces him to champion the cause of prison reform, in which he proves so successful that he is appointed warden, placing him in conflict with the political boss.

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No synopsis available yet.

Film realization of the Biblical story of Joseph, played here by future director James Cruze.

Ziegfeld Follies headliner Billie Burke starred in a handful of silent films, of which Arms and the Girl was the second. Burke plays an American lass who journeys to Europe to be reunited with her fiance. Not only has her sweetheart been unfaithful, but she arrives on the continent just as World War I breaks out.

The production vindicated the new feature-length movie format by restoring several characters, plot complications, and atmosphere that had been truncated in Thanhouser’s 1910 version of less than one-sixth the length.

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A dapper sergeant in the army won the love of a pretty young stenographer, and they had planned that as soon as his term of enlistment was up he would enter private life and marry her. The girl was employed by a firm who had offices in one of the tallest of New York's skyscrapers, and her sweetheart saw her there. She took him to her favorite observatory, the roof of the building, where he obtained a magnificent and uninterrupted view of the greatest city in the world. He, on his part, took his sweetheart to the army maneuvers, where she witnessed with delight the well drilled troops, but would not confess that there was one man among them who could not compare with the one of her choice. She was particularly interested in the signal corps, however, and at odd times the sergeant instructed her in the code until she had become fairly proficient in it.

A lonely little girl is befriended by Shep, a neighbor's collie. The girl meets an untimely death, leaving Shep behind.

The Thanhouser Company's two-reel adaptation of Oscar Wilde's eponymous novel. “The plot is unusual, and even though none of the familiar epigrams of the author find their way into the subtitles there is an artistic flavor to the production. Dorian's picture shows evidence in the passing years of his selfish, dissipated life, though his own countenance remains unchanged. Harris Gordon handles the leading role effectively, and Helen Fulton was pleasing as the ill-fated young actress who won Dorian's heart." - The Moving Picture World, July 31, 1915.

Nell leaves the farm to start a candy store in New York, but has a troubled start until she meets Jack Monroe, a young spendthrift who helps her attract business. They fall in love, marry, and move in with Jack's father. Nell soon discovers that Jack is a drug addict. In sympathy, Jack's father offers to annul the marriage, but Nell refuses, wishing instead to commit herself to the indefinite struggle of pursuing the road to Jack's rehabilitation.

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With younger brothers and sisters to support, Peggy takes on the task-heavy job as maid for Mrs. Stuyvesant. Peggy also manages to help the woman's children, a lovelorn daughter and a son who is the unwilling tool of spies.

The advantage of having the endorsement of a prominent and wealthy citizen was thoroughly appreciated by the "Flivver" manufacturers, but try as they could, they were unable to accomplish it. John T. Rocks, the richest man in the world, had been approached by clever representatives of the motor car company, but he declared that he never had ridden in an automobile and never would. The Flivver Company had a rule providing for the prompt discharge of any of their employees who married if their salaries were under $1,000 a year, so when the young clerk who was earning only $800 was married, he was told that his services were no longer required.

Lord Trevor and his ward, Nan Tremain are prominent figures in London society, as well as clandestine agents of the government. With the help of wealthy East Indian, Abdul, who posed as Trevor’s body servant, Nan dressed as a foreign noblewoman, recovers the plans of certain coast fortifications which had fallen into the hands of double agent, Col. Pfaff and would have been of irredeemable loss to her country had they reached another country.

The lead Florence La Badie plays dual roles. Clever editing is used for the scene where her two characters meet. La Badie, however, does appear twice within a scene via superimposition, but that's in a flashback-within-a-mirror scene. There are a couple such scenes where La Badie's reflection in the mirror reflects her reflective melancholy mood.

"In Hidden Valley," Valkyrien is a white goddess who has been captured by savage blacks in South Africa. She is found by a young missionary, played by Boyd Marshall, and rescued from a sacrificial altar. Valkyrien was selected as the most perfectly formed girl in Denmark in a competition conducted by the government. The dance of the white goddess before the natives is one of the most beautiful scenes in the production. The Moving Picture World, August 5, 1916

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