John Eliot Gardiner

This epic opera follows Virgil, beginning as the Greeks appear to have ceded the field after ten years of the Trojan War. Cassandra tries to warn of the terrible fate to come, but fate is set and Troy falls. The first two acts cover this tragic end, then the flight of survivors to Carthage and events at Carthage continue in acts 3 - 5, culminating in the further voyage for Italy and Rome. This is Virgil's classic epic, in operatic form, in about a three and a half hour performance from French Opera.

Mozart and Da Ponte use the theme of "fiancée swapping", which dates back to the 13th century; notable earlier versions are found in Boccaccio's Decameron and Shakespeare's play Cymbeline. Elements from Shakespeare's The Taming of the Shrew are also present. Furthermore, it incorporates elements of the myth of Procris as found in Ovid's Metamorphoses, vii.[10] Place: Naples Time: the 18th century

On Thursday 2 May 2019, the Monteverdi Choir and English Baroque Soloists, led by John Eliot Gardiner, brought a new production of Semele to “London’s oldest new theatre” at Alexandra Palace. This concert-staging of “Handel’s sexiest opera”, directed by Thomas Guthrie, was the only London date on a prestigious European tour. Featuring a young, glamorous cast of international soloists, the performance provided London audiences with a fuller version of the work, notably with some passages by Handel very rarely heard in modern performances.

In the magnificent rooms of the Galleria Borghese in Rome, John Eliot Gardiner and his ensembles The Monteverdi Choir and The English Baroque Soloists bring together the music of Claudio Monteverdi and the paintings of Caravaggio. The encounter of two works whose creators revolutionised their disciplines.

Film recording of Robert Wilson’s stage production of the opera by Gluck. John Eliot Gardiner conducts Berlioz’s 1859 revision of Gluck’s opera “Orphée et Eurydice” at the Théâtre du Châtelet in Paris. Soloists Magdalena Kožená, Madeline Bender and Patricia Petibon are accompanied by Gardiner’s regular chorus, The Monteverdi Choir, and the 19th-century period instruments of the Orchestre Révolutionnaire et Romantique.

Two of Mozart's best-loved choral works - the 1791 Requiem, and the Mass in C minor, both of which were unfinished when he died. Performed at the Palau de la Mùsica Catalana in Barcelona in December 1991 to commemorate the 200th anniversary of Mozart's death.

Inspired by his travels to the British Isles and full of the influence of the rolling Scottish landscape, both Mendelssohn’s Symphony No. 3 ‘Scottish’ and his Overture: The Hebrides are amongst the composer’s most popular and admired works. The London Symphony Orchestra present us with inspiring performances of these works, as well as a performance of Schumann’s Piano Concerto, featuring the celebrated pianist, Maria João Pires.

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This large-scale live recording (Gardiner's second) was made in Venice's St Mark's Basilica. It captures the drama as well as the ceremonial aspect of the work, despite sometimes cloudy recorded sound.” Gramophone Classical Music Guide. “Gardiner's second [recording of the Vespers], spectacularly recorded live in St Mark's, has a punchy choral sound, near-operatic solo singing (Bryn Terfel and Alistair Miles are among the basses), emphatic enunciation, big contrasts and deliberate exploitation of the building's spaces. Its outright theatricality sets it apart from other performances.

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John Eliot Gardiner goes in search of Bach the man and the musician. The famous portrait of Bach portrays a grumpy 62-year-old man in a wig and formal coat, yet his greatest works were composed 20 years earlier in an almost unrivalled blaze of creativity. We reveal a complex and passionate artist; a warm and convivial family man at the same time a rebellious spirit struggling with the hierarchies of state and church who wrote timeless music that is today known world-wide. Gardiner undertakes a 'Bach Tour' of Germany, and sifts the relatively few clues we have - some newly-found. Most of all, he uses the music to reveal the real Bach.

Documentary about sixteen great conductors of the 20th century.

Video of a performance from the Bach cantata pilgrimage undertaken by Sir John Eliot Gardiner, the Monteverdi Choir, and the English Baroque soloists in 2000 to mark the 250th anniversary of Bach's death, in which Gardiner conducts cantatas BWV 179, 199 & 113.

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This is a good video of "Figaro", but there are a couple of better ones available. The Bohm and the Pappano are better still due to the female members of the casts. The reason for buying this one is the "Figaro", Bryn Terfel. No one can top him today in that role. John Eliot Gardiner also stands out. Many of us have voiced their opinion that If the Metropolitan Opera would release it's 1998 version, that would be the one to get.

The Orchestre Philharmonique de Radio France performs a programme of French and Russian works with celebrated British conductor John Eliot Gardiner and acclaimed German violinist Isabelle Faust. Programme: Emmanuel Chabrier - Suite pastorale Igor Stravinsky – Violin Concerto in D Emmanuel Chabrier - España Claude Debussy – Images

A count has designs on his personal valet's fiancée and is determined to stop their wedding taking place. Meanwhile, the countess tries to regain her husband's love by any means necessary. Mozart's great comic opera is a tale of intrigue, misunderstanding and forgiveness. Christian Gerhaher plays the clever Figaro and Simon Keenlyside his aristocratic master in this revival of David McVicar's much-loved production at the Royal Opera House.

David McVicars Production of Rigoletto at the Royal Opera House 2012, with Dimitri Platanias, Ekaterina Siurina, Vittorio Grigolo and John Elliot Gardiner conducting.

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In the historic Weimar Herder Church Sir John Eliot Gardiner finds the perfect setting for his recording of the Bach Christmas Oratorio. Against the backdrop of the dramatic altar and Lucas Granach paintings, the Monteverdi Choir and the English Baroque Soloists perform Gardiner's new interpretation of this classic piece. For the renowned conductor, this Weimar concert is a special performance, marking the start of his Bach Cantata Pilgrimage. With this new interpretation of the Christmas Oratorio, Gardiner shows himself once again to be an incontestible specialist of Bach's music. Including two complementary documentaries: J.S. Bach: Jauchzet, frohlocket! An Introduction to the Christmas Oratorio presenting the best performers in their field, including John Eliot Gardiner, the Monteverdi Choir founded by him, the English Baroque Soloists, as well as other internationally-known vocal soloists.

John Eliot Gardiner leasd a brilliant cast in Mozart's beloved opera, Le Nozze Di Figaro. Recorded live in 1993, Bryn Terfel deftly tackles the roll of Figaro.

Considered to be one of the first operas in history, Monteverdi’s L’Orfeo (1607) re-enacts the tragic Greek saga of Orpheus and Euridice. In an attempt to bring his dead bride, Euridice, back to life, Orpheus descends to the underworld. But he fails to fulfil one vital condition: Orpheus is not allowed to look back at Euridice when she follows him back to the living world. Since he cannot prevent himself from turning around, his bride is forced to return to the world of the dead. Orpheus loses himself in the violence of grief, suffering but also growing and finally coming to a new and deeper understanding of himself. Called ‘a fable in music’ by Monteverdi, L’Orfeo was one of the most frequently performed operas of its era and is a magical introduction to Monteverdi’s probing investigation of human nature, character and desire by means of music.

The Orchestre Philharmonique de Radio France performs a programme of French and Russian works with celebrated British conductor John Eliot Gardiner and acclaimed German violinist Isabelle Faust. Programme: Emmanuel Chabrier - Suite pastorale Igor Stravinsky – Violin Concerto in D Emmanuel Chabrier - España Claude Debussy – Images