Giovanni Antonini

Mozart’s Così fan tutte returns to Teatro alla Scala in this January 2021 performance, streamed during the pandemic under the musical direction of Giovanni Antonini. The production revives Michael Hampe’s traditional staging, with Lorenza Cantini overseeing the revival and Mauro Pagano’s elegant, Neapolitan-inspired sets and costumes. The opera’s intricate comedy of fidelity, disguise and romantic deception unfolds through the experiment orchestrated by Don Alfonso, testing the love of two young couples. The cast features Eleonora Buratto as Fiordiligi, Emily d’Angelo as Dorabella, Bogdan Volkov as Ferrando, Alessio Arduini as Guglielmo, Federica Guida as Despina and Pietro Spagnoli as Don Alfonso.

No synopsis available yet.

When a monument of sacred music resonates in a spectacular architectural setting: the Orchestra and Choir of the Gran Teatre del Liceu deliver a grandiose performance of Mozart's ‘Requiem’ within the walls of Barcelona's Sagrada Família.

“Morning,” “Noon,” “Evening”: a day set to music by Joseph Haydn. Italian conductor Giovanni Antonini and his ensemble Il Giardino Armonico perform the Austrian composer’s symphonic trilogy in the sumptuous Haydn Hall of the Esterházy Palace in Austria, the very place where it was first performed. More than 250 years later, a true alchemy unfolds in this historic setting between the musicians and the three works.

No synopsis available yet.

Viva Vivaldi! is a concert by the Italian mezzo-soprano Cecilia Bartoli interspersing arias from the 20 surviving operas of Vivaldi with two concertos. Given with the early music ensemble Il Giardino Armonico before a very appreciative audience in the Théâtre des Champs-Élysées, the performance is part of Bartoli's exploration of the Venetian composer's opera music which also includes The Vivaldi Album. There is a startling dynamic energy, which contrasts powerfully with the more restrained interpretations by singers such as Emma Kirkby. Bartoli's natural Italian and the live atmosphere of Maria Grazia d'Alessio's oboe gives her interpretation of the quietly haunting and melodically rich "Non ti Lusinghi la Crudeltade" from Tito Manlio a particular piquancy. The Flautino Concerto is a most attractive interlude, while the more famous Lute/Violin Concerto beguiles with its exquisite lyricism.