Pablo Mazzolo

An impressionist, kinetic exploration through the natural landscape of Fish Point Provincial Nature Reserve on Pelee Island (Ontario, Canada).

On March 11, 2011, there was an earthquake in the coastal region of Tohoku (Japan). The rupture of tectonic plates expanded through an area of 100,000 sq km. On the other side of the Pacific Ocean, in the coastal area of Oaxaca (Mexico) a tsunami alert was issued.

De-electronation of a molecular entity as a result of photoexcitation. Light increases its oxidation state, at the same time it releases free radical electrons. Light goes through human work as a natural photodegradation. It mutates within its own limits, from a solar irradiation to its impossible perception in an absent retina.

In the mountains of Córdoba hides a historical scar. In 1575, hundreds of Hênia-Kâmîare women, children and elders jumped off in order to avoid slavery. A free, poetic view at the very place where the largest mass suicide in the history of the territory known today as Argentina took place. The film is a phantasmagoric trip within this geographical extension, taking it as a vast, green cemetery.

NN reanimates archival footage from an Argentinian newsreel. The film revolves around the specter of thousands of disappeared civilians during the last military dictatorship in Argentina (1976-1982), trying to offer a reflection on human subject as anonymity.

According to the Comechingones natives, Quilpo river dreams of big falls at least once a year. Whoever is near the river at the time will be part of its dreams forever. Shot in the sacred comechingones' shrine.

An impressionist, kinetic exploration through the natural landscape of Fish Point Provincial Nature Reserve on Pelee Island (Ontario, Canada).

On March 11, 2011, there was an earthquake in the coastal region of Tohoku (Japan). The rupture of tectonic plates expanded through an area of 100,000 sq km. On the other side of the Pacific Ocean, in the coastal area of Oaxaca (Mexico) a tsunami alert was issued.

On March 11, 2011, there was an earthquake in the coastal region of Tohoku (Japan). The rupture of tectonic plates expanded through an area of 100,000 sq km. On the other side of the Pacific Ocean, in the coastal area of Oaxaca (Mexico) a tsunami alert was issued.

De-electronation of a molecular entity as a result of photoexcitation. Light increases its oxidation state, at the same time it releases free radical electrons. Light goes through human work as a natural photodegradation. It mutates within its own limits, from a solar irradiation to its impossible perception in an absent retina.

In the mountains of Córdoba hides a historical scar. In 1575, hundreds of Hênia-Kâmîare women, children and elders jumped off in order to avoid slavery. A free, poetic view at the very place where the largest mass suicide in the history of the territory known today as Argentina took place. The film is a phantasmagoric trip within this geographical extension, taking it as a vast, green cemetery.

In the mountains of Córdoba hides a historical scar. In 1575, hundreds of Hênia-Kâmîare women, children and elders jumped off in order to avoid slavery. A free, poetic view at the very place where the largest mass suicide in the history of the territory known today as Argentina took place. The film is a phantasmagoric trip within this geographical extension, taking it as a vast, green cemetery.

In the mountains of Córdoba hides a historical scar. In 1575, hundreds of Hênia-Kâmîare women, children and elders jumped off in order to avoid slavery. A free, poetic view at the very place where the largest mass suicide in the history of the territory known today as Argentina took place. The film is a phantasmagoric trip within this geographical extension, taking it as a vast, green cemetery.

NN reanimates archival footage from an Argentinian newsreel. The film revolves around the specter of thousands of disappeared civilians during the last military dictatorship in Argentina (1976-1982), trying to offer a reflection on human subject as anonymity.

According to the Comechingones natives, Quilpo river dreams of big falls at least once a year. Whoever is near the river at the time will be part of its dreams forever. Shot in the sacred comechingones' shrine.

Conjectures about the animal that bumps into itself, aims for big things, and gets sick of it all.

Conjectures about the animal that bumps into itself, aims for big things, and gets sick of it all.

Fresh and highpaced short shows Julio, his relationship, his chaotic and emotional quest through Buenos Aires, his Brazilian friend, the things he found, his chair and the stories that belong with them.

Fresh and highpaced short shows Julio, his relationship, his chaotic and emotional quest through Buenos Aires, his Brazilian friend, the things he found, his chair and the stories that belong with them.

This short film is a part of a filmwork series about the proletarization of the light.

The Newest Olds is the second installment in Argentinian filmmaker Pablo Mazzolo’s cinematic diptych exploring the natural and urban environment within and surrounding the border region of Windsor–Detroit. Completed seven years after the release of Fish Point (2015), Mazollo’s revelatory study of light and landscape that animated the deciduous forest harbours and rare ecosystem at the southeastern tip of Pelee Island, The Newest Olds transforms Detroit’s iconic cityscapes, dislodging buildings from their foundations and collapsing the physical, political, and sensory boundaries between Canada and the United States through alchemical, in-camera, and optical printing techniques.

The omnibus feature SUCESOS INTERVENIDOS consists of shorts by a who’s who of Argentine documentary and experimental-film giants, including Edgardo Cozarinsky and Gustavo Fontán but also Claudio Caldini, Andrés Di Tella and Gabriela Golder. Each one of them created a piece of a few minutes in length using archival footage from SUCESOS ARGENTINOS (“Argentine Events”), a popular newsreel series from 1938 to 1972 whose episodes have recently begun to be digitized by Buenos Aires’s “Pablo C. Ducrós Hicken” Film Museum.