Ellen Nyman

Simon Lindström, the popular coach of a suburban junior hockey team is found stabbed to death. Does the murder have something to do with his side project: teaching unaccompanied refugee children to ice skate? This undertaking has certainly not been appreciated by everyone in their small, sheltered community. Martin Beck, who has returned in a more senior position, struggles to find a replacement for the temporary head of the group, Steinar Hovland. But the Norwegian is becoming more and more interested in keeping his new role. The question is whether Martin can trust him?

A group of actors who have gotten tired of the patriarchal theatre institutions, are rehearsing an ”unconventional” version of Euripides Medea. When they get interrupted by a group of teenage girls they need to realize that they might not be as progressive as they think.

As if immersed in the situation, the viewer witnesses a distressing encounter between angry parents, a helpless teacher and three schoolgirls. It soon becomes clear that certain things are going wrong in their class. There have been complaints of bullying. The parents are mainly concerned with defending their own children. They throw around neurotic accusations and make untenable demands. Using a camera which itself seems to participate in the discussion, scene after scene is dissected with refreshing malice and a sense for the dark side of human nature. Desperate attempts to resolve things unleash an avalanche of other problems. It takes a long time before Denise, Bella and Mina can have their say.

Jacob is a young man used to getting everything he wants. For several years, he has been living in a happy homosexual partnership with Jørgen, and one night Jacob decides to pop the big question to Jørgen. Jørgen happily accepts Jacobs marriage proposal, but then something happens: Jacob falls in love with a girl, and not just any girl. The girl is Caroline, married to Jørgens younger brother Tom.

This is the day when the lives of an intertwined group of people take a new direction. Everything they have taken for granted starts to change. While Anne and Ask's relationship succumbs to 'metal fatigue', Charlotte has to realise that her husband Carl may not be right for her. At the same time Bente has to decide if she is prepared to wait for ever for her lover, while her ex-husband Bjørn must face the pain of finally letting Bente go. The characters and their children are twirled around in an ever-increasing drama which peaks during the opening night of Hamlet. Anne is on stage as Ophelia, and the question remains: to be or not be responsible for one's own happiness.

Michael needs a change in his life, so when he hears about clinical trials for a new anti-depressant, he signs up to be a guinea pig - without telling his family. Because of dangerous side effects, the trial is subsequently abandoned but Michael continues to take the pills. Having lost all control, Michael's repressed instincts resurface with a force and violence that no-one could have predicted.

In the second film with Krister Henriksson as Kurt Wallander, a man enters a bank and threatens to blow it up in the air unless his demands are met. Henning Mankell's sharp-eyed commissioner has the assistance of daughter Linda, newly graduated police officer, and criminal inspector Stefan Lindman.

Emmalou works as a waitress on a cruise ship filled with lonely people. She mourns the loss of her boyfriend who died in an accident the previous year. One day, a small boy disguised in a blue costume boards the ship

Friends Bobby and Junes have been hustling around Nørrebro for several years. Junes was once a talented boxer, but a violent crime conviction put an end to his promising career, and now he drifts around with no direction other than getting through the day and keeping his "business" going. Bobby, on the other hand, is determined to become something "big." In an attempt to win the respect of his powerful uncle, who is the leader of the organized Pakistani mafia in Copenhagen, Bobby is prepared to do anything...