Gábor Thurzó

Feri Noszty forges bills of exchange, which is an unforgivable sin in his circle. The family, to pay the debt and save the boy's honour, cash in their only fortune by marrying Vilma, Feri's sister, to a wealthy man. But this will not save Feri, who must resign his commission as an officer. He gets a job as a magistrate, but the income does not satisfy the young man's needs. All that is left is a good marriage and a huge dowry.

The story of a young servant girl who comes to work on the construction site of a large-scale industrial settlement. She decides to embark on an independent life, runs away from her foster parents, gets on a train and sets out to earn money. Modest and shy, she joins the factory's group of "Stakhanovites" and soon makes new comrades. Her coworkers accept her into their team.

20-year-old Gida, having just survived his first amourous disappointment, falls for Katinka, the young widow, at first sight.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

In 1944, Feri Margittai escapes from the front, but his mother sends him away from home.

Private inspector Hável happens to travel on the train which is attacked at Biatorbágy. His attention is drawn to a suspicious man, and in the next few days he confirms that it was indeed him who committed the crime. Yet the police accuses not the lunatic Marschalkó but the communists. Summary justice is declared.

Feri Noszty forges bills of exchange, which is an unforgivable sin in his circle. The family, to pay the debt and save the boy's honour, cash in their only fortune by marrying Vilma, Feri's sister, to a wealthy man. But this will not save Feri, who must resign his commission as an officer. He gets a job as a magistrate, but the income does not satisfy the young man's needs. All that is left is a good marriage and a huge dowry.

The story of a young servant girl who comes to work on the construction site of a large-scale industrial settlement. She decides to embark on an independent life, runs away from her foster parents, gets on a train and sets out to earn money. Modest and shy, she joins the factory's group of "Stakhanovites" and soon makes new comrades. Her coworkers accept her into their team.

20-year-old Gida, having just survived his first amourous disappointment, falls for Katinka, the young widow, at first sight.

This easy-to-take Hungarian drama is also known as Two Wishes. The prinicipal characters are a pair of juvenile delinquents, who may still be redeemable. The sullen duo is befriended by a kindly police inspector, who takes it upon himself to straighten out the boys. What follows cannot be termed surprsingly or innovative, though it is immensely satisfying. Of interest is the fact that a Communist-bloc film would admit to a delinquency problem in the so-called Worker's Paradise. Ket Vallomas was the Hungarian entry in the 1957 Cannes Film Festival.

In 1944, Feri Margittai escapes from the front, but his mother sends him away from home.

Private inspector Hável happens to travel on the train which is attacked at Biatorbágy. His attention is drawn to a suspicious man, and in the next few days he confirms that it was indeed him who committed the crime. Yet the police accuses not the lunatic Marschalkó but the communists. Summary justice is declared.

At Christmas Eve in 1944 the runaway Pintér and Gozsó get through the Soviet blockade around Budapest. Pintér intends to hide in a flat abandoned by his own relatives, but he finds his relatives called the Turnovszkys, who are hiding the Jewish Jutka as well. Love unfolds between Zoltán and Jutka.

In the thirties, the poor living by the Romanian-Hungarian border were forced to smuggle if they wanted to survive. Mihály, a Hungarian peasant, kills a border guard while fleeing. He is fed up with smuggling and wants to put an end to it, yet he needs money to get a job, so he embarks on another turn.

We have linguists, we have literary men, we have newspapers, actors, musicians, but we have no national opera!", lamented the champions of national revival in the middle of the last century. Hungarian music culture at home is limited to the performance of works by foreign composers. And the public demands Hungarian opera, and such a challenge is not easy to meet. So let's see who is up to the task!