
Acting
Anna May Wong
Born 1905-01-03 · Los Angeles, California, USA
Wong Liu Tsong (January 3, 1905 – February 3, 1961), known professionally as Anna May Wong, was an American actress whose long career spanned both silent and sound films, television, stage, and radio. Apart from being recognized as the the first Chinese-American movie star, as well as the first Asian-American to become an international star, she was also seen as an acclaimed fashion icon due to her being the one of the early stars to embrace the flapper look. Born near the Chinatown neighborhood of Los Angeles to second-generation Chinese-American parents, Wong became infatuated with the movies at an early age and quit education to focus on beginning an acting career. After landing parts as uncredited extras in silent films, she had her first leading role in The Toll of the Sea (1922), one of the first movies made in color. Her role in Douglas Fairbanks' The Thief of Bagdad (1924) helped her achieve international stardom. Tired of being offered stereotypical supporting roles, she left Hollywood for Europe in the late 1920s, where she starred in several plays alongside notable names like Laurence Olivier. She made her final silent film in Britain titled Piccadilly (1929), which earned her wide praise. Her first talkie, The Flame of Love (1930), was recorded in three languages: English, French and German. She spent the first half of the 1930s traveling between the United States and Europe for film and stage work. Wong was featured in films of the early sound era, such as Daughter of the Dragon (1931) and Daughter of Shanghai (1937), and with Marlene Dietrich in Josef von Sternberg's Shanghai Express (1932). These films brought her more and more fame, which she used to express her staunch political views. Although she advocated for Chinese-American causes and criticized the stereotypical roles she played, Chinese press and critics continued to view her as a disgrace to the country. After experiencing the most severe disappointment of her career, when Metro-Goldwyn-Mayer refused to consider her for the leading Chinese role in the film The Good Earth (1937), and instead chose a white German actress in yellowface, Wong spent the a year touring China, visiting her family's ancestral village, and studying Chinese culture. Returning to Hollywood, she starred in several B movies that portrayed Chinese-Americans in a positive light in the late-1930s. As World War II rolled around, she focused less on her film career and decided to devote her time and money in helping the Chinese against Japanese invasions. Returning to the public eye in the 1950s with several television appearances, she started her own detective mystery television show titled The Gallery of Madame Liu-Tsong (1951), the first U.S. television show starring an Asian-American. She was scheduled to return to film in Flower Drum Song (1961) but she died of a heart attack. For decades after her death, Wong was remembered mostly for the stereotypical roles she was given although critics have begun to reevaluate her life and career. In 2022, Wong became the first Asian-American to be depicted on American coinage when the quarters with her image on them went into circulation. In 2023, Mattel released a Barbie doll modeled on Wong in honor of Asian American and Pacific Islander Heritage Month.
Acting credits
6.8Elissa Landi and Charley Chase host an East Asian themed garden tea party in Hollywood. After introducing a few Hollywood luminaries who are attending the party, they present a number of musical and/or dance performances to entertain the crowd. This set of performances also includes ethnic Chinese actress Anna May Wong modeling some fashions she brought back from her first ever trip to China. Through it all, one of the guests, already inebriated, is having a few problems mixing and serving the cocktails he wants.
Hollywood Party
1937
6.8An Eskimo who has had little contact with white men goes to a trading post where he accidentally kills a missionary and finds himself being pursued by the police.
The Savage Innocents
1960
7.3A recalcitrant thief vies with a duplicitous Mongol ruler for the hand of a beautiful princess.
The Thief of Bagdad
1924
10.0French language version. A Chinese cabaret singer will do whatever it takes to save her brother when he is sentenced to death for trying to save her from a lecherous Duke.
Flame of Love
1930
6.6Racketeer Steve Recka, art patron and political power-maker, rules his town and Madame Lan Ying, his beautiful friend and hostess (read:mistress), with an iron hand. He meets Margaret Van Kase, a socialite not impressed by his power nor his wealth, having no money herself, and Steve makes frantic efforts to win her and turns away from the loyal Lin Yang.
Dangerous to Know
1938
7.3After committing a murder for his lover, Gloria, the famous painter Jack is forced to go underground. In the harbor district, he saves the poor Malaysian girl Song in front of two intrusive sailors. She loves him for it, and together Song and Jack appear in the tingle dungeon of the port, he as a knife artist, she as a dancer.
Song
1928
10.0This film combines four short films under the title Bits Of Life. The Bad Samaritan is taken from a story in Popular Magazine in which the son of a Chinese father and a white mother is sold into slavery by his father. The boy becomes a criminal and a cunning but cruel thief. The one time he stops to help a lady in distress he is thrown in jail. Wesley Barry is the young boy and Lon Chaney the grown-up criminal.
Bits of Life
1921
7.0A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.
Shanghai Express
1932
5.7A pair of lovers plot to kill the woman's rich husband.
Portrait in Black
1960
7.0In Shanghai, an American girl who helps run an opium ring meets an American agent disguised as a mining engineer. The two fall in love, and she has to determine where her loyalties lie.
Drifting
1923
7.0While Joel and his older ship's captain brother Mark are at sea, the latter is abandoned in Singapore by devious ship's mate Finch who, upon their return, convinces the townspeople that Joel abandoned his brother. Joel, determined to not only find Mark but to see justice done, returns the ship to Singapore.
Across to Singapore
1928
6.1After surviving a murder attempt, an auto magnate goes into hiding so his wife can pay for the crime.
Impact
1949
5.8In San Francisco, a villainous landowner with underworld connections seeks to steal the property of an old Spanish family.
Old San Francisco
1927
6.3A young Chinese woman saves an American man washed up onto the shore and the two fall in love, only for him to have second thoughts.
The Toll of the Sea
1923
5.8When Mandarin Wu's unmarried daughter becomes pregnant by a young Englishman, he seeks vengeance.
Mr. Wu
1927
6.5Ventriloquist and world traveler Gordon Cobb is murdered by a gang of jewel thieves. Baffled by the contradictory clues, Inspector Queen asks his son, Ellery, to help out.
Ellery Queen's Penthouse Mystery
1941
6.5A young Chinese woman, working in the kitchen at a London dance club, is given the chance to become the club's main act.
Piccadilly
1929
5.7A history of anti-Asian racism and yellowface in Hollywood after the 1941 Pearl Harbor attack.
Yellowface: Asian Whitewashing and Racism in Hollywood
2019
Loves of a ship's captain on the high seas!
Souvenirs
1928
5.6In London, a secret society led by lawyer Thaddeus Merrydew collects the assets of any of its deceased members and divides them among the remaining members. Society members start dropping like flies. Sherlock Holmes is approached by member James Murphy's widow, who is miffed at being left penniless by her husband. When Captain Pyke is shot, Holmes keys in on his mysterious Chinese widow as well as the shady Merrydew. Other members keep dying: Malcom Dearing first, then Mr. Baker. There is also an attempt on the life of young Eileen Forrester, who became a reluctant society member upon the death of her father. Holmes' uncanny observations and insights are put to the test.
A Study in Scarlet
1933
5.6A Chinese-American surgeon faces a moral dilemma after operating on the mob boss in charge of vice and protection rackets in her city's Chinatown.
King of Chinatown
1939
5.5Dinty is a newsboy whose fight to care for his ailing mother leads him into conflicts with the other boys on the street and then with drug smugglers in Chinatown.
Dinty
1920
5.6A Chinese general's daughter tracks her father to a slave-labor tyrant's jungle empire.
Island of Lost Men
1939
10.0The plot is motivated by a pearl necklace, which has caused the death and/or ruination of all its owners. The second screen appearance of detective Charlie Chan.
The Chinese Parrot
1927
Behind the camera
NRAnna May Wong created “My China Film” as her response to not being cast in Metro Goldwyn Meyer’s award-winning film about Chinese peasants, The Good Earth (1937). Immediately after that casting rejection, Wong travelled to China for the first and only time in 1936 to see the real China, the “native land” of her parents where she arranged to have her experiences there filmed by Newsreel Wong. In contrast to The Good Earth, “My China Film” is the result of a Hollywood film studio actress seizing the means of production. Her film reveals her craftsmanship as an American actress learning to play a Chinese by equipping herself to perform the role of a transnational Chinese. In addition, rather than being a straightforward documentary travelogue, “My China Film” reflects differing agendas and multiple Chinas.
My China Film
1936
NRAnna May Wong created “My China Film” as her response to not being cast in Metro Goldwyn Meyer’s award-winning film about Chinese peasants, The Good Earth (1937). Immediately after that casting rejection, Wong travelled to China for the first and only time in 1936 to see the real China, the “native land” of her parents where she arranged to have her experiences there filmed by Newsreel Wong. In contrast to The Good Earth, “My China Film” is the result of a Hollywood film studio actress seizing the means of production. Her film reveals her craftsmanship as an American actress learning to play a Chinese by equipping herself to perform the role of a transnational Chinese. In addition, rather than being a straightforward documentary travelogue, “My China Film” reflects differing agendas and multiple Chinas.
My China Film
1936