Bingham Bryant

A mosaic-style comedy following the life of a woman as time passes in her long-term casual BDSM relationship, low-level corporate job, and quarrelsome Jewish family.

Mirages have been reported along the Spanish coast. A young French woman travels to San Sebastián to observe these visual aberrations. There, she meets a mysterious Portuguese woman who tells her a story from her youth: of obsession, and a gaze that can turn the world inside out.

Scenes from the working life of a male director: Defa sophisticatedly lampoons masculinity in filmmaking with this sly, surprising meta-movie. (Courtesy of Film Society of Lincoln Center.)

Maria and Matías feel life is slipping through their fingers, and turn to birds, real and imagined, in a search for meaning and connection.

For the Plasma begins in a remote house on the coast of Maine, where a young woman named Helen has found work as a forest-fire lookout responsible for monitoring the nearby woodland. While analyzing CCTV footage of the surrounding forest, she discovers she can reconfigure her perception to predict shifts in global financial markets. But when her inquisitive and demanding friend Charlie arrives at the house, Helen finds herself challenged and unsettled by her new colleague, and the two girls’ relationship begins to unravel. From this cryptic premise grows a lo-fi mind-bender of intimate scale and startling relevance that flirts with sci-fi and horror conventions, even as it subverts them. To the strains of an electronic score, For the Plasma juxtaposes pastoral imagery with surveillance technology, every shade and shadow captured in gorgeous 16mm.

Twenty years ago, believing she was doomed, Irma took a trip to Greece. Today, she retraces that journey, accompanied by three young men. From island to island, between sky and sea, the travelers read, listen and live, carried by a longing for beauty and clarity.

Mirages have been reported along the Spanish coast. A young French woman travels to San Sebastián to observe these visual aberrations. There, she meets a mysterious Portuguese woman who tells her a story from her youth: of obsession, and a gaze that can turn the world inside out.

Mirages have been reported along the Spanish coast. A young French woman travels to San Sebastián to observe these visual aberrations. There, she meets a mysterious Portuguese woman who tells her a story from her youth: of obsession, and a gaze that can turn the world inside out.

Mirages have been reported along the Spanish coast. A young French woman travels to San Sebastián to observe these visual aberrations. There, she meets a mysterious Portuguese woman who tells her a story from her youth: of obsession, and a gaze that can turn the world inside out.

Maria and Matías feel life is slipping through their fingers, and turn to birds, real and imagined, in a search for meaning and connection.

For the Plasma begins in a remote house on the coast of Maine, where a young woman named Helen has found work as a forest-fire lookout responsible for monitoring the nearby woodland. While analyzing CCTV footage of the surrounding forest, she discovers she can reconfigure her perception to predict shifts in global financial markets. But when her inquisitive and demanding friend Charlie arrives at the house, Helen finds herself challenged and unsettled by her new colleague, and the two girls’ relationship begins to unravel. From this cryptic premise grows a lo-fi mind-bender of intimate scale and startling relevance that flirts with sci-fi and horror conventions, even as it subverts them. To the strains of an electronic score, For the Plasma juxtaposes pastoral imagery with surveillance technology, every shade and shadow captured in gorgeous 16mm.

For the Plasma begins in a remote house on the coast of Maine, where a young woman named Helen has found work as a forest-fire lookout responsible for monitoring the nearby woodland. While analyzing CCTV footage of the surrounding forest, she discovers she can reconfigure her perception to predict shifts in global financial markets. But when her inquisitive and demanding friend Charlie arrives at the house, Helen finds herself challenged and unsettled by her new colleague, and the two girls’ relationship begins to unravel. From this cryptic premise grows a lo-fi mind-bender of intimate scale and startling relevance that flirts with sci-fi and horror conventions, even as it subverts them. To the strains of an electronic score, For the Plasma juxtaposes pastoral imagery with surveillance technology, every shade and shadow captured in gorgeous 16mm.

For the Plasma begins in a remote house on the coast of Maine, where a young woman named Helen has found work as a forest-fire lookout responsible for monitoring the nearby woodland. While analyzing CCTV footage of the surrounding forest, she discovers she can reconfigure her perception to predict shifts in global financial markets. But when her inquisitive and demanding friend Charlie arrives at the house, Helen finds herself challenged and unsettled by her new colleague, and the two girls’ relationship begins to unravel. From this cryptic premise grows a lo-fi mind-bender of intimate scale and startling relevance that flirts with sci-fi and horror conventions, even as it subverts them. To the strains of an electronic score, For the Plasma juxtaposes pastoral imagery with surveillance technology, every shade and shadow captured in gorgeous 16mm.

A young filmmaker named Domino travels from the UK to New York City to hunt down funding for her new film. Harkening back to classic counter-cultural Big Apple films of the 70s and 80s, Keep Looking has a loose, jazzy feel that gives this simple narrative a hip freshness.

Short for Portuguese television channel Canal180's "Jogo Cruzado" series.

Short for Portuguese television channel Canal180's "Jogo Cruzado" series.

New York’s Miguel Abreu Gallery is at the center of Bingham Bryant’s short, which follows Adrian Dannatt across his eponymous exhibit while observing works from, among others, Pablo Picasso, Guy Debord, Nan Goldin, Damien Hirst, and Duncan Hannah. Each is captured by cinematographer Sean Price Williams in appropriately textured images while a studious, amusing voice-over jumps between biography and philosophy.

New York’s Miguel Abreu Gallery is at the center of Bingham Bryant’s short, which follows Adrian Dannatt across his eponymous exhibit while observing works from, among others, Pablo Picasso, Guy Debord, Nan Goldin, Damien Hirst, and Duncan Hannah. Each is captured by cinematographer Sean Price Williams in appropriately textured images while a studious, amusing voice-over jumps between biography and philosophy.

New York’s Miguel Abreu Gallery is at the center of Bingham Bryant’s short, which follows Adrian Dannatt across his eponymous exhibit while observing works from, among others, Pablo Picasso, Guy Debord, Nan Goldin, Damien Hirst, and Duncan Hannah. Each is captured by cinematographer Sean Price Williams in appropriately textured images while a studious, amusing voice-over jumps between biography and philosophy.

Two young Argentines, brought together by chance, wander the streets of New York City, increasingly lost in a maze of currency exchange, translation problems, religious vocation and nocturnal flirtation.

A nameless young woman recounts a peculiar dream, set in a mysterious fictional city and populated by her real-world friends and acquaintances, in Bingham Bryant’s vivid, precisely conceived exploration into the uncanny logic and banal strangeness of our subconscious wanderings.

A nameless young woman recounts a peculiar dream, set in a mysterious fictional city and populated by her real-world friends and acquaintances, in Bingham Bryant’s vivid, precisely conceived exploration into the uncanny logic and banal strangeness of our subconscious wanderings.