Lubor Dohnal

Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.

A tram pasted with posters travels through Prague. The mounted loudspeakers invite passers-by to a series of concerts of Giuseppe Verdi's masterpieces. On the tram a party of young people is getting drunk.

Documentary film about glassmaker Palo Macho (*1965).

Juraj, a Slovak artist living in Prague, takes stock in his life, realizing that his days pass without purpose. He lives a carefree life. But now he has to choose between two women, between the city and the country, and between creative work and craftsmanship. He has a passion for art but he also has to make a living. Through his relationships with close people, he grows aware of his position and this knowledge helps him to live a more fulfilling and better life.

Maria, an inn keeper, is always a bride but never a wife. She meets newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. E. Havetta's debut was inspired by naïve art, French impressionism, silent slap-stick and Western Slovakian folk traditions.

The village innkeeper Lejba Sibal and his pregnant wife Sura are threatened by Lejba's former farmhand Georg, who wants to kill them both at Easter. After Lejba has sought help from the authorities in vain, he decides to fight back himself.

Television series Golden Sixties examines new insights into Czech and Slovak cinema of the 1960s and the role of the Czechoslovak New Wave. Each episode focuses on a different filmmaker.

A tram pasted with posters travels through Prague. The mounted loudspeakers invite passers-by to a series of concerts of Giuseppe Verdi's masterpieces. On the tram a party of young people is getting drunk.

Documentary film about glassmaker Palo Macho (*1965).

Documentary film about glassmaker Palo Macho (*1965).

Juraj, a Slovak artist living in Prague, takes stock in his life, realizing that his days pass without purpose. He lives a carefree life. But now he has to choose between two women, between the city and the country, and between creative work and craftsmanship. He has a passion for art but he also has to make a living. Through his relationships with close people, he grows aware of his position and this knowledge helps him to live a more fulfilling and better life.

Maria, an inn keeper, is always a bride but never a wife. She meets newcomer Pierre, who disturbs the peace of the small village and teaches the locals how to enjoy life. E. Havetta's debut was inspired by naïve art, French impressionism, silent slap-stick and Western Slovakian folk traditions.

The village innkeeper Lejba Sibal and his pregnant wife Sura are threatened by Lejba's former farmhand Georg, who wants to kill them both at Easter. After Lejba has sought help from the authorities in vain, he decides to fight back himself.

In 1900, Stepha, the vivacious 30 year old daughter of a wealthy couple, agrees to marry her cousin Paul, who has accumulated large debts as an Austrian army officer. Paul refuses to work or to consummate the marriage, and then his health steadily declines.

The ex-gymnast and survival artist Emil falls in love with the prostitute Lissy. Through her he meets some criminals whom he can help thanks to his gymnastic skills. But on his rise in the criminal hierarchy, Lissy might fall by the wayside.

Vienna at the turn of the century: The industrialist Friedrich Hofreiter is a vain, self-important man who is used to taking what he wants and who enjoys exercising power. His tender wife Genia increasingly recognizes his deceitfulness. The Russian pianist Alexei Korsakov, a subtle artist, commits suicide because of her. Hofreiter, on the other hand, travels to the Dolomites with his friend and family doctor Dr. Mauer, who is in love with the young Erna. Hofreiter makes her his lover in front of Mauer's eyes. In turn, he provokes Genia's lover into a duel and shoots him. In the end, there is only emptiness. Faithful adaptation of Arthur Schnitzler's stage play.

An alpine village shortly before the First World War. Widowed forester Rufman has little sympathy for his sons Friedel and Elias. Both find it difficult to cope with themselves. One day, a stranger appears whose curiosity confuses the suspicious villagers. Only Elias feels attracted to him. When a murder takes place in the village, suspicion soon falls on the forester's boys.

Set in a bleak, filth-ridden provincial hospital, a disillusioned doctor begins to find the philosophical ramblings of a mental patient more stimulating than the company of "sane" society. As their relationship deepens amidst the grimy and decaying wards, the doctor's own mental health is called into question by his suspicious colleagues.

Elo Havetta's student film.