Tomoyuki Furumaya

Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.

Naive office girl Yuko supports her blithe big city lifestyle with a part-time job at a neighborhood cafe. Attracted to her manager there, the shallow but charming Yutaka, she willingly succumbs to his lascivious advances only to discover afterward that he already has a girlfriend by the name of Midori. Even so, Yuko's feelings for Yutaka continue to grow regardless of his aloofness. Before long she finds herself reluctantly cajoled into working as a hostess in a small karaoke bar. Fatalistically accepting his dalliances with flames old and new, she perseveres not so much in hope of a more substantial relationship, but rather out of fear of losing him. There are other men out there waiting for her -- kinder, more considerate and eagerly available. But for Yuko, there is only the non-committal, yet torridly magnetic Yutaka. Why him? Not even Yuko seems to know the answer.

Based on an autobiography by Hiroshi Tamura, the film follows story of the author's experience of homelessness when this father suddenly decides to abandon his family. Hiroshi and his older siblings do all what they can to withstand the trouble they encounter along their way.

Satomi is not putting much effort into her school work. She is told by her instructor that she is short of the minimum number of credits to advance. One option is for her to participate in the Robot Club, which is participating in a robot contest that is a single-elimination challenge. Satomi and the club begin working to rise to the top.

A bumpy team that suddenly formed challenges the Rocket League national tournament.

No synopsis available yet.

Naive office girl Yuko supports her blithe big city lifestyle with a part-time job at a neighborhood cafe. Attracted to her manager there, the shallow but charming Yutaka, she willingly succumbs to his lascivious advances only to discover afterward that he already has a girlfriend by the name of Midori. Even so, Yuko's feelings for Yutaka continue to grow regardless of his aloofness. Before long she finds herself reluctantly cajoled into working as a hostess in a small karaoke bar. Fatalistically accepting his dalliances with flames old and new, she perseveres not so much in hope of a more substantial relationship, but rather out of fear of losing him. There are other men out there waiting for her -- kinder, more considerate and eagerly available. But for Yuko, there is only the non-committal, yet torridly magnetic Yutaka. Why him? Not even Yuko seems to know the answer.

Based on an autobiography by Hiroshi Tamura, the film follows story of the author's experience of homelessness when this father suddenly decides to abandon his family. Hiroshi and his older siblings do all what they can to withstand the trouble they encounter along their way.

Based on an autobiography by Hiroshi Tamura, the film follows story of the author's experience of homelessness when this father suddenly decides to abandon his family. Hiroshi and his older siblings do all what they can to withstand the trouble they encounter along their way.

Satomi is not putting much effort into her school work. She is told by her instructor that she is short of the minimum number of credits to advance. One option is for her to participate in the Robot Club, which is participating in a robot contest that is a single-elimination challenge. Satomi and the club begin working to rise to the top.

Satomi is not putting much effort into her school work. She is told by her instructor that she is short of the minimum number of credits to advance. One option is for her to participate in the Robot Club, which is participating in a robot contest that is a single-elimination challenge. Satomi and the club begin working to rise to the top.

A bumpy team that suddenly formed challenges the Rocket League national tournament.

No synopsis available yet.

No synopsis available yet.

Naoko meets Yusuke while staying on an island for medical treatment. Yusuke's graceful athletic figure captivates her eyes and she falls in love with him. But their relationship is soon broken after Yusuke's father dies while trying to save Naoko from drowning. The memory of Yusuke leads Naoko to the track, and six years later, they meet each other again at a Marathon competition. Naoko decides to become a manager to help Yusuke, a gifted runner, and they embark on training together to heal their sorrows from the past.

Naoko meets Yusuke while staying on an island for medical treatment. Yusuke's graceful athletic figure captivates her eyes and she falls in love with him. But their relationship is soon broken after Yusuke's father dies while trying to save Naoko from drowning. The memory of Yusuke leads Naoko to the track, and six years later, they meet each other again at a Marathon competition. Naoko decides to become a manager to help Yusuke, a gifted runner, and they embark on training together to heal their sorrows from the past.

A 45-year-old virgin has a hard time adjusting to society and he keeps himself in his own world.

A 45-year-old virgin has a hard time adjusting to society and he keeps himself in his own world.

Kaori is an intense kendo fighter who has been training since she was young. Sanae is a girl who has only participated in kendo casually, but somehow manages to beat Kaori in the final tournament of junior high school. Although Sanae doesn’t particularly care about it, Kaori holds a grudge, setting up a rivalry that bleeds over into high school.

Kaori is an intense kendo fighter who has been training since she was young. Sanae is a girl who has only participated in kendo casually, but somehow manages to beat Kaori in the final tournament of junior high school. Although Sanae doesn’t particularly care about it, Kaori holds a grudge, setting up a rivalry that bleeds over into high school.

A woman named Kazuko (Kimura) who was guilty of a “serious crime” in the past, along with three of her friends. Those friends suddenly begin to die one by one. Kazuko learns that one of those deaths is somehow connected to Mamoru (Nakamura Aoi), her younger brother from whom she has been separated ever since their father disappeared 15 years earlier. Although Mamoru knows nothing of his sister, Kazuko is determined to find the killer in order to protect Mamoru and herself.

Kotera (Haruka Kudo) is a high school student. She belongs to the school's climbing club and is enthusiastic with bouldering. She is polite and has a tender personality. Meanwhile, Kondo (Kentaro Ito) is a member of ping pong club at the same school and is attracted to Kotera.

Kazunari Katsuki (Gaku Sano) lied to his classmate that Tokyo stinks. Because of his comment, he goes to Tokyo alone. On his way back, he misses his flight back to Kumamoto. Kazunari only 3,400 yen in his pocket. He becomes confused about his missed flight. At that time, Masami Tanaka (Kaoru Sugita), who works at an airport souvenir shop, talks to Kazunari. On Kazunari's unusual trip back to Kumamoto, he meets many different adults and begins to think about his life.

It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.

It is 1980. Sadatomo is at a secondary school in a small town. His parents barely take any notice of him. The strict teacher Kobayashi has hung up a 'humanity index' in the classroom, divided into the categories 'delinquents', 'scum' and 'people'. In each category he has hung name-cards of pupils. One day Kobayashi finds out that Sadatomo and his friends have stolen some things from a shop for fun. Their fathers are informed and as punishment, the children have to write a 'self-critical' essay of no less than thirty pages. For the first time, Sadatomo is beaten by his father. Shocked, he writes a piece entitled 'I am an onion', in which the teacher thinks he can detect a first sign of humanity. That is the start of a confusing situation in which it gets hard to distinguish lies, truth, justified self-criticism and opportunist wheeler dealing, even for the boys.

The day before summer vacation. Yoko who tastes Tallow of the third year high school student will move to Hokkaido. However, with my grandpa's selfishness, she returned from the station and decided to live at the house next to Tallow! To the feeling that should have been sorted out, the fire is put on again.

The day before summer vacation. Yoko who tastes Tallow of the third year high school student will move to Hokkaido. However, with my grandpa's selfishness, she returned from the station and decided to live at the house next to Tallow! To the feeling that should have been sorted out, the fire is put on again.

Isono Sae is an office lady in Showa 63 (1988), who has difficulty living during the economic bubble when everything became expensive. Somehow, Sae wanders into the parallel world of “Reiwa” and decides to use Showa songs which she dislikes, as a weapon to change the world where human relationships are weak.

Elementary school alumnus are held captive in a school and forced to play a fatal game "Jinroh Game."

One day in the hot summer, a high school girl transfers to another school. As she is saying goodbye to her friends at the school gate, she hears the bell at the station. Forty minutes to go until the next train... So began the last dodgeball game on the riverbank. The yellow ball flew over everyone's head. The two boys who liked her look at each other. One of them calls out to her. You've got a sore shoe, haven't you? Then she goes barefoot and hugs the boy. Then the train bell rings. Bye bye!" She waved loudly to everyone with mixed feelings and headed for the station... Everyone has their own sweet and sour memories of their teenage years. This is not a new theme, but it is straightforwardly expressed in a game of dodgeball. The interplay of cuts and camera work is also unique. The relaxed flow of after-school time and the urgency of the impending departure of the train all come together to create an ups and downs in the drama of separation.

One day in the hot summer, a high school girl transfers to another school. As she is saying goodbye to her friends at the school gate, she hears the bell at the station. Forty minutes to go until the next train... So began the last dodgeball game on the riverbank. The yellow ball flew over everyone's head. The two boys who liked her look at each other. One of them calls out to her. You've got a sore shoe, haven't you? Then she goes barefoot and hugs the boy. Then the train bell rings. Bye bye!" She waved loudly to everyone with mixed feelings and headed for the station... Everyone has their own sweet and sour memories of their teenage years. This is not a new theme, but it is straightforwardly expressed in a game of dodgeball. The interplay of cuts and camera work is also unique. The relaxed flow of after-school time and the urgency of the impending departure of the train all come together to create an ups and downs in the drama of separation.

Short film by Furumaya Tomoyuki