Noël Simsolo

Commissioner Maigret rushes to the Quai d’Orsay with Lieutenant Janvier. There, they find Mademoiselle Larrieu in a state of shock. That very morning, she discovered the bullet-riddled body of Mr. Berthier-Lagès, a renowned former ambassador whom she had served as a housekeeper for 46 years. While searching the victim's apartment, Maigret and Janvier uncover hundreds of letters. The diplomat had maintained a fifty-year-long love correspondence with a certain Princess of Vuynes, whose husband - by a strange coincidence - had died just a few days earlier. As he confronts the various members of the two families and the suspicious silence of Mademoiselle Larrieu, Maigret finds himself faced with surprise after surprise, watching his certainties crumble - until the solution to the mystery finally hits him in the face at the very last moment...

Aimless young Alexandre juggles his relationships with his girlfriend, Marie, and a casual lover named Veronika. Marie becomes increasingly jealous of Alexandre's fling with Veronika and as the trio continues their unsustainable affair, the emotional stakes get higher, leading to conflict and unhappiness.

Inside the Blue Note nightclub one night in 1959 Paris, an aged, ailing jazzman coaxes an eloquent wail from his tenor sax. Outside, a young Parisian too broke to buy a glass of wine strains to hear those notes. Soon they will form a friendship that sparks a final burst of genius.

Working extremely hard to keep his hotel afloat, Paul begins hearing voices in his head. Convinced that his wife has been unfaithful, he begins to see every male guest as a potential threat. What follows is Paul's downward spiral into the madness of deranged jealousy where he finally discovers that hell is not a state of mind – hell is himself.

The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a busy Parisian street by a small-time hood hidden inside a cardboard box!

On the screen, considered as a mental landscape, dance the multicolored shadows born from the spectacle of the struggle of flesh against death.

During the 1982 Cannes Film Festival, Wim Wenders asked a number of global film directors to, one at a time, go into a hotel room, turn on the camera, and answer a simple question: "What is the future of cinema?"

A radiant young sex worker thrives amidst the clients of Paris’s Les Halles under the protectiveness of her pimp. Her carefully balanced existence unravels when she meets a working‑class man and falls in love, forcing her to confront the emotional and social consequences of pursuing a different path.

In 1976 in Nice, Agnes, the daughter of the owner of the Palais de la Méditerranée, falls in love with an older lawyer.

In a small Breton town, a 10-year-old girl is found murdered. René, her art teacher, a professional painter, is the last person to have seen her alive. The inspector in charge of the investigation immediately questions him. In this small provincial town where people all know each other and regularly meet at the Bar des Amis, René is increasingly unsettled by the other inhabitants' suspicions and by the inspector's investigation. Children stop coming to him for lessons. His wife, Viviane, a district nurse, protects him and supports him with her love. However, a self-centred media-star writer adds to René's confusion...

Reel 5 of Gérard Courant's on-going Cinematon series.

One night Alice can't stand her husband anymore and she decides to leave him. It's a dark, rainy night and something smashes the windshield so Alice is forced to seek shelter in an old mansion. She is warmly welcomed but soon realises that strange things are happening. She tries to escape but it seems there's no way out.

Laurent is seeking a path in life after living his childhood and teenage years in laziness. He has a conflictual relationship with Rodolphe, his father, and both are too emotional to express their mutual affection. Despite the women of his life hanging around him , Rodolphe has but one obsession: meeting Marguerite again, the first love of his life.

A biography of the eighteenth century Viennese physician, Franz Anton Mesmer, who used unorthodox healing practices based on his theory of "animal magnetism."

Three French pals take to the road in a stolen car and discover a talking, wounded stork — who claims to have deserted the Algerian army — and help it to escape to the home of a relative in Germany.

At 45, divorced, unemployed and father of two children, Franois Morot realizes that he can no longer support the society in which he lives and decides to leave everything.

Reflection on the relationship between image and voice-over in cinema, punctuated by the reading of a short story by Sade recounting the incestuous love of a father for his daughter.

The mayor of a small provincial town, caught up in mundane affairs and corruption, summons his three deputies before fleeing: one of them will have to succeed. From then on, Veyron, Ben and Karabik, mere office colleagues, become fierce rivals with betrayals, inventions, revelations.

Simone, a leather-clad porn theater worker, spends her shifts bantering with her coworker and observing eccentric customers in the cinema’s lobby. Tonight, she clocks out and heads off to meet her girlfriend, a waitress at a lesbian club. Later, she’ll encounter a lonely man on the prowl.

What is the future of cinema? In 1982, in Cannes, Wim Wenders invited many movie makers to answer this question. 26 years later, the question remains, but Wenders is now on the other side of the camera.

The fantasies and dreams of two over-the-hill actresses are intertwined with their realities, as the two roommates struggle to survive their day-to-day lives in the expensive and difficult world of Paris.

Sylvain, a young man, devotes his life to small, local movie theater destined to be shut down. He lives in the theater's basement and is the theater programer, projectionist, and ticket seller. Each night, after the last screening, he leaves the building to carry out a ritual killing.

The destiny of Sergio Leone from his poor childhood in a neighborhood under fascism in Rome until his last film in America. This guided the filmmaker's personal life and career to create his epic antiheroes and spaghetti westerns.

The wife of an extremely jealous merchant is held hostage by a bank robber.

Written and directed by Hitchcock historian Noël Simsolo, this 2004 French television documentary explores the earliest years of Alfred Hitchcock's film career, beginning with his success in the production of The Lodger (1926) and following the filmmaker through his transition to sound films and his early thrillers.

Old Léon lives an hour outside Paris, in the company of one of his daughters, his son-in-law and his granddaughter. The latter agrees to take him to see his paralyzed cousin Adolphe in a Paris hospice. He takes the opportunity to visit his first wife, trying to get news of his daughter Louise, who is dead but whom he prefers to believe is alive. What remains is the haunting memory of the daffodils he planted for her...

Laurent is seeking a path in life after living his childhood and teenage years in laziness. He has a conflictual relationship with Rodolphe, his father, and both are too emotional to express their mutual affection. Despite the women of his life hanging around him , Rodolphe has but one obsession: meeting Marguerite again, the first love of his life.

This documentary consists mainly of archive interviews of Jean Cocteau, and it features interesting contributions by Jean Marais and especially Jean-Luc Godard, who discusses Cocteau's foray into cinema. The film documents all the artistic media explored by a man who defined himself, first and foremost, as a poet.

This documentary consists mainly of archive interviews of Jean Cocteau, and it features interesting contributions by Jean Marais and especially Jean-Luc Godard, who discusses Cocteau's foray into cinema. The film documents all the artistic media explored by a man who defined himself, first and foremost, as a poet.

An interview with French film scholar Jean Narboni about Jean-Luc Godard's 1962 film VIVRE SA VIE.

A troubled young woman who lives alone in a rundown house meanders around and one day reveals a hidden talent when she goes into a bar, plays magnificently at the piano, and leaves as mysteriously as she came. Meanwhile, an unidentified man is on her trail and eventually tracks her down to the bar she had visited. As the dragnet around her closes in, it becomes apparent that the young woman's stepmother is behind the effort to locate her. But questions over why she is hiding out and what she is hiding from begin to take on more importance as the history of the young woman starts to surface.

A troubled young woman who lives alone in a rundown house meanders around and one day reveals a hidden talent when she goes into a bar, plays magnificently at the piano, and leaves as mysteriously as she came. Meanwhile, an unidentified man is on her trail and eventually tracks her down to the bar she had visited. As the dragnet around her closes in, it becomes apparent that the young woman's stepmother is behind the effort to locate her. But questions over why she is hiding out and what she is hiding from begin to take on more importance as the history of the young woman starts to surface.

The fantasies and dreams of two over-the-hill actresses are intertwined with their realities, as the two roommates struggle to survive their day-to-day lives in the expensive and difficult world of Paris.

Documentary about the making of Louis Malle's 1963 film "The Fire Within".

Three old sisters get together every Sunday. For Epiphany Sunday, the program is busy: eating at the Chinese restaurant, drawing the kings and finally going to see, reluctantly, the show of the fourth sister, the extravagant one, the scandalous one, who is part of a comic troupe of the third age...

A short video by filmmaker Noel Simsolo discussing Jean Cocteau and Jean-Pierre Melville’s creative relationship and the production of the 1950 film LES ENFANTS TERRIBLES.

Shady poetry, all crimson and women’s legs as Pierre Molinier loved it – this poetry died with him a few days ago. This picture was finished. Sexual obsession is a strength just as any other, more pure and more violent than most. Nothing else but what goes against our own nature should be hated.

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Semi-documentary exposé of scandalous hunting practices in the Sologne, a wooded area south of Orléans where he shared a house at the time. The film, part tribute to Jean Renoir's The Rules of the Game (1939) and its celebrated hunting scene, is notable for its cinematography by Polish director Walerian Borowczyk.

Gaëtan de Vibestu learns from his lawyer that he will inherit a castle and a very large fortune. However, there is one condition: Gaëtan must remain single and not come close to a woman. Very soon, he will have to show a great imagination to deceive lawyer"s surveillance...

A well-known politician receives a tape showing her son in a porno movie. She decides to hire a female detective to figure out who is trying to blackmail her.

A billionaire looking for a bride and testing the candidates, he will learn what real good sex is thanks to the candidates who are very experienced in satisfying a man.

When a sexually indulgent couple discover a promiscuous young girl has moved in across the courtyard from their bedroom, they become so erotically charged from watching her sexual exploits that they become Peek Freaks.

Jane Baker sees her husband off to work after a breakfast interspersed with sex on the kitchen table and then daydreams in her bath and offers herself to visitors – two lesbian saleswomen, a couple who strangely seem to ask to make use of her bedroom to make love (she joins in) and then two scenes missing from the 55-minute copy viewed – one with two repairmen and finally with the husband and his secretary