Franz Weber

Jenny confronts her cousin Harry: Did he embezzle her fortune? No. But he escapes with married lover Germaine only to return quickly because her husband pursues them. Jenny is convinced Harry is his own double and arrests him at gunpoint.

Shots fall at night at Gussersee Hotel. Hermann Brenken, general manager of a large company, is attacked. Newspapers hype up the case and offer a reward for its clarification.

Walter is in love with the 17-year-old Erika, but she raves for older, experienced men. When Walter and Erika visit his parents' estate after passing their exams, Erika shows increasing interest in Walter's father, Werner von Schlettow.

The great Dr. Pfeiffer plays the little Primaner Pfeiffer. As the successful playwright Dr. Hans Pfeiffer, he is planning a play about school. In order to gather material, he takes the place of his brother, who is a primary school pupil. The seasoned doctor finds pleasure in the craziest of pranks, while his brother tries to fill the role of theater man in the big city. And then love intervenes for both of them.

The niece of a wealthy manufacturing aunt has secretly married. Her husband has lost his way during the night in his pajamas at a spa and ended up on the balcony of an attractive singer.

Princess Stauffenstein has arranged a marriage for her grandnephew Poldi and orders him to meet his unknown bride Steffi. But he falls for alluring dancer Ilonka while his uncle Leopold, sent to reason with him, is enchanted by Steffi.

A group of artists and journalists enjoy a series of romantic entanglements in a country hotel. An author, Vera von Eichberg "of whom no photo exists," has mentioned the hotel in her work, boosting its notoriety. When another female guest arrives, everyone assumes she is the author, despite her repeated assertions to the contrary.

Alexander and Poldi, the “Sunday Children”, work as a headwaiter and servant in the Palasthotel in a southern German spa resort. Like many people, they dream of one day being rich. But when their lottery ticket actually wins, their friendship is destroyed, when it turns out, that Poldi stopped buying tickets to save money. Both then fall in love with beautiful Steffi, whose aunt won’t hear of anything other than a marriage to a rich man. Steffi gives her heart to poor Alex, while Poldi actually receives a fortune. When a crook ends up taking his money away, Alex helps Poldi to convict the fraudster and get his money back.

A taxi driver, (Piel), finds an odd contraption on the back seat that renders him invisible, but his friend steals the device to rob a bank. An inventive comedy.

Legendary, immortal nobleman Baron Munchausen regales a lovestruck woman with tales of his amazing adventures.

Der Florentiner Hut (The Leghorn Hat), a 1939 German film directed by Wolfgang Liebeneiner

The moral is simple: keep your mouth shut, especially when you're working during the wartime in a factory, which produces racing cars only, or someone can (or even must) get murdered. Not a good movie, not a bad either. The ending is abrupt and artificial, which seems to be a common plague of Third Reich's crime movies. Gustav Fröhlich could never get rid of his silent era mannerisms and overacting. But on the other side, this film is not boring and has to offer some decent plot turns and acting.

When a female violinist joins an otherwise all-male musical quartet, the other members struggle to cope.

A car tells its story and the story of its seven owners during the years of the Third Reich.

The daydreaming tailor Wenzel is fired from his job, because the fancy frock he was supposed to cut for the mayor, he instead made for himself. He is allowed, however, to take the frock, which he appropriated for himself and he puts it on as he leaves the shop. A puppeteer picks him up in his coach and addresses Wenzel as "Count". So is he received in Goldach, where people think he is Count Stroganoff, the ambassador to the Czar of Russia.

During the Napoleonic occupation of the German states in 1812, a tailor by the name of Anton Wibbel is sentenced to sit in jail for insulting the Emperor. The tailor manages to get out of this by paying off a friend to go to prison in his place. But then, the "phony" prisoner suddenly dies in his cell and everyone now thinks Wibbel is dead.

Professor Dr. Burkhardt is a much celebrated surgeon. Obsessed with his career, he is always available when an unexpected operation comes up. That his personal life is suffering because of this obsession is something the successful doctor doesn't notice. His wife Vera, who, after the death of their three year old son, is always alone anyway, feels increasingly neglected. And the love, which she apparently isn't able to get from her husband, she seeks from Dr. Groone, her husband's assistant.

The young actress Bettina has angered the director of a West Berlin camp for troubled youth with a song that celebrates the adventurous lives of these "wayward youths." Hein Denecke invites her to get to know the real lives of these young people.

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Assistant PI Bulli is hired to find Marie Banse. He does, she is married to Thomas, they have a pretty daughter, Lore. Bulli falls for her, delivers their heritage of 5000 Marks and tries to find out who the unknown benefactor is.

Mother Wolffen, a washerwoman, is a woman of principle: A poor man must do what he must to get through life, only he mustn't get caught doing it. All sorts of crooked deals contribute to the improvement of the daily menu and the increase of household funds. When everyone is searching for pensioner Krueger's missing beaverskin coat, Mother Wolffen and her family are calmly enjoying fresh roast venison.

A moving saga focusing on the women in a family that spans three generations and almost 70 years of German history, from the Wilhelmine period through the end of WWII. This film shows that it takes a combination of hard work, political consciousness and family work in tandem to face the tragedies of war, economic hardship and death.

All throughout his entire life, Friedrich Wilhelm Hoffmann let his career run roughshod over his personal life. He had no wife, because he was married instead to his chocolate factory. Now he’s old and gray, and his relatives, who are greedily waiting for him to kick the bucket so they can get their hands on his worldly goods, keep their distance from him. Then one day, an astonished Hoffmann is visited by a young woman named Brigitte, who asserts, that she’s his granddaughter. Suddenly, it all comes back to the old man: as a young man, he had a short, but intense, love affair, which he had to end on the insistence of his father.

Berlin, the end of the 19th Century: The pretty sisters Gabriele and Ulrike Wilkens have both completed their ballet training with honors. But only Gabriele is really dedicated to the art; Ulrike, on the other hand, is more the domestic type. She dreams of having a husband and children. One day, both of them get to know the aspiring composer Andreas Holk. Holk falls madly in love with Gabriele without suspecting, that Ulrike is in love with him! He arranges a prestigious engagement for the sisters at the Berlin Opera, which only Gabriele accepts. Ulrike prefers her modest life. When Count Alversheim courts Gabriele with unbridled energy, a disappointed Holk turns to Ulrike. When Gabriele finally comes to her senses, it is too late: she’s lost Holk to her sister.