Alessia Porto

The film is the everyday chronicle of the one month long occupation of the Palermo city-hall by 20 families of homeless citizens. While dressing the portrait of a public institution under exceptional circumstances it seizes the opportunity to inquire into the controversial and often ambiguous relations between the citizens and their elected representatives.

The film is the everyday chronicle of the one month long occupation of the Palermo city-hall by 20 families of homeless citizens. While dressing the portrait of a public institution under exceptional circumstances it seizes the opportunity to inquire into the controversial and often ambiguous relations between the citizens and their elected representatives.