Katarina Zrinka Matijević

Pescenica is an old industrial suburb of Zagreb. As a satirical depiction of Croatia's recent politics, it has been declared independent republic. What's it like there today? Over a year, the film crew was combing streets, avenues, parks and backyards, focusing on the lives of four Pescenica inhabitants: its self-proclaimed president, a teacher in a Roma school, a cleaning lady in a film distribution company and a young stage director. All that in order to portray Pescenopolis, the film's protagonist that floats between mud and clouds.

The Trampoline is not a romantic love story - it is a film about a powerful and sometimes double-edged love, and the darker side of a mother-daughter bond that has been stretched to breaking point.

Milan and Silvana live in Medulin, a small coastal town in Croatia. Milan rears cows on the nearby island of Finera, tending them daily, as many did before him. But Silvana wants much more and keeps complaining that Milan should pay more attention to their house and possibly rent it to tourists. However, a dramatic event in Milan's life will clearly show that the times have changed and they are not getting any younger.

Through a series of interviews with randomly selected parents, Katarina Zrinka Matijević explores the ups and downs of parenthood in the contemporary Balkan sphere, uncovering almost as much about the couples as she does about herself.

A five-year-old boy is completely uninterested in food, which results in conflicts with his mother. The effort she invests in feeding him is equal to the boy’s effort not to eat the offered food. The longer the lunch, the clumsier is their balance on the verge of fight. The duel between the boy’s resourcefulness and the spoon, the tears and mother’s love, ends with the victory of the more persistent. The last bites are either left on the plate, or leave with the boy to bed in his mouth.

The breath-taking yet cold mountain landscapes of Lika shown in this poetic documentary intimate one’s state of mind, inner struggles and revelations. While Zrinka films the spectacular and cruel sights of the region, that very same Lika paints the contours of the director herself, as she revisits experiences of her ancestors and her own experiences in a search for the key for accepting her epilepsy and overcoming previous losses.

Pescenica is an old industrial suburb of Zagreb. As a satirical depiction of Croatia's recent politics, it has been declared independent republic. What's it like there today? Over a year, the film crew was combing streets, avenues, parks and backyards, focusing on the lives of four Pescenica inhabitants: its self-proclaimed president, a teacher in a Roma school, a cleaning lady in a film distribution company and a young stage director. All that in order to portray Pescenopolis, the film's protagonist that floats between mud and clouds.

Pescenica is an old industrial suburb of Zagreb. As a satirical depiction of Croatia's recent politics, it has been declared independent republic. What's it like there today? Over a year, the film crew was combing streets, avenues, parks and backyards, focusing on the lives of four Pescenica inhabitants: its self-proclaimed president, a teacher in a Roma school, a cleaning lady in a film distribution company and a young stage director. All that in order to portray Pescenopolis, the film's protagonist that floats between mud and clouds.

The Trampoline is not a romantic love story - it is a film about a powerful and sometimes double-edged love, and the darker side of a mother-daughter bond that has been stretched to breaking point.

The Trampoline is not a romantic love story - it is a film about a powerful and sometimes double-edged love, and the darker side of a mother-daughter bond that has been stretched to breaking point.

Milan and Silvana live in Medulin, a small coastal town in Croatia. Milan rears cows on the nearby island of Finera, tending them daily, as many did before him. But Silvana wants much more and keeps complaining that Milan should pay more attention to their house and possibly rent it to tourists. However, a dramatic event in Milan's life will clearly show that the times have changed and they are not getting any younger.

Milan and Silvana live in Medulin, a small coastal town in Croatia. Milan rears cows on the nearby island of Finera, tending them daily, as many did before him. But Silvana wants much more and keeps complaining that Milan should pay more attention to their house and possibly rent it to tourists. However, a dramatic event in Milan's life will clearly show that the times have changed and they are not getting any younger.

Through a series of interviews with randomly selected parents, Katarina Zrinka Matijević explores the ups and downs of parenthood in the contemporary Balkan sphere, uncovering almost as much about the couples as she does about herself.

Through a series of interviews with randomly selected parents, Katarina Zrinka Matijević explores the ups and downs of parenthood in the contemporary Balkan sphere, uncovering almost as much about the couples as she does about herself.

A five-year-old boy is completely uninterested in food, which results in conflicts with his mother. The effort she invests in feeding him is equal to the boy’s effort not to eat the offered food. The longer the lunch, the clumsier is their balance on the verge of fight. The duel between the boy’s resourcefulness and the spoon, the tears and mother’s love, ends with the victory of the more persistent. The last bites are either left on the plate, or leave with the boy to bed in his mouth.

A five-year-old boy is completely uninterested in food, which results in conflicts with his mother. The effort she invests in feeding him is equal to the boy’s effort not to eat the offered food. The longer the lunch, the clumsier is their balance on the verge of fight. The duel between the boy’s resourcefulness and the spoon, the tears and mother’s love, ends with the victory of the more persistent. The last bites are either left on the plate, or leave with the boy to bed in his mouth.

The breath-taking yet cold mountain landscapes of Lika shown in this poetic documentary intimate one’s state of mind, inner struggles and revelations. While Zrinka films the spectacular and cruel sights of the region, that very same Lika paints the contours of the director herself, as she revisits experiences of her ancestors and her own experiences in a search for the key for accepting her epilepsy and overcoming previous losses.

The breath-taking yet cold mountain landscapes of Lika shown in this poetic documentary intimate one’s state of mind, inner struggles and revelations. While Zrinka films the spectacular and cruel sights of the region, that very same Lika paints the contours of the director herself, as she revisits experiences of her ancestors and her own experiences in a search for the key for accepting her epilepsy and overcoming previous losses.