Chow Chi-Sing

After seeing a friend of his boss' son adopted over his promised promotion with connections, Shrimp's father, a minor white-collar worker Ng Kwun-sing, vows to get Shrimp a place in a prestigious school and a chance to make friends with the rich. However, Shrimpy is constantly bullied and discriminated against by his classmates. Ng has not the means to be a social climber and finally realises his mistake. He sends his son to a voluntary school so that he may grow up happily. This poignant father-son drama shows a parents' willingness to carve out a good future for their children by any means necessary.

After seeing a friend of his boss' son adopted over his promised promotion with connections, Shrimp's father, a minor white-collar worker Ng Kwun-sing, vows to get Shrimp a place in a prestigious school and a chance to make friends with the rich. However, Shrimpy is constantly bullied and discriminated against by his classmates. Ng has not the means to be a social climber and finally realises his mistake. He sends his son to a voluntary school so that he may grow up happily. This poignant father-son drama shows a parents' willingness to carve out a good future for their children by any means necessary.

No synopsis available yet.

Upon the death of an elderly master, a family has a dispute over the distribution of an inheritance / jewelry and are haunted by ghosts.

A 10-year-old Bruce Lee stars as Kid Cheung, an orphan boy who sells comics in a little stall in the slums to survive. He and his two siblings are looked after by his Uncle Ho, a teacher. When the wealthy Hung Pak-ho surveys the slums to build a school for orphans, he is robbed by the vicious Blade Lee and his gang. Cheung helps Blade Lee escape and earns his friendship, but Uncle Ho convinces him to return the gold necklace Lee stole. Hung rewards Ho by hiring him as his private secretary.

Mr. Wong and his students take shelter in a house during a storm, where the caretaker, Uncle Fook, tells a ghost story. Long ago, cousins Bai Yunfeng and Bai Deqing rescued a singer, Qin Chuxiang. Both loved her, but Chuxiang only loved Yunfeng. Deqing, jealous, convinced Yunfeng’s father, Bai Yinzong, to break up the couple by arranging Yunfeng’s marriage to a cousin. However, Chuxiang was pregnant, so the Emperor agreed to their marriage. On the wedding day, Chuxiang’s mother revealed that she and Yunfeng were siblings. Deqing then bribed locals to accuse them of incest, and they were nearly drowned. Mr. Wong’s group realizes Yunfeng and Chuxiang survived and had pretended to be ghosts for years. Yinzong exposes Deqing’s plot, and Yunfeng and Chuxiang finally marry.

Rascal To Chai-yan brings a false charge of selling fake medicine against doctor Fan Tin-sang, who is sentented to a twenty-year imprisonment. Fan makes an escape after a decade, and secretly provides for the education of his son Fuk-kwan brought up by a poor blacksmith. Fuk-kwan grows up to be a doctor practising in the country. To again does harm to Fuk-kwan, only this time Fan intervenes. Both he and To die in the fight.

Pak coek gung's family rents the third floor of a tenement building. Due to the water shortage, Pak's porridge stall is difficult to operate. At that time, Ah Seng, the son of Pak, owed money to Cheung, the fat man downstairs. Cheung saw that the porridge stall could not operate, so he took away the license of the porridge stall. In order to get the license back, Pak's daughter Miuying had to work as a dancer to pay off the debt. Then Pak's neighbors helped the porridge stall reopen and even reported Cheung for wasting water.

No synopsis available yet.

"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.

This script was adapted from a Rediffusion Radio airwave novel, written by Lang Wun and read on-air by his wife Ngai Mun. Ngai Mun also acted in this film. Wang (Cheung Ying) worked himself to an early death. His wife Ching (Hung Sin Nui) raised their three children all by herself. Eldest son Kei (also played by Cheung Ying) was spoiled and grew up to be a robber. Middle child, daughter Ching-han, is materialistic and vain, and is later killed by Kei. Youngest son Leung (Yeung Fan) is diligent and ambitious, a great comfort to Ching. Hung Sin Nui played Ching from a young to an elderly woman, showing off her practiced, perfect acting skills. Chun Kim’s detailed portrayal of the relationship between the two generations set the stage for his later work Parents’ Hearts (1955).

Cold Nights features great performances by both Pak Yin as a tough minded “new woman”, Shusheng, and Ng Cho-fan as her weak husband, Wang Wenxuan, whose spirits have been crushed by the Sino-Japanese war.

A rural employee leaves his wife and mother to seek work in the city.

Ko Suk-ying is saddened over her arranged marriage as manipulated by her father Hak-ming. Ko Kok-sun's Cousin Chow Wai's spends the Mid-Autumn Festival before her marriage with the Kos. She has been in love with Sun. Sun finds out about her love for him when she is about to be married off, he is too weak to oppose to Wai's betrothal to another man. Sun's son, Hoi-sun, falls ill. Fearing the displeasure of his elders, Sun dares not consult a western doctor. Meanwhile, another dispute arises among members of the family over the ancestral land. When accused of being incompetent in his management, Sun takes the blame silently. Wai dies of grief while Hoi-sun becomes a victim of mistreatment. Sun is devastated at this double blow. Hak-ming instructs Sun to arrange for Ying's wedding. Knowing the kind of man Ying's fiancee is, Sun is reluctant. Not wanting to follow in Wai's footsteps, Ying fights for her own rights, and backed by an enlightened Sun, she leaves for a new start.

When both sides of the family move in with a married couple, chaos reigns.

The sophistication of 1950s Hong Kong cinema is vividly illustrated in this film of limited budget and resources. Cantonese opera star Sun Ma Si-tsang plays a country boy who looks exactly like Sun Ma and is asked by a rich girl to impersonate the star, to help her stage an opera. The self-reflexive humour generated by the absurd situation not only provides delicious parody of celebrity culture but also comments subtly on class inequality and the perils of urbanisation. Sun Ma, who also appears as himself in a stage performance, is complemented beautifully by the brilliant comedian Yee Chau-shui as his sidekick and Hung Sin Nui, another opera superstar, as the spoiled and precocious rich girl.

HK historical drama.

Hong Kong horror movie from 1941.

In order to bring about the return of a prodigal son, Hoi Yau-lung asks his fiancee Fa Sau-lan to administer 'the beauty ruse' to trick his cousin Wan Kam-cheung into squandering all his money. When Wan is reduced to penury, he encounters his wife Suk-ching and learns from her the whole story. Wan realises his faults and resolves to turn over a new leaf.

Hong Kong horror movie from 1951.

The movie is a horror movie with a deep moral. A number of ghosts appear in the movie, including a ghost that escaped from the Ghost Gate, an unjust ghost released from the City of Wasted Death, a sleazy ghost trapped in the Beauty Gate and a living hangman's neck.

Drama from Hong Kong directed by Wong Toi.

Chinese Opera from Hong Kong directed by Chun Kim.

A broom spirit disguises itself as a pretty woman at night and goes out to do evil deeds, seducing young men and then killing them. In just three months, hundreds of men have fallen victim to the broomstick spirit.