Daria Lorenci Flatz

Anamarija starts her job as a counsellor at a new school. Together with her, the viewers begin to appreciate what kind of people the staffroom teachers are, they witness the petty conflicts and also uncover the power games that go on behind the scenes. This self-assured debut from Sonja Tarokić about the individual's struggle within the system and the sheer effort required to preserve one’s integrity, also presents a complex study of an institution whose employees have taken on one of the most responsible roles an adult can have – to educate future generations.

A traumatic event – a sudden suicide attempt – opens a gap in the everyday life of a family of three. Their lives change fundamentally, as if they've been pulled into a war invisible to everyone else. The plot is limited to the most acute, a short period of time and a situation that boils down to the most important thing – to save a loved one. The film was based on the personal experience of the director, who also plays the leading role.

A young girl, Janica, arrives in a small town and gets a waitressing job at a restaurant run by the Miočić family. Although the family accept her at first, they inexplicably start changing their behaviour which causes a sense of unease and growing paranoia.

After spending months as a prisoner in Donbas, Ukrainian aerial reconnaissance expert Lilia returns home to her family. But the trauma of captivity continues to torment her and surface in dreamlike ways. Something growing deep within Lilia will not allow her to forget, yet she refuses to identify as a victim and will fight to liberate herself.

Faruk Sego, a failed Bosnian writer facing deportation from Austria, must prove that he has made a cultural contribution to Austrian society. His last chance is an off-theatre troupe that can stage a play he wrote as a young man. Faruk's reluctant return to the theatre will force him to realise what is truly important in life.

Apprentice Lapitch, the little shoemaker sets off on a journey after experiencing injustice from the cruel Master Mrkonja. On his journey he meets Gita, a beautiful little circus girl who is an orphan just like him. They share adventures and experience problems during their journey. They have nowhere to sleep, no food and are poorly clothed, but nothing scares them. They are bold and happy, willing to help everyone. On the night of the full moon something terrible happens, and changes everything...

The story of Jasna, a Croatian ex-pat who, due to her mother Anka's declining health, is forced to return to a place she has been avoiding most of her life - her home. The two haven't been in touch for years, but the proximity of death forces them to confront the ghosts of their past. It is also a portrait of life in a typical small town in the midst of Mediterranean hinterland. Plunging into the anxieties of the community, MATER subtly uncovers class, status, and gender issues that shape Anka's and Jasna's personalities - their stubbornness, strength, and tragic flaws.

Marijana's life revolves around her family, whether she likes it or not. They live on top of one another in a tiny apartment, driving one another crazy. Then her controlling father has a stroke and is left completely bedridden, and Marijana takes his place as head of the clan. Soon, she is working two jobs to keep everything afloat, while her mother and disabled brother do their best to scupper the ship. Driven to the edge, Marijana finds comfort in seedy sex with random strangers; and this taste of freedom leaves her wanting more. But now that she has finally found freedom, what's she meant to do with it?

Nikola is a man who knows how to really enjoy life; he's even able to rouse sympathy for his sinful ways. His brother turns a blind eye to his philandering although, with a broken marriage behind him, he doesn't have a clear conscience, either. Is there anything positive to be said about infidelity, or does it simply deserve the utmost contempt, particularly when it's more premeditated than spontaneous?

Danko Babic is an ambitious and amoral gynaecologist at Croatia's leading fertility clinic. When his colleague Bantic is appointed as head of the clinic, Babic starts a secret war to overthrow his rival. Distracted by his ruthless campaign he makes series of fatal mistakes that result in the death of a patient. A crooked coroner and a corrupt police officer cover up his misdeeds, while Babic grows increasingly dependant on drugs and alcohol. He begins performing illegal abortions on prostitutes who work for Jedinko, a gangster who controls the local drug and sex trade.

In order to recover the body of her son lost during the war in Bosnia, a grieving, but strong-willed Muslim woman, Halima, must track down her estranged niece, who we find carries a mysterious connection to him.

Zoe, Goran’s youngest child, is celebrating her tenth birthday. While children, friends, and closest family members are gathering and the party is kicking off, Goran receives a phone call with news that could darken this happy and eagerly awaited celebration.

Ankica is the proud owner of a legitimate massage salon, which she runs with her best friend Ljilja. She dreams of keeping her out-of-work husband and adult daughter in comfort while helping Ljilja pay for her son's recurring rehab programs. But in reality, Ankica’s debts are mounting, and she refuses to add happy endings (sexual favors) at the salon to increase revenues. When a loan shark threatens to take her apartment if she does not repay her debt, in desperation, she turns to crime.

Four very different people live in the same building but avoid each other because of differences in how they live their lives, what they believe in, and where they come from. They would probably never exchange a word, but misfortune pushes them towards each other. Their lives entangle in ways that profoundly challenge deep-held beliefs and prejudices surrounding material status, sexual orientation, nationality and religion. Slowly, and even painfully, they begin to open up to each other and recognize the essential humanity each of them possesses.

Marko, Adi, Aco and Dejan hag out in front of block of flats in Fuzine. Marko is pissed because he quit playing basketball and because the sexy TV presenter doesn't notice him and because his father Radovan is going to beat him up for quitting basketball. Adi is irritated by the fact that his brother Sanel is a drug addict and because his father Mirsad prefers to shang waitresses somewhere in Austira rather than to deal whit this. Makarovicka chefur girl gives a hard time to Aco and he would like to tak a revenge on Damjanovic - bus driver. Dejan is anxious because his mother Sonja wants to move to Slovenske Konjice. Policemen stop the boys one night and their world starts to disintegrate.

Matea is a twelve-year-old whiner who hopes her birthday party will make her more popular at school. Nera is a girl at a crossroads in life. An incident in front of a shopping mall could give her a new perspective on things. Miran is a new husband, son-in-law, and a father-to-be who is simply trying to move his things to a new apartment with the help of neighbors who start giving him a hard time. Three neighbors on the verge of a breakdown on a winter's night.

After their son has been beaten up in the street, parents find their world of false security collapsing and have to re-examine their lives and question everything into what they believed.

Miran is an unconventional priest who prepares children for the ceremony of confirmation. One of them is Goran, an orphaned teenage boy who enjoys Miran's attention. One day, a new boy moves into the neighborhood, and immediately becomes Miran's new pet student. Goran gets jealous and admits being in a sexual relationship with the priest, which sets in motion a series of unfortunate events.

A girl and a boy spend together last days of their summer break, while the date is approaching when the girl will have to leave the country. A young woman and a young man unexpectedly meet and enter a passionate love affair. While she explores the city she had left as a child, he has a feeling that they’ve met before. A woman and a man separate after 20 years of marriage, but the relationship they‘ve built doesn’t allow them to move on.

Arman is about to turn 18. He was adopted as a baby by Jasna and Senad, who were unable to have children of their own. However, four years after the adoption, Jasna gives birth to Dado. Throughout his life, Arman has had a hard time coping with being an adopted child. Full of explosive energy, he constantly gets in trouble together with his schoolmates. Despite being very intelligent, he is labelled as a problem child. The only place he feels safe and loved is with Jasna’s parents. At the same time, Arman does all he can to save Dado from self-destructing. However, despite everything he does to support his brother, his parents interpret Arman’s involvement incorrectly, and blame him for every trouble with Dado.

Director is working on a new film. He invites the main actor to the remote island of Vis so they can work on the script. Due to isolation they face on the island during the winter period, the two of them are unexpectedly faced with their own frustrations, which are constantly intertwined with the films plot in a strange way.

The bitter rivalry between the fans of Zagreb's flagship football club Dinamo and Split's Hajduk brings a father and his estranged son closer together, costs a man his life and creates violence in the life of a stay-at-home mother.

Story about a forty-something Sarajevo taxi driver named Fudo (Saša Petrović) who decides to take control of his own destiny. Fudo doesn't earn much, so he supplements his income by offering tips to the local criminal syndicate and turning a blind eye to their nefarious dealings. One day, after offering a particularly bad bit of advice to a violent gangster, Fudo is badly beaten. When Fudo's wife Azra (Daria Lorenci) discovers what has happened, she decides to take the couple's infant son and move out. Now determined to win his wife back and restore peace in the home, Fudo decides to go straight. But cleaning up his act isn't going to be easy, because after borrowing enough cash from black market dealer Sejo (Emir Hadžihafizbegović) to purchase a van and then refusing to aid him in any underhanded dealings, the only person willing to cut him any slack is the sympathetic Azra.

An androgynous supernatural creature enters the lives of two individuals and helps them find comfort in each other again.

Ivan is a 36-year old ex-rock singer and a disillusioned war veteran who lost both legs in the recent Croatian War of Independance. His father, Izidor, was a well-known political prisoner in the former Yugoslavia, and is now standing as an independent candidate for the Croatian Parliament. One day, a familiar face from the past reappears: Simo, an impoverished Serb who was once a wealthy state official who was responsible for Izidor's arrest. He knows certain facts about Izidor that could destroy his reputation and wreck his political campaign. In return for his silence, Simo demands money from Izidor, as well as starting an affair with his wife Ana. Fearing for the future of his campaiagn, Izidor murders Simo and buries his body in the garden, catching the attention of a homicide investigator. Meanwhile, Ivan, tired of his disability, decides to start provoking other Croatian war veterans by singing Serbian nationalist songs, which lands him in prison.

Tired of his life of crime and violence, Goran decides to sell everything he owns, takes his uncle's van and moves to Bosnia where he starts working as a manager and bartender for a travelling bar. On his travels he stops in a small town where he meets Maja, the girlfriend of a local mob boss, and they start a whirlwind, starcrossed romance.

The story of four petty criminals in Zagreb, a city recently coming off of the horrors of the Croatian War of Independance, reflects the petty hatreds, violence, prejudices and mood hanging over the country like a disease that spreads with no cure in sight.

After years of working abroad, Mirjana returns to her small conservative village in the Dalmatian Hinterland, with her parents welcoming her with open arms. However, their demeanor quickly changes once she confesses to being pregnant and not knowing who the father is. Fearing the societal stigma this might impose on both her and them, they decide to find Mirjana a local husband, however, no choice seems to suit both parties.

Ante is a village fella who arrives in Zagreb to study at the faculty of forestry.

Famous archictect Nikola Jeren finds himself trapped in what he percieves as a suffocating and loveless marriage with his wife Maja. Wanting to break away from this, he starts an affair with his colleague Ana, who initially excited to break away from her mundane existence by partaking in an affair.

Kind-hearted, but slightly possesive, Ibro, takes his quiet, epileptic son Amir on a journey from their small, backwards Bosnian village to Zagreb, so that the latter can partake in an audition for the role in a big-budget drama about the role of the German UNPROFOR soldiers during the events of The Bosnian War. Ibro's overprotectiveness and constant praise start annoying Amir, putting their relationship and the latter's ptoential future acting career on the line.