Hachimiya Ahamada

A Comorian village. Djibril spends his frees time taking care of an abandoned villa. While he is busy there, his cabin catches fire. Homeless, he must find a place to live.

On an island in the Indian Ocean, the Comoros archipelago, unoccupied houses await the arrival of their owners. These places without souls and half built abound across the landscape. The myth of eternal return is repeated in the Comorian diaspora.

December 1976, a three-day revolt erupts in the small town of Majunga, Madagascar. Ali, a widower, is caught in an abrupt and violent turmoil between communities. His first and only preoccupation is how to protect his young daughters.

A Comorian village. Djibril spends his frees time taking care of an abandoned villa. While he is busy there, his cabin catches fire. Homeless, he must find a place to live.

A Comorian village. Djibril spends his frees time taking care of an abandoned villa. While he is busy there, his cabin catches fire. Homeless, he must find a place to live.

On an island in the Indian Ocean, the Comoros archipelago, unoccupied houses await the arrival of their owners. These places without souls and half built abound across the landscape. The myth of eternal return is repeated in the Comorian diaspora.

On an island in the Indian Ocean, the Comoros archipelago, unoccupied houses await the arrival of their owners. These places without souls and half built abound across the landscape. The myth of eternal return is repeated in the Comorian diaspora.

December 1976, a three-day revolt erupts in the small town of Majunga, Madagascar. Ali, a widower, is caught in an abrupt and violent turmoil between communities. His first and only preoccupation is how to protect his young daughters.

December 1976, a three-day revolt erupts in the small town of Majunga, Madagascar. Ali, a widower, is caught in an abrupt and violent turmoil between communities. His first and only preoccupation is how to protect his young daughters.