Ghulam Mohammed

Khaibar Mail (or Khyber Mail) is a classic Pakistani film from 1960, known for its adventure/drama set around a train journey, featuring stars like Agha Hussaini, Nasira, Neelo, and Aslam Pervaiz, telling tales of love, danger, and local culture against the backdrop of the Khyber Pass region

Shahid is betrayed by his wife who ran away from him at the 1st night of their wedding and after this he becomes a loner and alcoholic.

When a defiant youth flees a tyrannical Wazir, he joins a hidden band of rebels branded as outlaws. Alongside a fierce warrior woman, he leads a desperate guerilla campaign against oppression, turning a flight for survival into an ultimate sacrifice for true justice.

A young village boy, Malik, falls in love with Zeeno, a modern Punjabi girl from a Westernized family. A village bully, Zuba, also likes Zeeno and creates apprehension in Zeeno and her family about Malik's relationship with a resident in his home, this leads to significant conflicts among Malik, the villagers, Zeeno, and her family.

An Urdu action blockbuster set during liberation struggles against British colonizers. The first movie of Pakistani Actor Sultan Rahi

Laali drives a tanga to keep her family fed. When village life forces her out, she arrives in Lahore with nothing but her horse and her nerve. Inspired by the short story "License" by Saadat Hassan Manto

A poor musician is invited to participate in a competition abroad but his plane crashes on the way. Though the musician survives, he decides to stay away and pretend to be dead as wife and daughter will be given one lakh rupees in life insurance. But fate has other things in store for the women and when the musician returns ten years later he discovers that his daughter has become a dancer.

No synopsis available yet.

Film starring Noor Jehan.

A young blind girl is the only witness to the murder of a greedy, but repentant, landlord.

The year 1947 saw the independence of Pakistan. During this time, the Indian film industry was segregated and the only film production centre left in Pakistan was at Lahore. With the industry reeling in its infancy, it was hard to work on film productions that had been initiated before the independence as many of the working filmmakers and actors had left for or stayed back in India.

Premnath, a once-worldly man who finds peace as a devout ascetic. His detached existence is disrupted when he's compelled to become the guardian of Radha, the orphaned daughter of his old friend. As he guides her, he's drawn back into the world's complexities, fighting for her happiness and confronting societal challenges, ultimately questioning the boundaries of his spiritual vows in the face of human responsibility.

Notions of religion restrict a man from fulfilling his mother’s last wish- immersing her ashes in the holy Ganga. Will he be able to break the shackles?

A commoner and a noblewoman fall in love after he saves her from a fire, but her father is against their marriage.

Alibaba and his son live with his rich brother Cassim. Marjina and Zabba are two slave girls who work in Cassim's house. Marjina and Alibaba's son are in love with each other. Zabba is in league with Abu Hassan, who is the leader of a gang of thieves. Alibaba finds the thieves' cave and becomes rich. Cassim's wife insists on knowing the secret of his wealth. Alibaba tells his brother who goes to the cave but can't get out as he's forgotten the magic words. The thieves find him and kill him. Alibaba and his son find Cassim and bring his body back for burial. Abu Hassan finds out about Alibaba, and the story then follows Marjina outsmarting Abu Hassan, who comes visiting as a merchant.

Kisan Kanya is a 1937 Indian Hindi-language film directed by Moti Gidwani and produced by Ardeshir Irani under the banner of Imperial Pictures. Made using Cinecolor, the film is based on a novel by Saadat Hasan Manto that highlights the struggles of poor farmers. The film is historically significant as India’s first indigenously made colour film. While V. Shantaram's Sairandhri (1933) featured scenes in colour, it was processed and printed in Germany, distinguishing Kisan Kanya as the first colour film entirely produced within India.

The Gupta period depicts battles between Ujjain and Kanauj kingdoms, featuring Amber, Prince Tikka, and Madhuri, who defeats Kanauj's commander and rescues Amber.