Kerstin Römer

Sauerland, autumn 1995: In the middle of the forest on the Wilzenberg, a walker finds the body of high school graduate Sonja Risse. However, the fact that the killer left a music box with the lullaby "Hush Little Baby" at the crime scene does not lead to a clear solving. 25 years later, the investigative journalist Stefanie Schneider, known as "Mütze", made a surprising discovery in Cologne. In a disused multi-storey car park, she films an undressed corpse of a man with a music box running next to it! When her colleague Jan Römer, who reported on the spectacular Sonja case as a young journalist in 1995, recognizes the melody from back then, he immediately believes there is a connection. He goes to Wilzenberg with his ambitious colleague to interview Sonja's mother Maria, her former teacher Waldheim and her best friends. The more the journalists compile, the clearer the contradictions and gaps that the investigators should have noticed at the time.

During a storm surge on the North Sea coast in 2007, farm worker Iven takes 3-year old Wienke, the daughter of dike warden Hauke Haien and his wife Elke, to Hamburg and leaves her outside a children’s home. Iven becomes a doorman in St. Pauli. 15 years later, he is visited by a young woman. She wants to know who she is and where she comes from. And she wants him to find her parents. Unwillingly, for he too has a past he would prefer to forget, Iven takes her to the village of Stegebüll on the coast. For the pair, a dramatic journey back in time begins to the fateful events in Stegebüll and the downfall of Hauke Haien and his family.

A murderer always kills across Europe according to the same pattern: he kills single women and provides the victims with his personal signature. A friend of Abel's is suspected. Abel wants to help him and investigates himself.

Docudrama telling the story of a building with a breath taking career that began in the empire, flourished in the Weimar Republic, perished in the Nazi dictatorship, and was rebuilt after its partial destruction.

Nine young actors leave behind their daily lives in Berlin and travel to the country to audition for a summer theatre production to be performed in the ruins of an old church. A once-renowned Swiss director is using this week of rehearsals to find the lead for this production of “Hamlet”. The director is staying privately at the home of an old woman, but the actors are being put up at a run-down hotel with very thin walls.