Victorin-Hippolyte Jasset

No synopsis available yet.

The story of the children of Captain Grant.

In 1912 Jasset turned from fantasy and spectacle to realism in making the first of two Zola adaptations, as part of Éclair's new series of social dramas. For Au pays des ténèbres, based on Germinal, he took his crew to Charleroi in Belgium to film in authentic locations, and although he updated the story to the present, he went to great lengths to recreate in the studio the detail of the actual mining galleries, exploiting the ability of film to be a recorder of contemporary reality.

Eugenie Grandet has discovered where her father, a miserable old miser, keeps his treasure. Eugenie's cousin, Charles, is the bearer of a letter from his father to his uncle, Eugenie's father. The letter informs the miser that Charles' father, his only brother, is reduced to a state of utter ruin, and unless he can obtain immediate help, he contemplates suicide.

An ape, turned near human by Dr. Coriolis and given the name 'Balaoo', is smitten by the beauty of Coriolis' niece, Madeleine. Being inquisitive, though, he runs off, getting into mischief, and falls in with a poacher who saves his life. Acting now as his slave Balaoo kills a man for the poacher, but balks on his orders to kidnap Madeleine, deciding instead to set a trap for the poacher.

Grandmother Hall, aged fast falling in health, is greatly comforted by her only two grandchildren, daughters of her own daughter long since past before. She has made a will in which she stipulates that Lawrence, her son, shall inherit her wealth providing he assumes the care of her grandchildren, and who are, of course, his nieces. She dies. Lawrence claims the estate and orders his nieces to get out and earn their own way. A second will is found, properly filed and recorded. It is read and they learn that it is a repudiation of the first will, should Lawrence fail to live up to the terms therein. Lawrence tries to break the will but fails and the estate is ordered delivered to the girls. The granddaughters kind-heartedly offer Lawrence a home with them.

No synopsis available yet.

The story of the children of Captain Grant.

In 1912 Jasset turned from fantasy and spectacle to realism in making the first of two Zola adaptations, as part of Éclair's new series of social dramas. For Au pays des ténèbres, based on Germinal, he took his crew to Charleroi in Belgium to film in authentic locations, and although he updated the story to the present, he went to great lengths to recreate in the studio the detail of the actual mining galleries, exploiting the ability of film to be a recorder of contemporary reality.

Eugenie Grandet has discovered where her father, a miserable old miser, keeps his treasure. Eugenie's cousin, Charles, is the bearer of a letter from his father to his uncle, Eugenie's father. The letter informs the miser that Charles' father, his only brother, is reduced to a state of utter ruin, and unless he can obtain immediate help, he contemplates suicide.

An ape, turned near human by Dr. Coriolis and given the name 'Balaoo', is smitten by the beauty of Coriolis' niece, Madeleine. Being inquisitive, though, he runs off, getting into mischief, and falls in with a poacher who saves his life. Acting now as his slave Balaoo kills a man for the poacher, but balks on his orders to kidnap Madeleine, deciding instead to set a trap for the poacher.

Grandmother Hall, aged fast falling in health, is greatly comforted by her only two grandchildren, daughters of her own daughter long since past before. She has made a will in which she stipulates that Lawrence, her son, shall inherit her wealth providing he assumes the care of her grandchildren, and who are, of course, his nieces. She dies. Lawrence claims the estate and orders his nieces to get out and earn their own way. A second will is found, properly filed and recorded. It is read and they learn that it is a repudiation of the first will, should Lawrence fail to live up to the terms therein. Lawrence tries to break the will but fails and the estate is ordered delivered to the girls. The granddaughters kind-heartedly offer Lawrence a home with them.

Drama in which the love between Claude and Germaine is tested when Claude is falsely accused and Germaine's father doesn't approve of their relationship.

Nick Carter, the famous detective, is ordered to prosecute the gang of Zigomar. Carter gets into various thorny situations but manages to escape every time, helped by Olga, a former girlfriend of Zigomar. Carter finally manages to trap Zigomar and Zigomar is arrested. However, Zigomar avoids going to court by apparently poisoning himself.

Nick Carter, the famous detective, is ordered to prosecute the gang of Zigomar. Carter gets into various thorny situations but manages to escape every time, helped by Olga, a former girlfriend of Zigomar. Carter finally manages to trap Zigomar and Zigomar is arrested. However, Zigomar avoids going to court by apparently poisoning himself.

No synopsis available yet.

No synopsis available yet.

Nick Carter serial, sequel of the successful original master series, "Nick Carter, le roi des détectives," launched in 1908 with 6 episodes. This specific 1909 follow-up installment had only 2 episodes, "En danger" (4 March) and "Le Sosie" (11 March).

Short melodrama. Two former lovers meet twenty years later when the man has to compete with the son of the woman.

Paulin Broquet, the great Parisian detective, has brought the notorious bandit, Zigomar, to justice. Determined not to let the law punish him, he had taken poison in the Hall of Justice. Then he was brought to a hospital where he lay motionless and was visited by hundreds of persons. Among the visitors was a slender woman, dressed in black, who secreted herself in the hospital, and, when all the others had gone, went to the bedside of Zigomar and administered an antidote for poisoning.

"Le Saboteur" is the second episode of the collection "Les batailles de la vie"

A Nick Carter serial

A Nick Carter serial

After a time of suspended activities, Zigomar attempted to rob the biggest bank in Paris; but in this he was frustrated by the detective. Swearing vengeance he tried to wreck the train upon which the detective was traveling, but one of the detective's spies got wind of it and warned him.

A sensational detective story, founded on the romance of Leon Sazie. The noted criminal who terrorized all Europe is shown in these three Zigomar reels in a dramatic and intense struggle for supremacy with Paulin Broquet, the celebrated detective, who takes the two in the most varied and finest resorts.

A sensational detective story, founded on the romance of Leon Sazie. The noted criminal who terrorized all Europe is shown in these three Zigomar reels in a dramatic and intense struggle for supremacy with Paulin Broquet, the celebrated detective, who takes the two in the most varied and finest resorts.

No synopsis available yet.

The next dastardly trick of Zigomar was to secure the safe which carried $50,000 belonging to the owner of the Grand African Circus, which he had won as a prize. He and La Rosario, disguised as servants, joined the circus and by the aid of a powerful elephant managed to get the safe to a manhole into which is was lowered to Zigomar and La Rosario.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

No synopsis available yet.

Silent Short

No synopsis available yet.

No synopsis available yet.

In 1913 early French film pioneer Victorin-Hippolyte Jasset died abruptly at the age of 51. His filmography of about 60 titles includes all film genres but is today mostly lost. He was particularly interested in detective or crime genres and with series like Nick Carter and Zigomar he is considered as one of the creators of the serial. The spectacular siege of Jules Bonnot's Gang at Choisy-le-Roi near Paris on April 28th 1912 inspired Jasset to make this 'Bandits en automobile'. French audiences recognized immediately the resemblances with the actual Bonnot Gang, a reason for which the film was prohibited in many cities.

An Old man is chased by some people. He hits them with his magic sack and they disappear. He is then arrested and escapes by climbing into his sack and reappearing outside the prison walls, he is soon caught again and makes amends by shaking his sack and bringing back those who disappeared.

Two thugs conk the proprietor of a bistro on the head and drag him downstairs to the cellar where he stores his wine. While they plot the next step of whatever they are doing, two gendarmes come in to finish their meal. Running short of wine, one heads down to the cellar.

In 1913 early French film pioneer Victorin-Hippolyte Jasset died abruptly at the age of 51. His filmography of about 60 titles includes all film genres but is today mostly lost. He was particularly interested in detective or crime genres and with series like Nick Carter and Zigomar he is considered as one of the creators of the serial. The spectacular siege of Jules Bonnot's Gang at Choisy-le-Roi near Paris on April 28th 1912 inspired Jasset to make this 'Bandits en automobile'. French audiences recognized immediately the resemblances with the actual Bonnot Gang, a reason for which the film was prohibited in many cities.

Short directed by Victorin-Hippolyte Jasset.

Protéa is the last film directed by Victorin-Hippolyte Jasset, one of the early film pioneers in France. The hero of this film is a female spy, an acrobatic Mata-Hari, played by his favorite actress, Josette Andriot, who wore a characteristic costume of a close-fitting black jersey, two years before Musidora achieved cult status with her similar appearance as Irma Vep. This final masterpiece reflects Jasset's popular style: rhythmic action, fantastic realism, rich visuals, an anarchistic philosophy, a disdain for psychology, and an attention to lighting that earned him the nickname “the Rembrandt of the cinema". Although Jasset died shortly after completion, the film had considerable success and Andriot went on to make four more films in the series with other directors.

Protéa is the last film directed by Victorin-Hippolyte Jasset, one of the early film pioneers in France. The hero of this film is a female spy, an acrobatic Mata-Hari, played by his favorite actress, Josette Andriot, who wore a characteristic costume of a close-fitting black jersey, two years before Musidora achieved cult status with her similar appearance as Irma Vep. This final masterpiece reflects Jasset's popular style: rhythmic action, fantastic realism, rich visuals, an anarchistic philosophy, a disdain for psychology, and an attention to lighting that earned him the nickname “the Rembrandt of the cinema". Although Jasset died shortly after completion, the film had considerable success and Andriot went on to make four more films in the series with other directors.

A man gamles his wife away.

Another adventure of master detective Nick Carter.

Silent short