Sergio Giral

Directing

Sergio Giral

Born

1937-01-03 (89)

Known for

Directing

Credits

8 titles

Sergio Giral (born 2 January 1937) is a Cuban-American film writer and director. He was raised in New York City, as an aspiring young painter in the days of the Beatnik generation. In 1962, Oscar-winning cinematographer Nestor Almendros invited Giral to work together at the ICAIC (The Cuban Film Institute). It was there, after a series of shorts and documentaries, that Giral filmed a trilogy (The Other Francisco, Rancheador and Maluala) about slavery in 19th Century Cuba and the Caribbean. The Other Francisco was entered into the 9th Moscow International Film Festival where it won a Diploma.[1] In 1991 Giral returned to the United States. He resides in Miami. Dos Veces Ana was his first fe…

Known for

Plácido: The Blood of a Poet poster
9.5

Gabriel de la Concepcion Valdes (Plácido) is accused of leading a conspiracy against the Spanish colonial government. Preoccupied by the development of Afro-Hispanic artist and craftsmen of the mid 19th century, Plácido was executed after living a short and controversial life.

Plácido: The Blood of a Poet

1986

No artwork available
6.7

A historical epic, cast in the style of a realistic narrative with symbolic overtones, about runaway slaves and their hunters in the mid-nineteenth century, which weaves an analysis of the factional divisions between coffee and sugar interests, plantation owners and smallholders, around the drama of the Rancheador searching for the mythical rebel slave leader, Mother Manchora.

Rancheador

1979

María Antonia poster
8.8

The plot is situated in Cuba during the early '50s, before the cuban revolution. A prostitute gets in love with a boxer to whom she devotes her life. As the boxer progresses in his career, he gets money and women. The prostitute tries everything to keep him meanwhile her tortured soul sinks deeper and deeper.

María Antonia

1990

Maluala poster
6.4

In 19th century Cuba, runaway African slaves known as 'Cimarrons' hiding in settlements in the eastern mountains. But discord among the Cimarrons is sown by a limited offer of freedom from the Spanish. Maluala is part of a trilogy of films about Cuba's slave uprisings made by Sergio Giral, the best known Afro-Cuban director.

Maluala

1979

No artwork available
8.0

Based on a real event, the action takes place in Havana in 1931, during the dictatorship of Gerardo Machado. Rachel, a young French showgirl, is murdered during an orgy involving personalities of the bourgeoisie and politics. The tabloid press echoes the story to divert public attention from the serious social problems that affect the country. The governors on their part order to silence the case to protect the characters involved.

El extraño caso de Rachel K

1973

Techo de Vidrio poster
9.0

No synopsis available yet.

Techo de Vidrio

1981

Behind the camera

Plácido: The Blood of a Poet poster
9.5

Gabriel de la Concepcion Valdes (Plácido) is accused of leading a conspiracy against the Spanish colonial government. Preoccupied by the development of Afro-Hispanic artist and craftsmen of the mid 19th century, Plácido was executed after living a short and controversial life.

Plácido: The Blood of a Poet

1986

No artwork available
6.7

A historical epic, cast in the style of a realistic narrative with symbolic overtones, about runaway slaves and their hunters in the mid-nineteenth century, which weaves an analysis of the factional divisions between coffee and sugar interests, plantation owners and smallholders, around the drama of the Rancheador searching for the mythical rebel slave leader, Mother Manchora.

Rancheador

1979

María Antonia poster
8.8

The plot is situated in Cuba during the early '50s, before the cuban revolution. A prostitute gets in love with a boxer to whom she devotes her life. As the boxer progresses in his career, he gets money and women. The prostitute tries everything to keep him meanwhile her tortured soul sinks deeper and deeper.

María Antonia

1990

Maluala poster
6.4

In 19th century Cuba, runaway African slaves known as 'Cimarrons' hiding in settlements in the eastern mountains. But discord among the Cimarrons is sown by a limited offer of freedom from the Spanish. Maluala is part of a trilogy of films about Cuba's slave uprisings made by Sergio Giral, the best known Afro-Cuban director.

Maluala

1979

No artwork available
8.0

Based on a real event, the action takes place in Havana in 1931, during the dictatorship of Gerardo Machado. Rachel, a young French showgirl, is murdered during an orgy involving personalities of the bourgeoisie and politics. The tabloid press echoes the story to divert public attention from the serious social problems that affect the country. The governors on their part order to silence the case to protect the characters involved.

El extraño caso de Rachel K

1973

Techo de Vidrio poster
9.0

No synopsis available yet.

Techo de Vidrio

1981

The Other Francisco poster
6.6

Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez Romero's novel with a realistic expose of the actual historical conditions of slavery throughout the Americas. It offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint.

The Other Francisco

1977

The Other Francisco poster
6.6

Based on the novel Francisco by Anselmo Suárez y Romero, "The Other Francisco" is a socio-economic analysis of slavery and class struggle through the retelling of the original novel. The film contrasts the romantic conceptions of plantation life found in Suárez Romero's novel with a realistic expose of the actual historical conditions of slavery throughout the Americas. It offers a critical analysis of the novel, showing how the author's social background led to his use of particular dramatic structures to convey his liberal, humanitarian viewpoint.

The Other Francisco

1977