Pushpita Mukherjee

Mandip Saha’s directorial debut ‘Ishkabon’ is a political drama on the Maoism issue in West Bengal against the backdrop of a politically turbulent time. The feature-length Bengali film is shot in the picturesque Jhargram.

The film tells the story of an old colonial house and how its inhabitants save it from the hands of money hungry promoters in modern day Calcutta.

College students Joy and Jonaki fall in love with each other, much to the distress of her father, who is totally opposed to their relationship.

In the pre-independent days, Viceroy Lord Curzon gifted a diamond-embedded golden pen to a local landlord as a token of gratitude for saving his life. When a newspaper feature about the long-lost pen's historical significance surfaces over a century later, it piques the curiosity of several people for all the right and wrong reasons. The key to discovering the pen lies in solving a set of puzzles left behind by the landlord, but with a fortune at stake and plenty of interested parties joining the treasure hunt, things may just take a dark turn.

Molested Malini, a photo journalist, meets Rajat, a young man who hails from a wealthy family, and falls in love with him. Things take an ugly turn when she gets pregnant.

A filmmaker, averse to starting a family, intends to cast a disapproving couple's school-going son in a movie. What follows is a light-hearted journey that could potentially make him rethink his preferences about having a child.

Abhi (Jeet) confronts Kali Prasad and his son Durga Prasad (Rajesh Sharma). Then?

When a car accident lands her husband, Kaushik, in the hospital, Kaberi's life takes a dramatic turn -- in more ways than one. Anguish over Kaushik's dire condition gives way to anger when Kaberi learns he was having an affair with his co-worker. Torn between sympathy for her bedridden husband and the sting of his betrayal, Kaberi weighs her options.

A middle-class family struggle to make ends meet. Their only hope is their son Rana who always fights injustice which lands him a job in the police force and takes care of the family.

Atindranath Bannerjee, a retired teacher, faces harassment from his family members and decides to discipline them. Later, he shifts to a slum and starts teaching underprivileged children.