Margaret Cameron

Partly funded as a Bicentennial commission through the University of Queensland Art Museum and the ABC, Hughes’ speculative, essayistic documentary is an examination of the future of Australia in light of the processes of post-industrialisation, Walter Benjamin’s ruinous “angel of history” and Marx’s quixotic vision of modernity.

Four young people get to know each other by spending weekends on a yacht stationed in Sydney's Pittwater area.

Truth and fiction collide when sexual obsession leads to betrayal. A voyage of discovery realigns subject, object and victim - things are not always as they seem.

A unique blend of documentary and drama about counter-terrorism in Australia which works on a number of levels: as a political documentary and as an experimental film interrogating traditional narrative and documentary forms.