Hilary Furlong

Teenager Ellie is distressed by forces that threaten the special family holidays she shares with her widowed father. These threats are posed by a new coastal development and her father's new relationship with a local woman. Ellie desperately clings to memories and places that preserve the memory of her late mother.

Ten women artists from Utopia, a remote Aboriginal community in central Australia, were invited to Brahma Tirta Sari, a leading batik studio in Yogyakarta, Indonesia. The Utopia women were already skilled batik artists. However, this visit enabled the practice of new techniques and the chance to prepare for a major exhibition. In turn, their Javanese hosts, Agus Ismoyo and his US-born wife, Nia Fliam, came to the central Australian desert where the Utopia women showed them their country, the source of their physical sustenance and the meaning of their lives.

Teenager Ellie is distressed by forces that threaten the special family holidays she shares with her widowed father. These threats are posed by a new coastal development and her father's new relationship with a local woman. Ellie desperately clings to memories and places that preserve the memory of her late mother.

Teenager Ellie is distressed by forces that threaten the special family holidays she shares with her widowed father. These threats are posed by a new coastal development and her father's new relationship with a local woman. Ellie desperately clings to memories and places that preserve the memory of her late mother.

Ten women artists from Utopia, a remote Aboriginal community in central Australia, were invited to Brahma Tirta Sari, a leading batik studio in Yogyakarta, Indonesia. The Utopia women were already skilled batik artists. However, this visit enabled the practice of new techniques and the chance to prepare for a major exhibition. In turn, their Javanese hosts, Agus Ismoyo and his US-born wife, Nia Fliam, came to the central Australian desert where the Utopia women showed them their country, the source of their physical sustenance and the meaning of their lives.

Ten women artists from Utopia, a remote Aboriginal community in central Australia, were invited to Brahma Tirta Sari, a leading batik studio in Yogyakarta, Indonesia. The Utopia women were already skilled batik artists. However, this visit enabled the practice of new techniques and the chance to prepare for a major exhibition. In turn, their Javanese hosts, Agus Ismoyo and his US-born wife, Nia Fliam, came to the central Australian desert where the Utopia women showed them their country, the source of their physical sustenance and the meaning of their lives.