Gil Brealey

Judy, a young woman living in a provincial town, spends her final weeks at home preparing to move to the city in search of new opportunities. As she interacts with her family, coworkers, and boyfriend, differing expectations and perspectives reveal the challenges surrounding her decision. (Note: This film is one segment of the anthology feature "Three to Go" (1971).)

The world continues to look to Japan as a highly industrialized, future-oriented country that has retained much of its ancient tradition. This series provides an insight into the character of a highly complex nation by examining the lives of nine Japanese from widely diverse backgrounds in the context of social and economic developments.

The harsh, competitive world of Australian sheep-shearers provides the setting for this powerful film. Foley and 'Black Arthur' do battle for the position of 'top shearer' amid the boozy world of men isolated from civilisation. After weeks of work they are confronted with non-union labour undercutting them - a situation which leads to a violent conclusion.

Michael, a young man living within a conventional middle-class environment, begins to question his future as he encounters a group aligned with the countercultural movements of the late 1960s. As he is exposed to new ideas and ways of living, he is forced to reconsider the direction of his life. (Note: This film is one segment of the anthology feature "Three to Go" (1971).)

This anthology film brings together three stories—"Michael", "Judy", and "Toula"—each centered on a young Australian confronting personal and social choices about their future. Produced by the Commonwealth Film Unit, the film explores themes of identity, independence, and cultural tension through distinct perspectives from directors Brian Hannant, Oliver Howes, and Peter Weir.

It tells the story of a young female social worker who begins work at a hospital for retarded children, and discovers that some of the psychological problems attributed to these children are incorrectly diagnosed. Proving this to be the case is difficult, however, as it is generally accepted that as those who are 'profoundly retarded' cannot communicate, therefore they cannot think. In the case of Annie O'Farrell (Tina Arhondis), finding a way for her to 'talk', other than speaking or writing, finally shows that she is not only able to think, but is highly intelligent. The battle against the hospital to acknowledge this in a legal sense goes to court, as the psychiatrists try to hide their misdiagnosis.

Judy, a young woman living in a provincial town, spends her final weeks at home preparing to move to the city in search of new opportunities. As she interacts with her family, coworkers, and boyfriend, differing expectations and perspectives reveal the challenges surrounding her decision. (Note: This film is one segment of the anthology feature "Three to Go" (1971).)

The world continues to look to Japan as a highly industrialized, future-oriented country that has retained much of its ancient tradition. This series provides an insight into the character of a highly complex nation by examining the lives of nine Japanese from widely diverse backgrounds in the context of social and economic developments.

The harsh, competitive world of Australian sheep-shearers provides the setting for this powerful film. Foley and 'Black Arthur' do battle for the position of 'top shearer' amid the boozy world of men isolated from civilisation. After weeks of work they are confronted with non-union labour undercutting them - a situation which leads to a violent conclusion.

Michael, a young man living within a conventional middle-class environment, begins to question his future as he encounters a group aligned with the countercultural movements of the late 1960s. As he is exposed to new ideas and ways of living, he is forced to reconsider the direction of his life. (Note: This film is one segment of the anthology feature "Three to Go" (1971).)

This anthology film brings together three stories—"Michael", "Judy", and "Toula"—each centered on a young Australian confronting personal and social choices about their future. Produced by the Commonwealth Film Unit, the film explores themes of identity, independence, and cultural tension through distinct perspectives from directors Brian Hannant, Oliver Howes, and Peter Weir.

It tells the story of a young female social worker who begins work at a hospital for retarded children, and discovers that some of the psychological problems attributed to these children are incorrectly diagnosed. Proving this to be the case is difficult, however, as it is generally accepted that as those who are 'profoundly retarded' cannot communicate, therefore they cannot think. In the case of Annie O'Farrell (Tina Arhondis), finding a way for her to 'talk', other than speaking or writing, finally shows that she is not only able to think, but is highly intelligent. The battle against the hospital to acknowledge this in a legal sense goes to court, as the psychiatrists try to hide their misdiagnosis.

Toula, a young woman from a Greek migrant family living in Sydney, struggles to balance her family’s expectations with her own desire for independence and a modern Australian identity. As these pressures collide, she seeks a way to reconcile both aspects of her life. (Note: This film is one segment of the anthology feature "Three to Go" (1971).)

The Grampians mountain ranges rising from the plains of western Victoria were discovered by Major Mitchell and continue to delight tourists. This program shows the exquisite wildflowers, the animal life, the rugged mountain scenery and the foaming waterfalls which make the Grampians so beautiful and so popular. Winner of an AFI Award: 1959.

A rich winemaker dispatches a woman lawyer and male surveyor-geologist to assess a farm property whereby it is discovered that terrorists are preparing to invade a middle east country.

An experiment in the creative use of colour visuals, natural sound and dialogue commentary, this film shows the loneliness of the aimless wanderers in the city streets contrasted with those who have companionship on their Sunday. (Award: Special Award for an Experimental Film in the Australian Film Awards, Melbourne Film Festival, 1958) Rights held by Gil Brealey.