Fernand Crommelynck

King Pausole is known for his relaxed rule and having a different wife for every day of the year. Princess Aline, the king's favorite, leaves the kingdom with Giglio, a modern, adventurous pilot, disrupting the kingdom's orderly hedonism. The king abandons his daily duties to hunt for his daughter, bringing him into contact with a world outside his own pampered experience.

A young woman has doubts about her husband's fidelity. She pretends a trip, but settles in a hotel where her husband must pass. He meets her and, disturbed by the one he believes to be his wife's double, becomes her lover. Little by little the truth breaks through. The husband takes leave of the mistress and returns to the wife whose return has been announced.

The film is based on the bitter rivalry of two pigeon racers, Fred, the bell-ringer of Bruges and Neel, the fiancé of Fred's partially sighted sister. Following a major tournament, won by Neel's bird, Fred's resentment drives him to mount an attack upon his rival so ferocious that he believes he has killed him. Seized by remorse, he intends to throw himself from the belfry, but his disabled sister risks her own life to mount to the tower and try to save him.

Cattion d'Urville takes in a gypsy, Sarah, and her granddaughter Miarka, in an outbuilding of her chateau. Miarka, while growing up, attracts the attention of Luigi, Cattion's nephew who, little by little, falls in love with her. Sarah raised her daughter in the tradition of gypsies who curse anyone who marries a man who is not a gypsy. Miarka ends up loving Luigi and he wants to marry her. The law of race opposes it. Fortunately, a well-conducted genealogical investigation will discover that Luigi is of the gypsy race. They will marry.

Found recently and restored in 2019 this short silent film tells the story of an artist and his model. One day she's getting seriously ill ... .

Good King Pausole selects a wife for every day in the year, but one protests when he spends her day searching for young Princess Aline who has eloped with Giglio, a visiting airman stranded in the kingdom. Giglio comes from a modern and different world and this gives Queen for a Day some ideas about how to make her title a lasting one.

King Pausole is known for his relaxed rule and having a different wife for every day of the year. Princess Aline, the king's favorite, leaves the kingdom with Giglio, a modern, adventurous pilot, disrupting the kingdom's orderly hedonism. The king abandons his daily duties to hunt for his daughter, bringing him into contact with a world outside his own pampered experience.

A young woman has doubts about her husband's fidelity. She pretends a trip, but settles in a hotel where her husband must pass. He meets her and, disturbed by the one he believes to be his wife's double, becomes her lover. Little by little the truth breaks through. The husband takes leave of the mistress and returns to the wife whose return has been announced.

Cattion d'Urville takes in a gypsy, Sarah, and her granddaughter Miarka, in an outbuilding of her chateau. Miarka, while growing up, attracts the attention of Luigi, Cattion's nephew who, little by little, falls in love with her. Sarah raised her daughter in the tradition of gypsies who curse anyone who marries a man who is not a gypsy. Miarka ends up loving Luigi and he wants to marry her. The law of race opposes it. Fortunately, a well-conducted genealogical investigation will discover that Luigi is of the gypsy race. They will marry.

Good King Pausole selects a wife for every day in the year, but one protests when he spends her day searching for young Princess Aline who has eloped with Giglio, a visiting airman stranded in the kingdom. Giglio comes from a modern and different world and this gives Queen for a Day some ideas about how to make her title a lasting one.

Bruno, the village scribe, is married to a beautiful and devoted young woman named Stella. He makes a good living composing love letters for the uneducated villagers, many of which are addressed to his wife. Bruno’s eloquence can lift him off into rhapsodies of brilliant exaggeration.