Kenji Kohashi

In war-torn Japan, the Tokugawa Shogun, desperate to restore peace to his people, orders the assassination of the hostile warlords. A beautiful young woman is raised from birth with nine other orphans, to become an assassin. Her name is Azumi, the ultimate assassin.

The struggles of a group of outcasts living in "Yentown", in an alternate-future Japan.

One summer day, a group of sixth-grade boys have an argument about whether fireworks are round or flat when viewed from different angles and embark on a journey for the answer during the annual firework festival. Meanwhile, one of their classmates, Nazuna, is troubled by her parents' separation and decides to choose one of the boys to run away with.

They say that in 1600s, long before the invention of photography, a scientist named Fumagalli, was obsessed with the idea of reproducing images. He discovered that by killing a victim and removing his eyeballs it was possible to reproduce on paper the last image imprinted on the person's retina. He named such tecnique "Thanatography". Today, the same kind of gruesome ritual and abominable crimes r

A Japanese street racer looks to track down a legendary racer for revenge.

Natsuki, a young woman working for a publishing company, receives an anonymous postcard with a picture of Mt. Everest printed on the back. It reminds her of her brother Kenji, a well-known mountain climber who went missing 2 years ago attempting to climb Everest, who she hasn’t seen in 10 years. Why did Kenji ever go to the mountain? What kind of person was he? Natsuki realizes she doesn’t know her brother at all, but she believed the postcard to be sent by him, and decides to got to Everest to find the answers to her questions.

A Japanese street racer looks to track down a legendary racer for revenge. His quest continues.

Follows the final days of the shogunate and Shinsengumi's Vice-Comander Hijikata Toshizo along with his fellow anti-imperialist group.

Baton is a collection of three 20-minute Sci-fi anime films dedicated to the 150th anniversary of the establishment of Yokohama city. On Planet Abel, human-like robot Apollo (Ichihara Hayato, Rookies) and robot-like human Mikaru (Ueto Aya, Azumi) come upon a stowaway robot with a mysterious "Cipher" chip. Not knowing Cipher's powers, Apollo takes the chip for fun, throwing both him and Mikaru headfirst into a mind-boggling mystery that affects the past, present, and future.

In 2008, an indiscriminate killing which shocked the whole world was carried out in the street of Akihabara. Director Yûsaku Matsumoto was inspired by the Akihabira killing to look at random acts of violence occurring in Japanese society and exploring the aftermath of one such occurrence, and the building-up to another one. By following several people—perpetrators, victims and family of both alike, he tells a human story about inhumane acts.

A documentary looking back on the making of Shunji Iwai's TV play Fireworks, Should We See it from the Side or the Bottom?.

In the year 2011 the greatest tectonic disaster in the history of mankind has occurred. As a result of the catastrophic earthquakes North and South America, Eurasia, Africa and Australia have sunken underwater while the Japanese islands remain untouched.

Fans of Kamaitachi no Yoru gather to shoot a film based on the game until one of the cast members is killed.

In Fly Me to Minami, Lim’s fourth feature film and follow-up to his Stateless Trilogy, two transnational love stories intersect. The first of these stories is between Sherine, a fashion magazine editor from Hong Kong, and Tatsuya, an amateur photographer in Osaka. The second is between Seol-a, a Korean flight attendant, and Shinsuke, a married Korean-Japanese shopkeeper in Osaka’s Korea Town.

Yuko, a high school girl, receives a newspaper called Horror News, in which mysterious events of the future are written.