
Writing
Duygu Sağıroğlu
Born 1932-11-10 · Trabzon, Turkey
Duygu Sağıroğlu (November 10, 1932, Trabzon - April 29, 2023, Istanbul) was a Turkish screenwriter , film director , theater set designer, art director and lecturer. He started making sets at Küçük Sahne during his high school education. His nickname in high school was Deli Mıgır. After Galatasaray High School , he studied at Istanbul Technical University Faculty of Architecture. In 1956, he started working as a set designer and graphic designer at Küçük Sahne . He designed sets in theater for a long time. He was among the founders of the Theater Association and Cep Theater . He worked on designing theater sets in America, where he went with a Rockefeller scholarship. When he returned to Turkey, he designed opera sets. He started working in the field of cinema as an assistant in the film " Karacaoğlanın Kara Sevdası " directed by Atıf Yılmaz in 1959. During this period, he worked as a set designer, art director and assistant director in many films.
Acting credits
NRNo synopsis available yet.
Bitmeyen Yolculuk
2018
7.0A dramatic love story between a blind man and woman.
Artık Sevmeyeceğim
1968
6.3Throughout his impressive acting career, Haldun Dormen inspired and encouraged his theater students to work hard and follow their dreams.
You Can Do It, My Dear!
2022
7.1Turkey in the 1960s and 1970s was one of the biggest producers of film in the world. In order to keep up with the demand, screenwriters and directors were copying scripts and remaking movies from all over the world. This documentary visits the fastest working directors, the most practical cameramen and the most hardheaded actors to have a closer look into the country's tumultuous history of movie making.
Remake, Remix, Rip-Off: About Copy Culture & Turkish Pop Cinema
2019
Behind the camera
8.0Despite the intense pressure from the environment and the fact that relatives do not accept the situation, Ali, who loves Fatma very much, is determined not to leave his wife. After years of depression, the couple has a child. But a wild bird that appears during a migration will upset all plans again.
The Empty Crib
1969
9.0The film tells the story of a gang leader who helps in the national struggle. Paşa receives gold from foreign powers in order to neutralize the National Forces. Meanwhile, Captain Murat, gang leader Kuduz Recep, and his men raid Paşa's house. They seize all the gold and set off for Ankara. Kuduz Recep says he cannot continue on the journey because he was wounded in the raid. He takes the gold and flees with his men. Captain Murat pursues Kuduz Recep and his men. Hamza, one of Recep's men, takes advantage of Recep's injury, ties him up, and throws him into the river. He hides the gold and takes over as the leader of the gang. Captain Murat finds Recep in the river and they begin searching for Hamza together. Captain Murat is killed during a clash with Hamza's men. Meanwhile, Recep finds Hamza and takes the gold. He will then set off to transport the gold to Ankara.
Kuduz Recep
1967
9.0The film tells the story of a gang leader who helps in the national struggle. Paşa receives gold from foreign powers in order to neutralize the National Forces. Meanwhile, Captain Murat, gang leader Kuduz Recep, and his men raid Paşa's house. They seize all the gold and set off for Ankara. Kuduz Recep says he cannot continue on the journey because he was wounded in the raid. He takes the gold and flees with his men. Captain Murat pursues Kuduz Recep and his men. Hamza, one of Recep's men, takes advantage of Recep's injury, ties him up, and throws him into the river. He hides the gold and takes over as the leader of the gang. Captain Murat finds Recep in the river and they begin searching for Hamza together. Captain Murat is killed during a clash with Hamza's men. Meanwhile, Recep finds Hamza and takes the gold. He will then set off to transport the gold to Ankara.
Kuduz Recep
1967
5.3Murat, an accountant at a company, lives a happy life with his wife Zeynep and daughter Selam. Gönül, a member of a gang, drugs Murat and steals the keys to the company safe from his pocket. That night, Kenan and his gang rob the company safe.
Gönülden Yaralılar
1973
6.0Orhan, the son of Kemal Bey, the owner of the farm, rapes Zeynep, the daughter of Ali Kâhya. Zeynep, who had pinned her hopes on the promise of marriage, does not tell anyone about it. When Kemal Bey learns of the situation, he decides to marry the couple. However, he dies before his wish can be fulfilled. Orhan, who does not want to marry Zeynep, sells her to others. Unable to return to her village due to this situation, Zeynep begins working as a prostitute. When Ali Kâhya comes to Istanbul, the truth is revealed. Ali Kâhya takes Zeynep and returns to the village. However, the evil Orhan will inflict on the family does not end there.
Namus
1973
6.0Orhan, the son of Kemal Bey, the owner of the farm, rapes Zeynep, the daughter of Ali Kâhya. Zeynep, who had pinned her hopes on the promise of marriage, does not tell anyone about it. When Kemal Bey learns of the situation, he decides to marry the couple. However, he dies before his wish can be fulfilled. Orhan, who does not want to marry Zeynep, sells her to others. Unable to return to her village due to this situation, Zeynep begins working as a prostitute. When Ali Kâhya comes to Istanbul, the truth is revealed. Ali Kâhya takes Zeynep and returns to the village. However, the evil Orhan will inflict on the family does not end there.
Namus
1973
7.0Blinded because of Orhan, Ayse falls in love with Orhan, whose face she cannot see. However, Ayse's possibility to see will cause a dilemma for Orhan, who is afraid of losing her.
As Long as We Live
1969
5.8When the king is murdered, his baby son and heir is hidden in the forest where he is abducted and raised by a pride of lions. As an adult he uses his beastly strength and claw-like hands to take revenge against the new king and his armies.
Lionman
1975
7.8Memo is a young man who serves the village chief in his house. The chief took him into his service as a servant at a young age. The chief's daughter, Cano, falls in love with Memo. Memo also has feelings for Cano. However, because he is afraid of the chief, he initially runs away from this love. He is hopeless about the future. He is aware that he is only a servant.
Yanaşma
1973
7.8Memo is a young man who serves the village chief in his house. The chief took him into his service as a servant at a young age. The chief's daughter, Cano, falls in love with Memo. Memo also has feelings for Cano. However, because he is afraid of the chief, he initially runs away from this love. He is hopeless about the future. He is aware that he is only a servant.
Yanaşma
1973
10.0Based on the novel by Güzide Sabri Aygün, the film tells the relationship of a mentally-ill woman and the doctor whom she loved in her youth.
Ölmüş Bir Kadının Mektupları
1969
10.0Duygu Sagiroglu, known as an art director, depicts the class conflict and exposes the injustice and contradictions of the modern Turkish life. Yilmaz Güney confirms his acting qualities with a pathetic composition.
I Live When I Die
1965
10.0Duygu Sagiroglu, known as an art director, depicts the class conflict and exposes the injustice and contradictions of the modern Turkish life. Yilmaz Güney confirms his acting qualities with a pathetic composition.
I Live When I Die
1965
10.0No synopsis available yet.
Her Zaman Kalbimdesin
1967
5.7A blind panhandler girl as an idealist dreamer joins three cronies in a supper, after which the cronies decide to rob a rich man's villa to collect enough money for her to recover from blindness. But they'd never guessed what would happen when her eyes see the daylight.
Three Friends
1971
5.6After his family is killed in front of his eyes, a little boy grows up to be the nightmare of Byzantine's Black Knighthood.
Savulun Battal Gazi Geliyor
1973
5.8No synopsis available yet.
Homeland and Namık Kemal
1969
5.8No synopsis available yet.
Homeland and Namık Kemal
1969
5.7The film follows the lives of those who immigrate to the city, leaving their families behind. Ahmet and his friends came to the city with great expectations, but soon confront the difficulties of adjusting to life there. After days of job hunting, they finally find employment in the harbor.
The Road That Has No End
1965
5.7The film follows the lives of those who immigrate to the city, leaving their families behind. Ahmet and his friends came to the city with great expectations, but soon confront the difficulties of adjusting to life there. After days of job hunting, they finally find employment in the harbor.
The Road That Has No End
1965
7.2Two rebels battle an evil king in a fantasy medieval Turkish kingdom. Identifying tattoos, galley slavery, stoning, beheadings, sword fights abound. A disneyesque fantasy history yarn, except for the rather extreme violence.
Korkusuz Cengâver
1976
7.2Two rebels battle an evil king in a fantasy medieval Turkish kingdom. Identifying tattoos, galley slavery, stoning, beheadings, sword fights abound. A disneyesque fantasy history yarn, except for the rather extreme violence.
Korkusuz Cengâver
1976
4.3The film tells the story of Ali and Leyla's struggle to be together. Leyla and Ali, who are cousins, swear to love each other forever when they are children. However, when Ali's family moves to a different place, the two are forced to part ways. Years later, their paths cross again. The two young people want to get married. However, the conflict between their families and Hamza's plans to marry Leyla stand in the way of their marriage. Nevertheless, the obstacles they face will not deter the two young people.
Leyla and Mecnun
1972
4.3The film tells the story of Ali and Leyla's struggle to be together. Leyla and Ali, who are cousins, swear to love each other forever when they are children. However, when Ali's family moves to a different place, the two are forced to part ways. Years later, their paths cross again. The two young people want to get married. However, the conflict between their families and Hamza's plans to marry Leyla stand in the way of their marriage. Nevertheless, the obstacles they face will not deter the two young people.
Leyla and Mecnun
1972