Seif Abdelrahman

Ali, an aspiring actor, works in a government-aided butchery and takes part in a cheap play. Defying his father's wishes, he moves to Paris to fulfill his dreams and starts living illegally alongside many other Arabs. Ali has a life-changing experience there that he won't fully remember until he returns to Egypt.

Set in the summer of 1961 during President Nasser's land reforms, this is a story of the childhood friendship between Yasser, the son of a bourgeois landowner, and Leil, the son of an Egyptian peasant. When turbulent times tear Yasser's family apart, the boys team up for a money-making scheme that results in misadventures.

Amid the poverty, death, and suffering caused by World War II, 18-year-old Yehia retreats into a private world of fantasy and longing. Obsessed with Hollywood, he dreams of studying filmmaking in America but struggles to pursue his dream, given the constraints of his life in the middle class and the horrors of war.

During the Gulf War, Fatma works as a maid for a wealthy man, and her son Mohammed is suffering from oppression by his teacher Mansour, who's having an affair with Fatima, taking advantage of her difficult circumstances. Mohammad gets drawn to extremist religious world led by Sheikh Khalid.

Five young siblings deal with a reluctant chaperone when they wind up stranded on a trip to Egypt.

This big-budget historical epic from acclaimed Egyptian director Youssef Chahine features a crazed turn by Patrice Chereau as Napoleon Bonaparte. The film, an Egyptian-French co-production, deals with Napoleon's occupation of Alexandria and its effect on a typical Egyptian family. Michel Piccoli leads the cast as a general in Napoleon's army who tentatively befriends a local poet and falls in love with two young Egyptian brothers, reflecting complex themes of colonial desire, affection, and personal connection.

In the 12th century's Andalusia lives Ibn Rushd a prominent Islamic philosopher with his wife Zeinab and daughter Salma. The principality is ruled by Khalifa ElMansour who has two sons, ElNasser, an intellectual that likes Ibn Rush and is in love with his daughter Salma. The younger son Abdallah is more into dancing and poetry, spending most of his times with the gypsy family and getting the daughter pregnant. The Khalifa is depending on the extremists to build his army granting them more power which they use to combat artists and philosophers. The extremists succeed in recruiting Abd Allah and train him to kill his father. Events go on where Marawan, the gypsy singer, is killed and Ibn Rushd's books are burnt. Adapted from the real life of Ibn Rushd AlMasir is Chahine's statement against extremism.

After we last see him in "Alexandria, Why?" Egyptian filmmaker Yehia Mourad is in his thirties, and successful in his work, he has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that Yehia must undergo emergency surgery. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities and forces that have made Yehia (and Youssef Chahine) the man he has become.

Set in 1987 against the backdrop of a hunger strike by the Egyptian film industry, Chahine himself steps in to play Yehia, the famed Egyptian director whose life is chronicled in "Alexandria, Why?" and "An Egyptian Story". Obsessed with Amr, the handsome actor he discovered and cast as his alter-ego in parts one and two of The Alexandria Trilogy, Yehia pressures Amr to star in various film projects that change even as Yehia's perception of the young actor begins to change. He first casts Amr as Hamlet, which the actor deems too demanding for his talents, then as the lead in a musical biopic of demigod Alexander the Great, who founded the city of Alexandria in 332 B.C.

Two youths fall in love. However, their relationship is not without problems which are typical of relationships today.

Hatem is a corrupt police officer, who loves his neighbor Nour, who in turn loves the prosecutor, Sherif. Hatem tries to win Nour’s attention even if by force.

The biblical tale of Joseph is told from an Egyptian perspective in this interesting character study. In this film, Joseph is called Ram. Ram, tired of his family's backward superstitious life, and tired of being picked on by his brothers, wants to go to Egypt to study agriculture. His brothers travel with him across Sinai, but then suddenly sell him to Ozir, an Egyptian who works for a Theban military leader, Amihar. Amihar is impressed by Ram's drive and personal charm and so grants Ram some desolate land outside the capital. Ram soon finds himself a pawn in the political and sexual games between Amihar and his wife Simihit, a high priestess of the Cult of Amun.

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A hooker decides to repent after she gets married and gives birth, but when she discovers that her husband is an addict, she convinces two of her friends to steal some jewelry, but things do not go well after the apartment owner and her child were killed during the robbery. Making her accused of a crime she didn't commit.

Set in a mythical small Upper-Egyptian village where people live off planting dates and making of Date Wine, a stranger arrives and calls on people to travel to the abroad for job opportunities, all of the village's grown-up men leave, except for the disabled grandfather and his grandson Ahmed, upon which trouble begins to spread in the village in the absence of men along with his lover Salma. Exploring themes of Rebellion, Desire, Masculinity, Patriarchy, Spirituality and the Ancient Egyptian Mystique.

Nubi, a wealthy man with Communist ties, sets out to find his half-brother Gamal, who has been disowned for being gay, to let him inherit his father's fortune. In the process, Nubi is supposed to kill Gamal's stepmother Raifa, a suspected drug dealer, before she can kill his half-brother.

Renegotiating the representational paradigm of nationhood the film draws a heterogeneous picture of Egyptian society as well as Soviet workers as they embarked on the momentous dam enterprise. The films presents a vision of a nation deep rooted in unity as well as diversity. The films projection of a renewed imagining of the nation inadvertently acknowledges a new and nuanced understanding of its goals, political objectives, and how these impact the personal within it. (KHOURI)

Egypt, 1947: in the midst of a cholera outbreak. A washerwoman tries to take care of her family, while at the same time resisting the advances of a charming suitor who's half her age.

Shedid, a contractor who owns a large company in Alexandria where his brother works, discovers during digging at one of the sites a Pharaonic cemetery. He tries to keep the contents of the cemetery for himself to smuggle it abroad and everyone starts betraying one another out of greed.

Sina' learns of the numerous affairs her husband Shakir has had with other women. At this time, she gets to know Hashem, and they become increasingly close. Hashem learns of the dysfunctions within Sina’’s family and tries to take advantage of this for his own interests, specially after meeting Arfan, the husband of Sina’s sister. Arfan uses Sina’s sister’s money for his own projects, and tries to pressure his daughter Hoda into marrying a rich Arab man.

Ever wonder what it was like to be in the middle east during the Gulf War of the early 90s? Sure, many films and TV shows have portrayed what it was like for the UN forces. This film takes you into the melee from the perspective of Egyptians -- who were sharply divided about the war -- and their daily lives, which, as one sees, form the basis of their foundation for understanding/approaching the war. And it really is these "every day" realities that make up the bulk of the film.

Unable to afford the dowry of his wealthy sweetheart, a young man is devastated when his beloved's father forces her to marry another, leaving him to convince his scientist brother to use his knowledge to shrink him. As he becomes pint-sized, he turns the life of his beloved's husband into hell.

The story of a 40-year-old married woman who has fallen into idleness and does not know how to approach the revolutionary events in her country. She finds a new meaning in life when she falls in love with an aspiring young student. “I shot FAGR YOM GUEDID in 1964. I count it among my best films and still stand by it completely. It is about the class whose assets were nationalized after the 1952 revolution. I explored the question of whether this class still had a place in Egyptian society.”

The construction of the Aswan dam as seen by those who took part in it: engineers, workers, Egyptians, and Soviets.

Freed after spending years in prison, an activist's homecoming turns into a dark affair as his disillusion clashes with his family's expectations. Demonstrating Chahine’s eclecticism, this is an elegant melodrama, exuberant musical, layered allegory, and profound portrait of personal and political disillusionment.