Frederico Amaral

Facing menopause and empty-nest anxiety, friends Julia and Clara decide to travel together to visit their daughters who are on an exchange program abroad.

Lisbon, 1980s, Rosa, a woman joins a group of young people disappointed at the post-Revolutionary Portugal. Part of a far-left clandestine armed organization, they share political views and a daily life that makes them grow closer. But their idealism collides head-on with a changing country and a large-scale police operation targeting them. Fleeing on a road with no return and no way forward, their existence is made up of bank robberies, bombs, friendships, prison, love and death. Trapped, their only choice is to keep on the run until they get arrested or killed.

Algarve, late 90s. Following the death of her grandmother, Milene - a strong young woman full of life despite a slight mental handicap - divides her life between her family of notables and a Cape Verdean family that keeps her going, whom she met when her grandmother died. The wind that whistles in the cranes plunges us into the world of two families against the backdrop of Portugal's recent past.

Four friends in their 40s find out a deceased old flame of theirs had a child, conceived with one of them during an Erasmus (EU student exchange program) in Portugal 20 years earlier. They embark on a journey in search of the offspring, while waiting for the DNA results to find out which one is the father.

Peri works as a debt collector for a loan shark in downtown Rio de Janeiro. One day, after making a serious mistake at work, he is sent out of Brazil. It is during his journey to his new country, Portugal, that he meets Abgail, a woman who helps him calm down. In Lisbon, Peri starts working for “The Tailcoat Collector”, a curious debt collection company whose job is to follow debtors dressed in tailcoats, intimidating them into paying their debts. Peri is always very successful until the moment he is called to collect from Abgail, the woman he met on the plane and with whom he will fall madly in love.

Trapped inside the Space Freighter/Refinery Dédalo, Siena tries to survive an infestation of diabolic creatures.

At first sight, 10-year-old Benoît Brisefer, seems like any other little boy his age. However, Benoît is endowed with amazing force. All the bandits who cross his path learn this to their own cost. But, unfortunately, no one is perfect... As soon as he catches a cold, Benoît loses his extraordinary physical abilities. Hence he never takes off the woollen scarf wrapped around his neck. Brave and very determined, he doesn't hesitate a second to take action to defend his friends. So, when Poilonez - a well known crook - and his gang decide to focus on Mr. Dussiflard, his taxi driver friend, Benoît does all that he can to thwart his plans.

After a painful breakup, Pedro (Salvador Nery) grapples with existential emptiness and embarks on a surreal quest to locate the film’s screenwriter. He hopes that by confronting the author, he can change the outcome of his argument and repair the moment that derailed his life.

The "Spirit World", a red diamond with supernatural powers, stolen five centuries before, of the hands of the last Aztec emperor, is the center of this adventure in a cursed house in the wilds of the Sintra hills. The heiress of the house, Filipa, enlists the help of our heroes in search of the precious stone, but there are many obstacles to overcome. Facing ghosts of Indian warriors, statues that come alive, bats, trap doors, secret passageways and a German fearsome killer seeking revenge, our heroes will have to gather all their strength and wits to reach the mythical diamond before it is too late.

An act of passion, filmed in a church turned into a bar, on Easter 2003, and starring as many actors as the days of the year… Taking the sacred painting as a reference, the film questions the human condition: letting oneself die like Christ or betray scientifically like Peter?

A fiction within fiction, in which a television crew shoots a film about the poet and philosopher Anthero de Quental, from São Miguel, in a vision of his life and work staged and told through the fictionalized testimonies of those who knew him. The poet's life and death will be staged through the eyes of a group of traveling performers and the testimonies of some of the personalities who knew him best: Ramalho Ortigão, Eça de Queiroz, Oliveira Martins, Teófilo Braga, and his sister Ana Quental, whose sometimes contradictory points of view will attempt to unravel some of the enigmas that haunted Athero's tormented existence and the complete reasons that led him to the bench where, under the anchor of Hope, the poet described his life and committed suicide.