Manuel Abramovich

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

A boy raised in the mountains films his home surroundings. He shows his sister, his father, their house with a treehouse in the garden, and the family’s old dog. He runs and cycles while holding the camera, creating choppy, chaotic images that match the energetic life of a child.

Lost in a world of grown-ups, young Memi is torn between the glamour of the carnival pageant and the social pressure to become a winner.

ZAMA (2017, Lucrecia Martel) didn’t come alone. It brought with her a shooting journal written by Selva Almada –El mono en el remolino– and this documentary by Manuel Abramovich, who, as a sound intruder, captured the meticulous work of the director from Salta and the warm, human, joyful precision.

A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?

“The possibility of writing letters must have brought to the world a terrible disturbance of souls. Because it is a relationship with ghosts - and not only with the ghost of the recipient, but also with his own. Who is allowed to allow people to have correspondence relationships! ”Letter from Franz Kafka to Milena Jesenska, 1920.

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

Lalo is a sex influencer: he posts photos of his naked body and homemade porn videos for his thousands of social media followers. Lalo directs his own life, but in private, when out of character, he seems to live in constant melancholy.

A boy raised in the mountains films his home surroundings. He shows his sister, his father, their house with a treehouse in the garden, and the family’s old dog. He runs and cycles while holding the camera, creating choppy, chaotic images that match the energetic life of a child.

Lost in a world of grown-ups, young Memi is torn between the glamour of the carnival pageant and the social pressure to become a winner.

Lost in a world of grown-ups, young Memi is torn between the glamour of the carnival pageant and the social pressure to become a winner.

ZAMA (2017, Lucrecia Martel) didn’t come alone. It brought with her a shooting journal written by Selva Almada –El mono en el remolino– and this documentary by Manuel Abramovich, who, as a sound intruder, captured the meticulous work of the director from Salta and the warm, human, joyful precision.

ZAMA (2017, Lucrecia Martel) didn’t come alone. It brought with her a shooting journal written by Selva Almada –El mono en el remolino– and this documentary by Manuel Abramovich, who, as a sound intruder, captured the meticulous work of the director from Salta and the warm, human, joyful precision.

ZAMA (2017, Lucrecia Martel) didn’t come alone. It brought with her a shooting journal written by Selva Almada –El mono en el remolino– and this documentary by Manuel Abramovich, who, as a sound intruder, captured the meticulous work of the director from Salta and the warm, human, joyful precision.

A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?

A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?

“The possibility of writing letters must have brought to the world a terrible disturbance of souls. Because it is a relationship with ghosts - and not only with the ghost of the recipient, but also with his own. Who is allowed to allow people to have correspondence relationships! ”Letter from Franz Kafka to Milena Jesenska, 1920.

Young men from all over the world have been meeting at the Blue Boy Bar in Berlin for forty years.

Young men from all over the world have been meeting at the Blue Boy Bar in Berlin for forty years.

Young men from all over the world have been meeting at the Blue Boy Bar in Berlin for forty years.

Against a green-screen backdrop, a group of children and adults ask themselves questions about their gender. In a natural space freed from normativity, the possibilities of rewriting the scripts of their lives become infinite. Acclaimed director Manuel Abramovich and his performers invite us into a dazzling new reality of desires and possible futures.

Against a green-screen backdrop, a group of children and adults ask themselves questions about their gender. In a natural space freed from normativity, the possibilities of rewriting the scripts of their lives become infinite. Acclaimed director Manuel Abramovich and his performers invite us into a dazzling new reality of desires and possible futures.

Against a green-screen backdrop, a group of children and adults ask themselves questions about their gender. In a natural space freed from normativity, the possibilities of rewriting the scripts of their lives become infinite. Acclaimed director Manuel Abramovich and his performers invite us into a dazzling new reality of desires and possible futures.

Three firefighters try not to fall asleep while waiting for a fire to make them leave the barracks. "Incendio / Rescate" watches closely, in an almost dreamlike way, these characters who spend their time waiting for the opportunity to become heroes.

In 1991, Flavio Cabobianco published his book “I Come From The Sun”. He was 10 years old and defined himself as a messenger from other planets. The book became a bestseller in Argentina and was translated into six languages, launching a media boom that turned Flavio into a New Age phenomenon. Twenty years later, Flavio decides to re­publish his book and agrees to be part of a documentary about his story. After a year’s shooting, Flavio, unhappy with the pre­established roles of the movie, comes up with the idea of switching roles between himself and the director. If his demand is not met, he will abandon the film. Flavio’s questioning leads to a change in the course of action: “Solar” is no longer a movie about Flavio and his family, but a power battle between director and subject.

Every Christmas, Jorge and Jorge Jr. decorate their house in a special way. The people in the village call it 'The House of the Lights'.