Christine Murillo

The 20s. In a seaside resort where everybody is bored, Albert Marvuglia, a slightly shabby conjurer, makes Marta, the wife of the wealthy bourgeois Charles Moufflet, disappear, who takes advantage of this tour to escape for good.

In the 60s, in the heart of a village, Robert lives with his mother Odette. About fifty, balding, paunchy, Robert spends most of his time locked in the garage where he tries to develop a teleport machine. Robert will try to teleport himself, but a fly is stuck in the machine, and the scientific apprentice will gradually turn into a giant insect. Robert will little by little dehumanize to become a beast able to climb the wall, pushed by an insatiable search for food.

Doctor Knock is a former thug who has become a doctor and arrives in the small village of Saint-Maurice to make his fortune according to a particular method. It will make the villagers believe that they are not as healthy as they might think. It is thus that he will find in each one an imaginary symptom, or not, and thus will be able to exercise his profession lucratively. Under his seductive looks and after gaining the confidence of the village, Knock is on the verge of achieving his ends. But his past catches up with him and an old acquaintance disrupts the doctor's plans.

Serge Tanneur is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence, a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.

One night to change everything. One night to save a theater, one night to change one's perspective about life. Luigi will push and pull Faeza with him everywhere around Paris an entire night to save his theater.

The Hugo's Brain is a French documentary-drama about autism. The documentary crosses authentic autistic stories with a fiction story about the life of an autistic (Hugo), from childhood to adulthood, portraying his difficulties and his handicap.

When Nénette discovers the identity of her father in a letter, she quickly goes off in search of him. But instead of finding her father, she is met by her half-brother, Paul. Paul, a bitter man who gave up his dream to take over his father’s pharmacy business, is less than thrilled at the arrival of his ‘embarrassing’ half-sister. After refusing to take her in, he soon gets a taste of his own medicine. Under the influence of a potent drug, for one day Paul is generous, happy and sensitive. The next morning, however, once the drug has worn off, his nasty side comes back...

A small, old-fashioned cafe in a suburban square, opposite the cemetery, the Hirondelle. Every day at half past six, the customers dance with their stories and tirades, totally amazing.

Simon, a depressed hitman, tries to hang himself in a forest. Bernard, a young man with no history who passes by by chance, saves him. The old man, sick, cannot drive without risking an accident. Claiming to be a rodent controler, he hires Bernard to take him to Cap d'Agde. Simon, lonely and cynical, is forced to travel in the company of this talkative and confusingly optimistic driver.

"At the end of the war, despite the loss of one of their two daughters at Auschwitz and with the vain hope of finding the other entrusted to the Carmelites, a dentist and his wife are trying at all costs to return to life. Perhaps the Promised Land will heal their sorrows ... "

A staging of Georges Feydeau's play "Feu la mère de Madame" by Jean-Luc Moreau.

Follow in the footsteps of burlesque actor Pierre Richard, a key figure in French cinema in the 1970s and 1980s.

With gun-toting rivals on his tail, a daring bank robber takes refuge in the quiet residential street here he grew up and where his mother, Maniette, still lives. An unscrupulous property developer, Korazy, is buying up the neighborhood to turn it into a gleaming new banking district, but to her son's disgust Maniette leads the inhabitants resistance. Her ingenious methods provoke her boy's admiration, but he fights back with sneaky traps and underhand tricks when Maniette tries to force him to do the right thing just once in his life.

Bertrand dutifully visits his terminally ill wife every day, braving the long train and bus ride to and from the hospital. Lorraine not so willingly visits her boyfriend who was diagnosed with colon cancer. They bump into each other during one of their visits and begin to meet for coffee. Coffee turns into Lorraine offering to drive Bertrand to the train station and the two turn to each other in their time of grief and confusion.

After Coralie was found dead in a vacant lot, her mother Catherine - who thinks that her daughter was murdered - conducts her own investigation.

A drama that explores the complexities of family relationships through the story of a mother who fights against mental problems. The film stands out for its sensible and realistic approach, offering a profound vision of the challenges and family resilience.

A man and a woman whose first names will never be known and who should never meet. He is an immigrant, worker of the vine, she is a fleeing bourgeois who thinks she has committed an irreparable mistake.

"Julien Rossi wakes up in a hospital bed and finds he has no memory of the events that left him in a coma in the early hours of New Year's Day. Was he attacked? Or was his head injury caused in an accident? This is only the first of many mysteries Julien has to resolve. Who is Marl?ne, the beautiful woman who claims to be his girlfriend? Why doesn't his real girlfriend, Anna, return his calls? What made him walk out on his job as a leading investigative reporter? Julien relies on Lucas, his best friend and

No synopsis available yet.

A staging of Denise Chalem's play "Dis à ma fille que je pars en voyage" by herself.

Three penniless artists become friends in modern-day Paris: Rodolfo, an Albanian painter with no visa, Marcel, a playwright and magazine editor with no publisher, and Schaunard, a post-modernist composer of execrable noise.

In the aristocratic society of the seventeenth century, the fate of Marianne child who survived the deadly attack on a convoy.

Blanche, a social worker living in Southern France is assigned the case of a five year old deaf boy, who is found by a Gypsy lady after having been abandoned and tied to a shed near her trailer. The boy's life is in danger apparently because he is related to the family of a local politician who is seeking election as mayor. Blanche, though suffering from manic depression and thus emotionally vulnerable, decides to take charge of the situation, get her act together and besides being told to drop the case, seeks to discover the secret the boy has inside.

The story of Francois Roussel, a young playwright, who can't choose between three women.

After a missed burglary, deux young cads take refuge in a retiring-pension sowing terror. On the call of one of the pensioners, the police catch them. But some of the old people are puzzled by their situation and decide to ask about them...

Emmanuel Brémont, a ten-year-old boy, suffers day after day the destructive madness of his mother. The young woman, a cashier in a supermarket, hates her son and does not hesitate to tell him. One Friday evening, Madame Brémont decides to go for a weekend. Emmanuel, on the other hand, will be waiting for his mother in the apartment, locked in double turn in the kitchen cupboard.

The idea for this film about a generation and its lost ideals came to Romain Goupil after attending several funerals of friends in the fall of 1996, where the '68 generation, now in influential positions in media or politics, kept meeting each other. It seemed as if the revolution that they had tried to make was being buried with each coffin. A MORT LA MORT is in some ways an homage to this generation, now in their fifties. They were a privileged generation that thought that they could change the world, doing everything that their parents failed to do. There were no actual deaths in France as there were in Germany or Italy, but the system was not ideal for personal issues or for love. There was always a scapegoat for the injustices of the world, be it capitalism or imperialism. That way the blame could be placed somewhere else. Some of the '68 generation are still faithful to the principles of their youth and still continue to fight for the illusions of the past.

A large family crams into a three-room flat in a drab suburb.Twelve people ,soon joined,out of the blue, by the prodigal son, released from jail.To make matters worse,the TV set , then the sofa and finally the refrigerator vanish into thin air.Neverthelesss, life goes on ,with mom's nervous breakdowns , dad's absences ;The daughter, Julie, an abandoned social worker,is always sobbing ; her sister , rehearsing the "Hebrew slaves chorus" is eagerly waiting for her drafted fiancee.

A young teenaged girl tries to get affection from her cold-hearted mother in this gentle French drama. 14-year old Rosine lives somewhere in northern France where the cold rain continually falls. It is a metaphor for her life. Her mother Marie had her when she was only 16 and now wants little to do with her. She spends most of her nights out on the town. Rosine hungers for her mother's love. She is almost obsessed with getting it. She is frustrated because she never does. One day Pierre, her father shows up from the blue and Mare gladly takes him in. Rosine is a good sport and likes that he takes an interest in her. The brief respite from gloom doesn't last as Pierre soon begins to beat Marie and eventually rapes Rosine. The traumatized girl tries to get her mother to admit the incident, to pay attention to the hurting child, but Marie just doesn't care. Marie has no choice but to run away from home and make her own way.

Grégoire Lecomte, the unlucky actor anxious to find a "real job", goes to take a screen test for a role of a killer, but gets to mafiosi by mistake. He takes their don for a producer, and they mistake him for a hitman with whom they had an appointment. Deluded Lecomte signs contract with them. He is supposed to kill gun dealer Otto Krampe at his birthday party in Saint-Tropez by piercing him with a cap of the umbrella with a built-in syringe with potassium cyanide. Lecomte is not aware that it has to be a real murder.

To celebrate the bicentennial of the French revolution, an exposition of mannequins representing the deputies brought together in 1789 to discuss the Declaration of the rights of man, is held in the the French National Assembly. The mannequins come to life suddenly and are joined by other historical figures who fought for human rights.

Martin and Gert lead a very quiet life, until the day when their path crosses that of Marie and Francis. Martin, the shy one, lets himself be seduced by Marie. Gert wasted no time in understanding and dropped into Francis' arms.

Young - beautiful - married, fulfilled, Martha is bored. Passive in an active society, she took a first step by serving as a "guinea pig" to her brother researcher who undertook a comparative study on animal behavior and human behavior.

Pursued by the police, a man take refuge using menace in the appartment of a woman. Strangely, she didn't denounce him when she got the opportunity. Puzzled, he try to understand her secrets.

In Montmartre, Paris, two friends are leading a happy carefree Bohemian existence. Jean-Luc is a cabinetmaker, Mathieu is a sculptor. Then they both meet the love of their lives and decide to get married. Unfortunately, the objects of their desire are not so eager to be drawn into matrimony.

No synopsis available yet.

Adèle lives in the shadow of her husband, Ferdinand, a painter. After her father's death, they leave the provinces for Paris. She refines his paintings and comforts him. Thanks to her brushstrokes, Ferdinand discovers fame and success. And love in all this? Sacrificed on the altar of creation...

In this rambling comic tale about a man and a wife, with four children, who calmly announce to the children that they want to divorce one another, it is impossible to tell who is dissatisfied with whom about what. They had seemed to be a perfect couple. Their flabbergasted children have mixed feelings, and the most difficult thing about the divorce, besides understanding why it is taking place at all, is deciding what will happen with the couple's numerous pets.

A couple deal with their problems like any other, while actors read Friedrich Engels' "The Origin of the Family, Private Property and the State", and in interviews, the director discusses the status of women in 1978.

Alexa, Fernand, and Louis form a tender yet unconventional trio in a quiet suburban home. Fleeing failed marriages and societal expectations, they build a life rooted in love and mutual support. But their unorthodox arrangement stirs suspicion, especially from a curious police inspector whose own life is about to change in unexpected ways.

Anne, who has just had an argument with her boyfriend Vassili, is put up for the night by Jacques and Odile, a couple of friends. But when Jacques takes her home the next day, he is arrested by the police, who mistake him for Vassili. In reality, Vassili is a terrorist.

Pierrot, mechanic in Paris, falls madly for a female chemist his senior—who at first refuses him, only accepting love after being diagnosed with a deadly illness.

No synopsis available yet.