Miguel Seabra Lopes

A Portuguese king who disappeared in the desert of Morocco in the sixteenth century comes forward. Under the threat of having to return to Portugal in the XXI century, Dom Sebastian reveals his whereabouts and the secrets of the kingdom he built over all these years in faraway Ilha de Lençóis in Northeastern Brazil.

Beside the savage desire to realize the enormities which he brooded on, nothing was sacred.

One night Jorge will meet with a Japanese industrialist, who will allow him to abandon his teaching position and resume his chemical work. However, when he gets home he finds a person there.

The film is inspired by the Mário de Sá-Carneiro short story, where the narration is made by Professor Antena's assistant who walks by his side when he is run over in a perhaps enigmatic way.

“There must be a different solution than the one from hell’. Full unadulterated terror (and music). 'The best class always ends with a lesson'. Almost baroque in its ambition and detail, Akerman and Seabra Lopes’ mesmerising short film delves deeply into the hard-wired dread of music lessons. Sewn around Schubert’s steely Opus 1, which is itself based on the no less terrifying legend of Goethe's Erlkönig, their film is a revelation.” International Film Festival Rotterdam.

Luís phobia of water triggers a series of dreams that drag him to his death, simultaneously transferring his subconscious to his wife.

Child solidarity is stronger than death.

If I didn’t blossom, if I remained unbloomed, it’s because my roots were poisoned. I know it's false, an induced error, but... this is me.

Beside the savage desire to realize the enormities which he brooded on, nothing was sacred.

Beside the savage desire to realize the enormities which he brooded on, nothing was sacred.

Beside the savage desire to realize the enormities which he brooded on, nothing was sacred.

In Alasca landscape never changes, only grows old.

Justino, a 45-year-old member of the indigenous Desana people, is a security guard at the Manaus harbor. As his daughter prepares to soon depart to Brasília, Justino comes down with a mysterious fever.

Insomnia drains the soul, only the body remains. Gustavo decides to get rid of the body.

Insomnia drains the soul, only the body remains. Gustavo decides to get rid of the body.

No synopsis available yet.

Cinematographic transcreation of a text censored in 1968.

The Forensic Psychiatric Hospital is a medium-security level, closed structure, with a rehabilitation component. The service provided includes psychiatric, psychological, medical, therapeutic and social care. The 32 men who inhabit the unit were considered exempt from punishment by the court. They feel time going by. Slowly. The film settles in this individual time.

In exile, a Brazilian child develops strategies to rise.

Thirteen elderly people with cognitive illnesses attend the Psychogeriatric Day Clinic at the CHPL Hospital. The treatment is based on psychotherapeutic practices, wich allow for intervention on the Person, improving the preserved abilities, implementing autonomy and rehabilitating identity.