Vil Lipatov

No synopsis available yet.

A second story about countryside cop named Aniskin.

Police officer Aniskin lives with his family in a rural Russian village whose inhabitants admire his gentleness and wisdom. When an accordion is stolen from the local clubhouse, he begins to investigate.

The story takes place in one of the Siberian timber enterprises, where investigator Prokhorov from Moscow arrives to look into the murder of a young worker—tractor driver Evgeny Stoeletov.

The screenplay is based on the short story of the same name by Vil Lipatov. It tells the story of a man with a difficult past who comes to a village in search of happiness, hoping to do good for others to the best of his abilities and talents.

Third and final part of the comedies about the funny adventures of countryside cop named Aniskin.

No synopsis available yet.

A second story about countryside cop named Aniskin.

Police officer Aniskin lives with his family in a rural Russian village whose inhabitants admire his gentleness and wisdom. When an accordion is stolen from the local clubhouse, he begins to investigate.

The story takes place in one of the Siberian timber enterprises, where investigator Prokhorov from Moscow arrives to look into the murder of a young worker—tractor driver Evgeny Stoeletov.

The screenplay is based on the short story of the same name by Vil Lipatov. It tells the story of a man with a difficult past who comes to a village in search of happiness, hoping to do good for others to the best of his abilities and talents.

Third and final part of the comedies about the funny adventures of countryside cop named Aniskin.

After being demobilized, Ivan Cheprasov came to work in the motorcade. The chief assigns Ivan an ancient wreck that no one has bothered to repair. 'Colombina'—as the drivers jokingly nicknamed the old car—became a 'touchstone' for Ivan, testing his resilience and skill. Additionally, Colombina serves as a highly humanized metaphor for metal in Ivan's life, continuing the tradition of Soviet social realism by portraying another archetype, in this case, the ideal chauffeur.