William Greaves

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.

In 1971, maverick filmmaker William Greaves trained his cameras on both Muhammad Ali and his opponent, Joe Frazier, ahead of the “Fight of the Century” at New York’s Madison Square Garden. The epic battle was supposed to be Ali's big comeback following the suspension of his boxing license in 1967. In addition to the media circus surrounding both combatants, Greaves shot the match in its entirety from a dizzying array of camera angles, making the director's cut of The Fight both an invaluable historical document as well as a virtuosic piece of filmmaking

In this intimate portrait—produced for a segment of National Education Television's "Black Journal" television program—legendary jazz musician Alice Coltrane plays the harp and discusses her thoughts on music, spirituality, family, and the legacy of her late husband, John Coltrane.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

A struggling songwriter abandons his girlfriend for a flashy woman after landing a hit.

The epic story of the actors, writers, directors, and producers who fought for their place on the page, behind the camera and on the screen. From blackface to Black Panther, this series is a definitive chronicle of more than a century of the black experience in Hollywood and a powerful reexamination of a quintessentially American story – in brilliant color.

A decade after his death, genre-defying filmmaker William Greaves has one last trick up his sleeve with what he considered the most important event he captured on film: a 1972 party he engineered with the living luminaries of the Harlem Renaissance.

In 1971, maverick filmmaker William Greaves trained his cameras on both Muhammad Ali and his opponent, Joe Frazier, ahead of the “Fight of the Century” at New York’s Madison Square Garden. The epic battle was supposed to be Ali's big comeback following the suspension of his boxing license in 1967. In addition to the media circus surrounding both combatants, Greaves shot the match in its entirety from a dizzying array of camera angles, making the director's cut of The Fight both an invaluable historical document as well as a virtuosic piece of filmmaking

In this intimate portrait—produced for a segment of National Education Television's "Black Journal" television program—legendary jazz musician Alice Coltrane plays the harp and discusses her thoughts on music, spirituality, family, and the legacy of her late husband, John Coltrane.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

A report on the National Black Political Convention held in Gary, Indiana, in 1972, a historic event that gathered Black voices from across the political spectrum, among them Jesse Jackson, Dick Gregory, Coretta Scott King, Richard Hatcher, Amiri Baraka, Charles Diggs, and H. Carl McCall.

Examines the history and purpose of the "merit system" used by the U.S. Civil Service in hiring and promoting Federal Government workers. Shows how the system impacts jobs and career prospects for women and minorities.

Directed by African American William Greaves and narrated by actor Ricardo Montalban, Where Dreams Come True is a 1979 NASA film highlighting the contributions of women and minorities and encouraging more to consider a career at the agency. The documentary includes interviews with astronaut-scientists Kathryn Sullivan and Ronald McNair, research psychologist Patricia Cowings, engineer Ruben Ramos, and former astronaut and deputy administrator Frederick Gregory. Much of the work depicted in this film relates to the fledgling Space Shuttle program - which was two years away from its first mission.

The Black middle class, torn between white goals and Black needs, are examined by producers William Greaves and William Branch in a 90-minute NET Journal documentary.

The Black middle class, torn between white goals and Black needs, are examined by producers William Greaves and William Branch in a 90-minute NET Journal documentary.

Produced by the Equal Employment Opportunity Commission, this film traces the ongoing struggle for equality by the Spanish-speaking residents of the United States. Through a fictitious scenario and real discussions with a range of individuals, including local business leaders, parents, and student activists, the film explores job discrimination and the resulting hardships within the Hispanic community. Many of the interviews are conducted by actor Anthony Quinn, who relates his own family's struggles as Mexican immigrants in East Los Angeles.

Produced by the Equal Employment Opportunity Commission, this film traces the ongoing struggle for equality by the Spanish-speaking residents of the United States. Through a fictitious scenario and real discussions with a range of individuals, including local business leaders, parents, and student activists, the film explores job discrimination and the resulting hardships within the Hispanic community. Many of the interviews are conducted by actor Anthony Quinn, who relates his own family's struggles as Mexican immigrants in East Los Angeles.

Produced by the Equal Employment Opportunity Commission, this film traces the ongoing struggle for equality by the Spanish-speaking residents of the United States. Through a fictitious scenario and real discussions with a range of individuals, including local business leaders, parents, and student activists, the film explores job discrimination and the resulting hardships within the Hispanic community. Many of the interviews are conducted by actor Anthony Quinn, who relates his own family's struggles as Mexican immigrants in East Los Angeles.

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

"This film explores how freedom of speech — including dissent — is afforded to all Americans, and shows freedom of expression in art, music, dance, architecture, and science. The film also emphasizes the importance of the individual’s contribution to the whole of society and demonstrates how a productive and creative society is formed by the open and respectful exchange of ideas. The film was written, produced, and directed by William Greaves" (National Archives).

An American detective investigates the drug trade's influence on violence in Jamaica and corruption among government officials and high-ranking members of the police force.

An American detective investigates the drug trade's influence on violence in Jamaica and corruption among government officials and high-ranking members of the police force.

An American detective investigates the drug trade's influence on violence in Jamaica and corruption among government officials and high-ranking members of the police force.

An intimate portrait of two inner-city barbershops that provide patrons with more than haircuts.

An intimate portrait of two inner-city barbershops that provide patrons with more than haircuts.

An intimate portrait of two inner-city barbershops that provide patrons with more than haircuts.

"Ida B. Wells: A Passion for Justice" documents the dramatic life and turbulent times of the pioneering African American journalist, activist, suffragist and anti-lynching crusader of the post-Reconstruction period. Nobel Prize-winning author Toni Morrison reads selections from Wells' memoirs and other writings in this winner of more than 20 film festival awards. (Note: Originally broadcast as an episode of the PBS documentary series "American Experience" (1989). The program has circulated widely as an independent documentary through educational distributors and library catalogs, supporting its treatment as a standalone film listing.)

"Ida B. Wells: A Passion for Justice" documents the dramatic life and turbulent times of the pioneering African American journalist, activist, suffragist and anti-lynching crusader of the post-Reconstruction period. Nobel Prize-winning author Toni Morrison reads selections from Wells' memoirs and other writings in this winner of more than 20 film festival awards. (Note: Originally broadcast as an episode of the PBS documentary series "American Experience" (1989). The program has circulated widely as an independent documentary through educational distributors and library catalogs, supporting its treatment as a standalone film listing.)

"Ida B. Wells: A Passion for Justice" documents the dramatic life and turbulent times of the pioneering African American journalist, activist, suffragist and anti-lynching crusader of the post-Reconstruction period. Nobel Prize-winning author Toni Morrison reads selections from Wells' memoirs and other writings in this winner of more than 20 film festival awards. (Note: Originally broadcast as an episode of the PBS documentary series "American Experience" (1989). The program has circulated widely as an independent documentary through educational distributors and library catalogs, supporting its treatment as a standalone film listing.)

Documentary about Ali's rise to glory, beginning with his "Cassius Clay" days back in Louisville.

Documentary about Ali's rise to glory, beginning with his "Cassius Clay" days back in Louisville.

Few remember the name, much less the historical achievements, of Dr. Ralph Johnson Bunche. Yet, this African American mediator and United Nations diplomat was the first person of color anywhere in the world to be awarded the Nobel Prize for Peace.

Few remember the name, much less the historical achievements, of Dr. Ralph Johnson Bunche. Yet, this African American mediator and United Nations diplomat was the first person of color anywhere in the world to be awarded the Nobel Prize for Peace.

Few remember the name, much less the historical achievements, of Dr. Ralph Johnson Bunche. Yet, this African American mediator and United Nations diplomat was the first person of color anywhere in the world to be awarded the Nobel Prize for Peace.

This director's cut of the William Greaves' documentary short film dramatizes the life and deeds of the noted abolitionist Frederick Douglass.

This director's cut of the William Greaves' documentary short film dramatizes the life and deeds of the noted abolitionist Frederick Douglass.

This director's cut of the William Greaves' documentary short film dramatizes the life and deeds of the noted abolitionist Frederick Douglass.

This documentary presents clips from black films from 1929 through 1957.

Designed for class instruction and career education, and to prove that space exploration isn’t just for the boys. The film interviews women employed in the space transportation programs of the National Aeronautics and Space Administration (NASA) and shows the variety of positions that they hold as electrical engineers, aerial photography analysts, safety specialists and astronaut mission specialists. It notes how the women obtained their training and qualified for their positions. Astronaut Anna Lee Fisher, Dr. Patricia Cowings, Shirley Chevalier, Sue Norman, Sharon Orkansky, Brenda Willis, and Astronaut Catherine Sullivan are profiled. Narrated by Ricardo Montalban. Winner of NAACP Image Award For Picture Of The Year

Designed for class instruction and career education, and to prove that space exploration isn’t just for the boys. The film interviews women employed in the space transportation programs of the National Aeronautics and Space Administration (NASA) and shows the variety of positions that they hold as electrical engineers, aerial photography analysts, safety specialists and astronaut mission specialists. It notes how the women obtained their training and qualified for their positions. Astronaut Anna Lee Fisher, Dr. Patricia Cowings, Shirley Chevalier, Sue Norman, Sharon Orkansky, Brenda Willis, and Astronaut Catherine Sullivan are profiled. Narrated by Ricardo Montalban. Winner of NAACP Image Award For Picture Of The Year

Designed for class instruction and career education, and to prove that space exploration isn’t just for the boys. The film interviews women employed in the space transportation programs of the National Aeronautics and Space Administration (NASA) and shows the variety of positions that they hold as electrical engineers, aerial photography analysts, safety specialists and astronaut mission specialists. It notes how the women obtained their training and qualified for their positions. Astronaut Anna Lee Fisher, Dr. Patricia Cowings, Shirley Chevalier, Sue Norman, Sharon Orkansky, Brenda Willis, and Astronaut Catherine Sullivan are profiled. Narrated by Ricardo Montalban. Winner of NAACP Image Award For Picture Of The Year