So Yong Kim

Neglected by her husband, Sarah embarks on an impromptu road trip with her young daughter and her best friend, Mindy. Along the way, the dynamic between the two friends intensifies before circumstances force them apart. Years later, Sarah attempts to rebuild their intimate connection in the days before Mindy’s wedding.

After an overnight long-distance drive, Joby has a special meeting—with lawyers and his ex-wife. A struggling musician with the prerequisite tattoos, slimy hair, goatee, and his head firmly floating in the clouds, Joby hasn’t been around to be a dad. Now is his last chance to fight for shared custody of his daughter, Ellen.

The romance between two teenage girls quickly manifests as terrifying, violent and inexplicable.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

A Korean woman leaves her two young daughters with her sister-in-law to search for their estranged father.

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

Neglected by her husband, Sarah embarks on an impromptu road trip with her young daughter and her best friend, Mindy. Along the way, the dynamic between the two friends intensifies before circumstances force them apart. Years later, Sarah attempts to rebuild their intimate connection in the days before Mindy’s wedding.

Neglected by her husband, Sarah embarks on an impromptu road trip with her young daughter and her best friend, Mindy. Along the way, the dynamic between the two friends intensifies before circumstances force them apart. Years later, Sarah attempts to rebuild their intimate connection in the days before Mindy’s wedding.

After an overnight long-distance drive, Joby has a special meeting—with lawyers and his ex-wife. A struggling musician with the prerequisite tattoos, slimy hair, goatee, and his head firmly floating in the clouds, Joby hasn’t been around to be a dad. Now is his last chance to fight for shared custody of his daughter, Ellen.

After an overnight long-distance drive, Joby has a special meeting—with lawyers and his ex-wife. A struggling musician with the prerequisite tattoos, slimy hair, goatee, and his head firmly floating in the clouds, Joby hasn’t been around to be a dad. Now is his last chance to fight for shared custody of his daughter, Ellen.

After an overnight long-distance drive, Joby has a special meeting—with lawyers and his ex-wife. A struggling musician with the prerequisite tattoos, slimy hair, goatee, and his head firmly floating in the clouds, Joby hasn’t been around to be a dad. Now is his last chance to fight for shared custody of his daughter, Ellen.

The romance between two teenage girls quickly manifests as terrifying, violent and inexplicable.

Over 30 filmmakers and friends of Strand Releasing have come together to honor the company’s indelible contribution to independent cinema over the past thirty years. The participating filmmakers have each created a short film for the project, all shot on iPhones.

A Korean woman leaves her two young daughters with her sister-in-law to search for their estranged father.

A Korean woman leaves her two young daughters with her sister-in-law to search for their estranged father.

A Korean woman leaves her two young daughters with her sister-in-law to search for their estranged father.

In memory of the Japanese earthquake on 3.11, each director presents a 3 minute and 11 second short film in tribute to those who were lost that day.

A Korean immigrant falls in love with her best friend while navigating her way through the challenges of living in a new country.

A Korean immigrant falls in love with her best friend while navigating her way through the challenges of living in a new country.

On a summer break from college, Ivy, a young epileptic woman, struggles to balance her feelings for her fledgling boyfriend while her friend Al crashes with her for the season.

Hildur, a young girl from a small fishing village in a remote corner of Iceland, falls for her sister's boyfriend while being stranded with him when the car breaks down.

Widow Chloe travels to Japan for work where she is welcomed by an old friend, Toshi. Sliding between the melancholy of loss and the awe of perspectives changed, Chloe wanders an unfamiliar landscape where love has carved all the guiding grooves.

Soon after Elizabeth receives this text message, her mother isn't the only one lost in sleep. Elizabeth's car has broken down. It's freezing cold, no sign of life nearby. She just has to wait, patiently. The recovery guys will be here soon, Elizabeth. Till then, she warms her young hands on the vents, drifts into a strange slumber, followed by an even more surreal awakening. Icelandic landscapes merge with Elizabeth's memories. Fears are magically transformed into comforting and fantastical fabrics. Father, upstairs, alone.

Soon after Elizabeth receives this text message, her mother isn't the only one lost in sleep. Elizabeth's car has broken down. It's freezing cold, no sign of life nearby. She just has to wait, patiently. The recovery guys will be here soon, Elizabeth. Till then, she warms her young hands on the vents, drifts into a strange slumber, followed by an even more surreal awakening. Icelandic landscapes merge with Elizabeth's memories. Fears are magically transformed into comforting and fantastical fabrics. Father, upstairs, alone.

Chinatown is an evocative place. It exists in our cities, in our imaginations, on our television screens, and in our memories. It is at once a sprawling, vibrant immigrant community and a forgotten strip mall of buffet restaurants.

The exhibition 'The Complete Letters' features epistolary works defined by cinematographic creation. This is an experimental communication format used between pairs of film directors. Although each director is situated in a location geographically distant from that of their partner, they are united by their willingness to share ideas and reflections on all that motivates their work. Within this space of freedom, the directors featured in the exhibition examine their affinities and differences, within an environment of mutual respect and simultaneity of interests and with notable formal variants established in each of the correspondences.

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