Marvin A. Gluck

Colonel Custer, an outspoken believer in fair treatment for the Indians, is ousted from his post and forced into retirement. Fueled by ambition when a Senator Blaine convinces him to run for President, Custer decides to upstage General Terry at Little Big Horn.

A man fleeing the scene after shooting his wife's lover forms an unexpected relationship with the tough cab driver he hires to drive him to the Mexican border.

A middle-aged housewife and mother, after spending a lifetime giving to others, decides to claim a piece for herself and enters the grueling 26-mile Boston Marathon as an obsessive means of self-expression.

Color UCLA Student Film, Preserved by the UCLA Film and Television Archive. A drama of Indigenous Kichwa/Quechua campesino struggle against an oppressive colonial hacienda patron. A dramatization of the hacienda system in Peru, in which Spanish colonial patrons stole large land tracts and forced Indigenous people to work the land. When one man refuses to work the hacienda in exchange for meager coca leaves, he initiates an Indigenous Campesino rejection of the hacienda system.

Colonel Custer, an outspoken believer in fair treatment for the Indians, is ousted from his post and forced into retirement. Fueled by ambition when a Senator Blaine convinces him to run for President, Custer decides to upstage General Terry at Little Big Horn.

A man fleeing the scene after shooting his wife's lover forms an unexpected relationship with the tough cab driver he hires to drive him to the Mexican border.

A middle-aged housewife and mother, after spending a lifetime giving to others, decides to claim a piece for herself and enters the grueling 26-mile Boston Marathon as an obsessive means of self-expression.

Color UCLA Student Film, Preserved by the UCLA Film and Television Archive. A drama of Indigenous Kichwa/Quechua campesino struggle against an oppressive colonial hacienda patron. A dramatization of the hacienda system in Peru, in which Spanish colonial patrons stole large land tracts and forced Indigenous people to work the land. When one man refuses to work the hacienda in exchange for meager coca leaves, he initiates an Indigenous Campesino rejection of the hacienda system.