Kristýna Hrušínská

New recording of the most succesful play of Prague's National Theater starring Miroslav Donutil. Goldoni's comedy "Servant of Two Masters" is typical example of classical "commedie dell'arte". Beatrice arrives in Venice dressed as her brother who was killed by her lover Florindo. Florindo also escapes from Tourine. Beatrice hires Truffaldino, a servant who also lets himself be hired by another master to get twice as much money and food. The second master is indeed Florindo, who coincidentally accomodates in the same hostel as Beatrice...

As a mayor dreams of spreading holiday cheer with a new ski jump, the town's citizens experience wacky antics while searching for love in wild places.

According to family legend, the name Hrušínský was born after Rudolf and Jan Hrušínský's grandfather Rudolf Böhm was caught stealing pears on a theater stage. The German name Böhm suddenly became Hruškovský and shortly after that Hrušínský. Grandfather Rudolf, later known as Rudolf Hrušínský the eldest, adopted the surname as his own and began using it in 1935. However, the history of the Hrušínský acting family goes back much further. It is therefore not surprising that the brothers Rudolf and Jan also took the same path. The documentary charts their acting beginnings alongside their father Rudolf Hrušínský Sr., from their first roles, through theater engagements at the Drama Studio in Ústí nad Labem and the Drama Club in Prague, to unforgettable film and television roles, when three generations of Hrušínskýs often met in front of the camera.

A comedy about erotically addicted men is therapy for everyone, especially those who think they don't need therapy. At a session for erotically addicted men, Eda, the owner of a bicycle repair shop, meets Cyril, a history and physical education teacher; GIGI, an aging rocker; Přemek, a retired screenwriter; and Martin, a young IT specialist. The therapy is led by Linda, a recent graduate and single woman, for whom meeting this group of diverse male characters becomes a fateful step not only in her professional career.

Film adaptation of a stage play about a therapy group for male sex-addicts.

The film is not merely a record of rehearsals, but above all an intimate look at the relationships between its individual protagonists. Nor is it a classic documentary, because the line between acting, creation, and recording reality is too thin. The film thus reflects not only the aging of outstanding actors, but also their relationship to today's world and their disappointment with the current state of Czech film and theater. It speaks to their fears, desires, and efforts to give their best.

The story of František Stára, a recovering alcoholic, concertmaster, and composer. After returning from alcohol rehabilitation, he quickly realizes that his euphoric determination to start over is a tragic illusion. His wife has moved out of their apartment and found another man. A similar fiasco awaits him at his former job and later during his short stint at an elementary art school. At the most difficult moment, when František's private hopes and professional plans are collapsing and he resigns, he is selflessly helped by his former fellow patient from the clinic, Eda Mandík. This man, himself weak, inconsistent, and irresponsible, with unexpected and self-destructive devotion, gives up his own personal happiness and energetically spurs his flagging will to save his only friend. The price Eda pays for this act is not small, but his sacrifice was meaningful.

No synopsis available yet.