Enrique Grau Araújo

Experimental film in which with black birds and peacocks, old postcards and dried flowers, toiletries and antiquarian pieces, the mannerist or theatrical touches of Creole romanticism are recreated and ironizes around the modesty of María and her vampiresque unfolding.

New York in the 60s. Two Colombian artists meet and make a super 8 film, cross-dressing as Garbo in La Traviata.

Surrealist experimental film in which a foreign secret agent called "El Gringo," investigates the presence of radioactivity in some lobsters caught in a fishing village in the Caribbean. While taking a break at the hotel, a cat steals his lobster.

Experimental film in which with black birds and peacocks, old postcards and dried flowers, toiletries and antiquarian pieces, the mannerist or theatrical touches of Creole romanticism are recreated and ironizes around the modesty of María and her vampiresque unfolding.

New York in the 60s. Two Colombian artists meet and make a super 8 film, cross-dressing as Garbo in La Traviata.

Surrealist experimental film in which a foreign secret agent called "El Gringo," investigates the presence of radioactivity in some lobsters caught in a fishing village in the Caribbean. While taking a break at the hotel, a cat steals his lobster.