
Acting
Haruko Sugimura
Born 1909-01-06 · Hiroshima, Japan
Haruko Sugimura (杉村 春子 Sugimura Haruko, January 6, 1909 – April 4, 1997) was a Japanese stage and film actress, best known for her appearances in the movies of Yasujiro Ozu and Mikio Naruse from the late 1940s to the early 1960s. In the West, her most famous role was that of Shige, the elderly couple's hairdresser daughter in Ozu's Tokyo Story (1953). After the war, she was highly praised by such masters as Akira Kurosawa, Keisuke Kinoshita, Yasujiro Ozu, Mikio Naruse, Shiro Toyoda, Kenji Mizoguchi, and Tadashi Imai for her natural and realistic acting. In particular, she was a regular in Yasujiro Ozu's films, appearing in nine of his films.
Acting credits
8.1The elderly Shukishi and his wife, Tomi, take the long journey from their small seaside village to visit their adult children in Tokyo. Their elder son, Koichi, a doctor, and their daughter, Shige, a hairdresser, don't have much time to spend with their aged parents, and so it falls to Noriko, the widow of their younger son who was killed in the war, to keep her in-laws company.
Tokyo Story
1953
7.7Taking its title from an archaic Japanese word meaning "ghost story," this anthology adapts four folk tales. A penniless samurai marries for money with tragic results. A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Blind musician Hoichi is forced to perform for an audience of ghosts. An author relates the story of a samurai who sees another warrior's reflection in his teacup.
Kwaidan
1965
8.2Aspiring to an easy job as personal physician to a wealthy family, Noboru Yasumoto is disappointed when his first post after medical school takes him to a small country clinic under the gruff doctor Red Beard. Yasumoto rebels in numerous ways, but Red Beard proves a wise and patient teacher. He gradually introduces his student to the unglamorous side of the profession, ultimately assigning him to care for a prostitute rescued from a local brothel.
Red Beard
1965
8.0Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.
Late Spring
1949
7.7Two boys beg their parents for a television set, nagging them until all patience is lost. The parents order the boys to be quiet and the boys do exactly that--refusing to utter a word. The boys' silence ultimately puts the whole neighborhood into turmoil.
Good Morning
1959
7.9Widower Shuhei Hirayama's caretaker is his 24-year-old daughter, Michiko. Gradually, he comes to realize that Michiko should not be obliged to look after him for the rest of his life, so he arranges a marriage for her.
An Autumn Afternoon
1962
7.9In postwar Tokyo, Noriko lives with her extended family. Although she enjoys her career and her social life, her more traditional family worries about her single marital status at the advanced age of 28. 40-year-old business associate Takako proposes, Noriko's family press her into accepting, but when her widowed childhood friend Kenkichi returns to the neighborhood, she finds her heart leading in another direction.
Early Summer
1951
7.5A theater troupe master's visit with his old flame unintentionally sets off a chain of unexpected events with devastating consequences.
Floating Weeds
1959
7.5A young salaryman and his wife struggle within the confines of their passionless relationship while he embarks on an extramarital affair.
Early Spring
1956
7.1A retired actress whose husband has recently died visits her summer home. There she has encounters with old friends and acquaintances who bring various stories and news of death and the past
A Last Note
1995
8.0Natsuko’s daughter Saori is born blind in 1941, just before her father is drafted. Despite an attempted surgery and years of struggle, her condition proves permanent. Growing up, she faces stigma and danger but eventually finds hope and love with a fellow blind student.
Till Tomorrow Is
1962
7.7Two sisters learn about the existence of their long-lost biological mother, but the younger is unable to accept the fact that she was abandoned as a child.
Tokyo Twilight
1957
7.2Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of geisha. But Otsuta will not give up. This film portrays the day time life of geisha when not entertaining customers.
Flowing
1956
6.7In 8th-century China, the Emperor grieves the death of his wife. The Yang family wants to provide the Emperor with a consort so that they may consolidate their court influence. General An Lushan finds a distant relative working in their kitchen, whom they groom to present to the Emperor. The Emperor falls in love and she becomes the Princess Yang Kwei-fei. The Yangs are then appointed important ministers, though An Lushan is not given the court position he covets.
Princess Yang Kwei-fei
1955
7.5The family of an older man who runs a small sake brewery become concerned with his finances and his health after they discover him visiting an old mistress from his youth.
The End of Summer
1961
6.8After her anti-fascist professor father is dismissed, Yukie navigates love, political repression, and wartime upheaval—ultimately forging her own path in pre- and post-WWII Japan.
No Regrets for Our Youth
1946
6.3A Japanese woman writes down three stories she has witnessed or heard of in her diary, each about the difficult situation a young woman finds herself in.
An Inlet of Muddy Water
1953
1945 Japanese movie
Kanchō umi no bara
1945
7.8A story of Japanese writer Kafu Nagai (1879-1959), a man about sixty with a huge reputation of seducer who falls madly in love for a young geisha named Oyuki. Meticulous and smartly dressed, Nagai patiently wrote in his diary his thoughts during many years. A melancholy reflection on the passage of time and a brilliant interpretive exercise.
The Strange Tale of Oyuki
1992
10.0Heitaro, who had served his firm loyally for 30 years, reaches the retirement age. He has four unmarried daughters and decides to split his retirement allowance he has received from his firm into 500,000 yen for each daughter as a wedding dowry. He considers them all old enough to handle the money, and gives them a free hand to use it as they wish.
Their Legacy
1962
8.0In Japanese theater, women's roles are traditionally played by men. The man playing the woman's role, the Onnagata, does not imitate the woman, as in the West, but tries to capture her significance. He need not stick close to his model, but draws far more from his own identity - a shift of value takes place, which is nonetheless not a step beyond. THE WRITTEN FACE is an attempt to offer an insight into the Japanese Kabuki star Tamasaburo Bando, one of the last defenders of this ancient and disappearing performing tradition.
The Written Face
1995
7.3Japan, 1860. The men of the Mito clan, victims of the Ansei purge, anxiously prowl around the Sakurada Gate of Edo Castle with the intention of assassinating Naosuke Ii of Hikone, tairō of the Tokugawa shogunate and responsible for their misfortune.
Samurai Assassin
1965
NRKanae, who broke up with her husband and moved to her uncle's house, met two men when her father, a university professor, collapsed. Michihara, a wealthy man and Miyashita, a youth scholar. Kanae is attracted to Miyashita, but ...
The Wind Blows Twice
1952
5.5The legend of the birth of Shintoism. In Fourth Century Japan, the Emperor's son Ouso expects to succeed his father on the throne, but Otomo, the Emperor's vassal, prefers Ouso's stepbrother, and conspires to have Ouso die on a dangerous mission he has contrived. But Ouso prevails in the mission and returns to his father's castle under a new name, Prince Yamato Takeru. Otomo plots to have the Prince sent into even greater danger, but Otomo is unaware that the gods have favored the Prince and the outcome is far from what any of them expected.
The Three Treasures
1959