Niko Kovač

A documentary about Croatian immigrants' soccer clubs, especially the Croatia Toronto soccer club, and their significance to the Croatian diaspora as well as Croatia itself.

In the mid-18th century, the modern day border between Bosnia and Croatia, wasn't just a border between two countries. It was a border between two political powers,The Venetian Republic and the Ottoman Empire, and their respective religions, Christianity and Islam. But, in the midst of that passionate conflict between the East and the West, a romance blossoms between Ivan Revač, a young Croatian assasin working for a local aristocrat, and Leyla, the daughter of an Ottoman bey.

Old woman was taken by her son to live in the big city. She finds adapting difficult and longs for return home.

The story describes a staid and apparently very ordinary Austrian teacher on holiday on the Southern Adriatic coast. The sensation of renewal and refreshment from the sea, sun and salt air is described in physical terms.

'Malo Misto' lives its own life, but not far behind the times. Hotel manager Roko Prč strives to organise tourism, so he introduces the first nudist beach. His wife Anđa brings two of her cousins from the Dalmatian hinterland and demands Roko to hire them. One of them, a young man named Ikan, earns the attention of a beautiful Swedish tourist. From Chile to Malo Misto returned Tonči, nicknamed Servantes, of course, without any money. He fell on the back of his hardworking aunt Keka, who even without him has enough problems of her own. Servantes also experiences an unexpected romance.

A young couple have settled in a new flat. Soon somebody begins watching them and they receive great amounts of money from an unknown sender.

The last play that Miroslav Krleza ever wrote. Especially interesting is the directorial concept, which sets the play in the space of the old Dubrovnik fortress, and used the audience as semi-active participants in the event. Two acting ensembles played for different audience with a short time lag.

Through Šimun’s conflict with the head of the new agricultural cooperative, where he is forced to work in order to feed his family, the changes that land reclamation has brought to everyday life in the Neretva Valley are depicted, destroying the traditional way of life.

The story of the Dubrovnik landowner Nikša Prokulić, who fiercely opposes romance between his daughter Jela and the Czech officer Marek, member of the Austro-Hungarian army that occupied their city in 1814, after the departure of the French. The story of the final downfall of the Republic of Dubrovnik thus also becomes the story of the agony of an ancient aristocratic family.