Varela Silva

A theatre having national as part of its name, at the top of a square, reflecting a country’s history. But which one? This is a voyage through the various narratives about D. Maria II National Theatre, forged through the intentions of the several regimes that intended to convey their own ideologies within the theatre’s mission. This is also the story of those who fought against it, opposed the institution and became part of it. How can one become heir of these stories, even if never having set foot inside.

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No synopsis available yet.

At the end of the nineteenth century, an army force led by Major Mouzinho de Albuquerque, a cavalry officer, imprisoned in Mozambique the tribal chief Gungunhana, who had rebelled against Portuguese government and sovereignty. Mouzinho instantly becomes a national hero but his raising popularity worries the State.

The story of Brazilian Antônio José da Silva, a jewish poet, playwright and lawyer living in the 18th Century Lisbon, who managed to avoid Inquisition by converting himself to Catholicism, after being tortured. But his fierce criticism of Portugal's élite led him to persecution and torture, becoming kind of a scapegoat.

A young girl, Benilde, so protected by her religious family that she seemingly knows nothing about procreation, insists that her mysterious pregnancy is a miracle; however, her distressed bourgeois family decides that Benilde has lost her mind.

A man living a regular and not-so-spectacular life, only feels alive at night.

Mário Gonçalves, a high school teacher threatened with death due to cancer, spends the last days of his life in the village where he was born, in the heart of Serra da Estrela. There, he expresses his talent as a painter in the intimate decoration of an abandoned chapel. This is also the twilight hour of rebellious memories: love and precariousness, choices and contingency, perennial dissatisfaction...

An arms smuggler organization uses a pirate television station to spread dissention among representatives in an international conference in Portugal. A French diplomat travels to Macao, hoping to locate a sexy spy who had stayed in Lisbon.

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A French sailor circa 1850, disembarks in a desert Atlantic island, and discovers a woman who had survived for many years her husband and brother, who have died while searching for mysterious valuables. The young couple discover paradise, and its end.

Under the mundane guise of a public relations firm, Singrid Karaman is actually running an intelligence network. Her new mission is to foil an upcoming coup attempt in the African country of Myassaland, and to recover the large stock of diamonds that have fallen into the hands of the mercenaries behind the plot. She instructs a former Nazi, Eric, to form a shock commando and her assistant, Carol, to contact the mercenary leaders, Commandant St Robert and Captain Tarquier. Although Tarquier is very suspicious, St Robert agrees to go aboard Ingrid's yacht.

The conventional love triangle—the wife, the man (coffee exporter), the other woman (his secretary). Faced with the discovery of infidelity, a frivolous woman is forced to give way to her rival, the mother of her husband's child. She therefore decides to leave for the metropolis and start a new life, against all odds... Fate will bring the couple back together, in dramatic circumstances, with a glimmer of happiness.

A fussy insurance inspector (Varela Silva) has the mission to investigate why, in three years, 325 employees have passed through a farm shop. In his police demand, he speaks with the maid, the girl Elvira (Fernanda Borsatti) and with the store's boss, Mr. Silva (Henrique Santos). His curiosity will only be satisfied with the arrival of Dona Berta (Elvira Velez), with her "nausea" daughter (Isabel de Castro) and her "unbearable" granddaughter (Guida Maria)