Alfonso Borbolla

Raffi, nearly forty and defiant of the system, has cycled through rehab countless times. After being kicked out of the clinic in his fifth attempt to get clean, he is forced to return to the person he despises most: his mother. Two days later, she kicks him out, and Raffi turns to Trino, his last remaining friend, for refuge. When he learns that his high school crush, Inés, is newly divorced, Raffi vows to win her over, even if it means getting a regular job, growing up, and finally taking his recovery seriously.

Twenty years have passed since those two apartments in the heart of Mexico City were the battlefield of a war of the sexes between Ana, Carlos, Andrea, Miguel, Tomás and María. All that is left of those apartments are memories and the image of Tomás' dead body at the bottom of the elevator shaft. Their lives have changed, their families have grown and new and unexpected characters have come to unsettle their daily lives and trigger a chain of events that will make them realize that modesty has been replaced by public disclosure; sex is only an app away; but love...love is still something elusive that everyone in today's banal and chaotic world is seeking.

A curse is placed on grinchy Chuy, who wakes up to find he's lived a full year, but is doomed to remember only Christmas Day. Every year. From now on.

Rodrigo Rojas is a telenovela actor anxious to break away from his melodramatic roles. When a prominent film director arrives in Mexico, he jumps at the chance to make it in the movies, despite the humiliating blows to his pride.

Sofía, a well-to-do socialite and her husband must wrestle with the impact of Mexico's 1982 economic crisis.

Cast away on a desolate beach, Ricardo toils tirelessly on a massive lighthouse that he believes holds the key to his rescue, neglecting his daughter whose own plans might derail her father’s dreams.

Mike Todd is a Broadway producer struggling to produce the film. Around the World in 80 Days. In Mexico, Mario Moreno, a young entertainer is struggling to get some respect, and he manages to become a star. A twist of faith makes them partners. Together they won the Oscar for Best Picture.

The love between Casandra and Nicolás is put to the test the night in wich Petru Beklea invites them to watch SÂNGE, an unconventional horror film.

Ana Paula catches her fiancé cheating. After a night of drinking, she wakes up far from home, not so certain she wants to go back.

Ian discovers that André, a former soap opera star and current alcoholic is his real father. Ian decides to go work at his ruined mascot business where he finds a place populated by extravagant people and discovers the meaning of fatherhood.

After Lucía and Jorge break up, she starts dating a friend, and he starts dating an old crush. But will they find their happy ending?

A retired couple will have to defend their home against an unpredicted menace: Their kids moving back.

Nicolás, a photographer, has suffered epilepsy since childhood and he is forced to take care of himself and sacrifice a lot, though he lives a normal life. On the other hand, Isabel is a woman who, apparently, has her whole life figured out although her mother is ill and she has no choice but to try to save her. Isabel and Nicolás fall in love in spite of themselves, their demons, their ghosts, and their weaknesses. Suddenly engaged in a relationship none of them would have even dared to imagine, they experience the love, passion, insecurity, fear, and allergy to commitment typical in people who are drifting away.

A young man is unable to break up with his girlfriend and decides to hire an agency that specializes in ending relationships.

Diego and Mirko, initially rivals, become close friends and form a club with the most eccentric students in their class, united by their shared mission to steal exams. As they devise and execute a complex and risky plan, their bond deepens, forging a relationship that will shape their futures.

After 15 years, Mateo returns to the old textile factory to say goodbye to his recently deceased mother. Incidentally, he will have to spend time with his alcoholic father, whom he can't stand.

Fausto and Esther childhood was tormented. Fausto, trying to escape from his father. Esther, mistreated by her brother-in-law. They both begin to be involved in a supernatural situation. Over which they have no control.

Mexico’s half-forgotten B-movie master, “involuntary surrealist” Juan Orol (1897–1988), receives a pitch-perfect tribute in this deft, irresistible love letter to a self-made man of showbiz whose career spanned half a century and nearly 60 films. Abetted by an all-pro cast, del Amo’s brilliant interpretation of Orol’s life exudes a droll underdog charm, and almost every frame is an infectious homage to the golden age of cinema, the wiles of memory, and the art of fantasy.

Ximena's dad lost his job and it doesn't seem like he is trying to get one. She leaves school to support her family but a power war will break out between her and her father when his authority figure is threatened.

Pablo Kramsky, a crime reporter for a tabloid newspaper is the victim of a home invasion. A colleague offers him a gun for self-defense, and this leads Kramsky to kill a person when he feels endangered. Kramsky is not brilliant at his job, but when he writes an article about a possible vigilante taking justice into his own hands, he gains the recognition of his superior and the admiration of his coworkers. Thus, Kramsky repeats the formula, committing crimes and writing about them, creating a crime fighting national hero.