Nobuhiro Kawanaka

Video began as a medium that inspired discovery. This art documentary traces the expressive roots of “media art” in Japan — works of video, performances, and installations created using video technology that allowed for free and creative visual expression.

Masato Hara made his directorial debut in high school in 1968 and achieved a reputation as a young prodigy. Many years later, he continues to make films and show his old experimental 'live-screening' films, but is saddled with massive debts. This film follows eight years in his life.

The documentary to find the "true Shuji Terayama".

A five-part documentary chronicling Toshio Matsumoto, the legendary filmmaker known as a pioneer of experimental cinema in Japan and also active as a film theorist, who exerted a profound influence on innovative film expression from the 1950s onward. Directed by filmmaker and critic Takefumi Tsutsui—himself both a filmmaker and critic like Matsumoto—the project was filmed over the course of ten years. Interweaving excerpts from Matsumoto’s works with an extensive series of interviews with collaborators and critics, the documentary retraces, through the figure of Matsumoto, the tumultuous decades from the 1950s to the 2000s across five parts, totaling 700 minutes.

Lately, I cannot help thinking; “What if the gods created life and death by mistake?” I find it odd that as I age, my body withers. If, as I slip into old age, my heart becomes young, then it would be appropriate if my body could follow suit. Wouldn’t it be nice if humans were born elderly, and in reverse, died of old age in an infant’s body?. (Hagiwara Sakumi)

The first installment in the "Video Letters" series, in which two artists exchange images. The story unfolds as each artist incorporates the other's images into their own, like nesting layers.

No synopsis available yet.

The newest work in a series of works employing 16mm film to exchange correspondence between the two filmmakers Nobuhiro Kawanaka and Sakumi Hagiwara. The principal theme of the series, begun in 1979, was "the landscape of memory", and the theme of this film is "travel". The thoughts of the two filmmakers intersect as Nobuhiro Kawanaka presents a return to the past through "time travel" and Sakumi Hagiwara uses a narrative method to portray "the destination of travel". (Kurzfilmtage - International Short Film Festival Oberhausen)

The work by Nobuhiro Kawanaka, who consistently produces film works from a personal aspect, focuses on Naito Chin (comedian, book reviewer), who had passed away in 2011. With the enormous footage Kawanaka has taken, the time he and Naito had spent together will be revived on screen.

In recent years, my older colleagues and friends have begun to pass away one after another. I wonder if I'm reaching that age myself, and I feel like time is chasing me. I had a brush with death when I was diagnosed with stomach cancer in 2005, and I was able to enjoy that situation with more objectivity and acceptance than I thought. In 2011, I had major surgery and lost my vocal cords. Since then, I've had surgery almost every year, and this life on the edge is my "landscape." (Nobuhiro Kawanaka)

No synopsis available yet.

“I am deeply involved in human memory and the feeling of nostalgia brought about by time. For this piece, my challenge was to observe time within the frame.” (Nobuhiro Kawanaka)

Video short by Japanese filmmaker Nobuhiro Kawanaka, premiered at the Image Forum Festival in 2012.

A nostalgic work, which attempts to reconstruct the materials of postwar 35 mm newsreel footage given by the filmmakers’ friend and old tinted picture postcards. He frankly describes in his own coherent style of filmmaking how he was moved when he saw these films and photographs for the first time. An attempt to rediscover fresh and new images in the past products.

Digital film by Japanese director Nobuhiro Kawanaka presented at the Image Forum Festival.

The seminal image of the continuous motion of a woman skipping. While Edward Muybridge worked to accurately record human movements, this film, shot in 16mm and made 100 years later, sparks interest in how it disrupts the order of continuous movement.

Photographs of a nude, arranged into stop-motion sequences on the left half of the screen, are juxtaposed with a close-up of the film itself passing in front of a viewer, gradually revealed on the right half of the screen.

Experimental film by Nobuhiro Kawanaka.

Short film about the personal life of Nobuhiro Kawanaka.

A compilation of Kawanaka's representative "Shishōsetsu" series. "The title of my film series, 'I-novel,' is easily misunderstood. The 'I-novel' is a traditional Japanese literary form in which the filmmaker depicts his or her life as if poking around in a box. That's why I didn't shoot it like a regular documentary film. I'm filming everyday life, but it's fictionalized into a scene I've never seen before." -Nobuhiro Kawanaka

Writes Kawanaka, "Video is a medium of image as well as sound. Walking on a gravel road with a camera, the crunch sound is captured in real time. Such [an] observation seems obvious, but as a filmmaker, the ability to record sound in real time was very new to me. Referencing a can-kicking game I played as a child, I followed the rolling can and recorded the resonant sounds of the can hitting the ground."

Short film that is part of a series of 6 films that Nobuhiro Kawanaka made between 1987 and 1992.

This formal study is based on a series of postcards of pre-war Tokyo. The artist fuses these images of the past with the same scenes that appear today in an evocative and lyrical way.

A pictorial diary featuring images taken at the Old Blue Hotel in Berkeley.

Short film that is part of a series of 6 films that Nobuhiro Kawanaka made between 1987 and 1992.

Digital film by Japanese director Nobuhiro Kawanaka presented at the Image Forum Festival.

Short film that is part of a series of 6 films that Nobuhiro Kawanaka made between 1987 and 1992.

Short film that is part of a series of 6 films that Nobuhiro Kawanaka made between 1987 and 1992.